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Un chef-d'oeuvre à la loupe : La justice d'Othon de Dieric Bouts, Musées royaux des beaux-arts de Belgique : deux panneaux, Le supplice de l'innocent, inv. 1447, L'épreuve du feu, inv. 1448
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Year: 1988 Publisher: Bruxelles : Service éducatif, Musées royaux des beaux-arts de Belgique,

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Orgelluiken: traditie en iconografie : de Nederlandse beschilderde orgelluiken in Europees perspectief
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ISBN: 9057300257 Year: 1999 Publisher: Zutphen : Walburg pers,


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De Meester van de Virgo inter Virgines
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ISBN: 9080495816 9789080495814 Year: 1999 Publisher: Amsterdam M.R.V.


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The Holy Kinship: a medieval masterpiece
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ISBN: 904009487X Year: 2001 Publisher: Zwolle Waanders


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Cornelis Engebrechtsz : a sixteenth-century Leiden artist and his workshop
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ISBN: 9782503542232 2503542239 Year: 2014 Volume: 6 Publisher: Turnhout: Brepols,

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Cornelis Engebrechtsz (c. 1460/62-1527) was the first major Leiden painter to whom works can be attributed with certainty. They include a Lamentation Triptych from c. 1508 and a Crucifixion Triptych that was probably executed a decade later, both of which were made for the Mariënpoel Convent near Leiden and are now in Museum De Lakenhal in Leiden. These monumental triptychs display the influence of the dynamic style and palette of the Antwerp Mannerists, including splendid gold brocades. On the basis of the documented works by Engebrechtsz, no more than a dozen paintings and some fragments can be attributed to him personally, but many more can be connected to his workshop, which specialized in devotional works. Engebrechtsz’s pupils included his three sons Pieter (c. 1490-1560/61), Cornelis (c. 1493-1546) and Lucas (c. 1495-before July 1552). Although they must have played an important role in the workshop, it has so far proved difficult to associate specific paintings with them.Taking Walter Gibson’s 1977 dissertation on Engebrechtsz and his workshop as its point of departure, the present volume also draws upon the subsequent technical investigation of many of the paintings. The spectacular underdrawings revealed with infrared reflectography has given better insight into the working methods of the artist and his workshop. Moreover, the study of the gold-brocaded velvets by Esther van Duijn clarifies his use of a variety of patterns, while Peter Klein’s dendrochronological examination of the panels helps determine a chronology of the oeuvre. All this makes it possible to characterize more clearly Engebrechtsz’s stylistic development, his workshop production and the different hands involved. The new findings are presented in different chapters, which are complemented by a complete catalogue of the paintings and drawings by Engebrechtsz and his workshop.In addition, a complete survey of the monogrammed and/or dated drawings by Pieter Cornelisz, Engebrechtsz’s eldest son, is presented here for the first time, providing a firmer basis for the attribution of some paintings to him. Finally, the present volume is enhanced by documented biographies of Cornelis Engebrechtsz and his sons Pieter, Cornelis and Lucas. The known archival documents are complemented by an abundance of unpublished documents, richly enhancing our knowledge of the lives, careers and personalities of this family of artists.


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Frames and supports in 15th and 16th Southern Netherlandish painting
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ISBN: 9782930054261 2930054263 Year: 2015 Publisher: Bruxelles : Brussels Royal Institute for Cultural Heritage,

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"This free e-book is published by KIK-IRPA, the Royal Institute for Cultural Heritage in Brussels, and written by scholar Hélène Verougstraete. Offering 700 images and 1500 diagrams, the book is an updated study based on the author's 1989 doctoral thesis, which was prepared in French with black and white pictures. The new version has been fully translated into English and contains expanded research with crisp full-color illustrations and a searchable, zoomable interface."--Online publisher's description.


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Die deutschen, niederländischen und italienischen Tafelbilder bis um 1530
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ISBN: 3402066106 Year: 1990 Publisher: Münster Aschendorff

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