Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Altarpieces, Renaissance --- Panel painting, Renaissance --- Grünewald, Matthias,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Panel painting, Italian --- Panel painting, Renaissance --- Peinture sur panneau italienne --- Peinture sur panneau de la Renaissance --- Piero, --- Piero, --- Piero,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), Ethiopians, and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church.

Painters --- Panel painting, Renaissance --- Christian art and symbolism --- Peintres --- Peinture sur panneau de la Renaissance --- Art et symbolisme chrétiens --- Bosch, Hieronymus,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn....Provided by publisher.

Exhibitions --- Portrait painting, Renaissance --- Panel painting, Renaissance --- Panel painting, Netherlandish --- Sittow, Michel, --- Sittow, Michel --- Painters --- Art, Netherlandish --- hofkunst --- renaissance --- Europa --- Tallinn --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Painters - Estonia - Biography --- Portrait painting, Renaissance - Exhibitions --- Panel painting, Renaissance - Exhibitions --- Panel painting, Netherlandish - Exhibitions --- Sittow, Michel, - 1469?-1525 - Exhibitions --- Sittow, Michel, - 1469?-1525 --- hofkunst. --- Sittow, Michel. --- Europa. --- Tallinn.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Pieter Coecke (1502–1550), qui jouissait d’une grande célébrité dans l’Europe de la Renaissance, a travaillé pour les commanditaires les plus riches et les plus puissants de son temps, dont l’empereur Charles Quint, François Ier de France, Henri VIII d’Angleterre et Cosme de Médicis. Bien qu’il soit surtout connu pour ses superbes tapisseries, qui ont élevé cet art textile monumental et luxueux à des hauteurs jamais atteintes, il maîtrisait aussi d’autres formes d’art. La production de son atelier allait des retables aux maquettes et cartons de vitraux. Cet ouvrage richement illustré – première monographie consacrée à Pieter Coecke van Aelst – présente l’artiste au public d’aujourd’hui tout en lui rendant la place qu’il mérite parmi les grands artistes du xvie siècle. Il renferme des superbes reproductions de ses plus beaux dessins et peintures sur bois arrivés jusqu’à nous, ainsi que de vingt magnifiques tapisseries de la Renaissance réalisées d’après ses cartons. Les photographies sont complétées par des textes de trente experts de premier plan, connaisseurs du monde et de l’art de Coecke.

Painters --- Panel painting, Renaissance --- Tapestry, Renaissance --- Peintres --- Peinture sur panneau de la Renaissance --- Tapisserie de la Renaissance --- Exhibitions --- Expositions --- Coecke van Aelst, Pieter, --- Coecke van Aelst, Pieter --- Arts [Renaissance ] --- Belgium --- Tapestry [Renaissance ] --- Tapestry [Flemish ] --- Coecke van Aelst, Pieter - 1502-1550