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Any attempt to sum up Andrea Palladio's creative achievements is invariably distorted by the fact that some of the greatest projects of his mature years were never built. For the most part, these unfinished works were in Venice. They include the patriarchal Church of San Pietro di Castello, the reorganisation of the Rialto district at the commercial and financial heart of the city, a church that would have overlooked the Grand Canal and, lastly, the monumental complex of the monastery for the Lateran Canons, the Convento della Carità. Antonio Foscari has now restored the balance by charting the course of Andrea Palladio's remarkable life and prodigious oeuvre in a way that sheds new light on all his works while also recognising a number of previously unclassified drawings. The books culminates with an attempt, unprecedented in over four hundred years of Palladian studies, to reconstruct the project that Palladio, in the autumn of his life, held to be the supreme testimonial of his creativity: the rebuilding of the Doge's Palace in Venice.
Architecture --- Palladio, Andrea --- Venice --- Architects --- History --- Palladio, Andrea, --- Criticism and interpretation. --- Venice (Italy) --- Criticism and interpretation --- Venise --- Architects - Italy - Venice - 16th century --- Architecture - Italy - Venice - History - 16th century --- Palladio, Andrea, - 1508-1580 - Criticism and interpretation --- Palladio, Andrea, 1508-1580 --- Venice (Italy) - History - 16th century --- Palladio, Andrea, - 1508-1580
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Palladio, Andrea --- Palladio, Andrea, --- Eglise --- Histoire de l'architecture --- Palais --- Théorie de l'architecture --- Villa palladienne --- Venise --- Classicism in architecture --- Criticism and interpretation --- Palladio, Andrea, 1508-1580 --- Palladio, Andrea, - 1508-1580 --- Palladio, Andrea, - 1508-1580 - Criticism and interpretation --- PALLADIO, Andrea (1508 - 1580) --- ARCHITECTURE DE LA RENAISSANCE --- FLORENCE (ITALIE) --- VENISE (ITALIE) --- ITALIE
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Featuring more than 300 new analytic drawings and models, this study explores the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape.
Country homes --- Architecture, Renaissance --- Architectural drawing. --- Maisons de campagne --- Architecture de la Renaissance --- Dessin d'architecture --- Palladio, Andrea, --- Criticism and interpretation. --- Palladio, Andrea --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Drawing --- Mechanical drawing --- Renaissance architecture --- Renaissance revival (Architecture) --- Architecture, Rural --- Rural architecture --- Dwellings --- Park gate lodges --- Palladio, A. --- Palladio, André, --- Palladio, --- Andrea, --- Italian architects --- Italian architects. --- Architectural drawing --- Palladio, Andrea, - 1508-1580 - Criticism and interpretation. --- Palladio, Andrea, - 1508-1580
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Dwellings --- Architecture, Renaissance --- Classicism in architecture --- Architecture de la Renaissance --- Palladio, Andrea, --- -Classicism in architecture --- -Dwellings --- -Domiciles --- Homes --- Houses --- One-family houses --- Residences --- Residential buildings --- Single-family homes --- Buildings --- Architecture, Domestic --- House-raising parties --- Household ecology --- Housing --- Architecture --- Architecture, Classical --- Classicism --- Renaissance architecture --- Renaissance revival (Architecture) --- Guidebooks --- Palladio, Andrea --- Palladio, A. --- Palladio, André, --- Palladio, --- Andrea, --- Criticism and interpretation. --- -Guidebooks --- architectuur --- architecture [discipline] --- Architecte --- Criticism and interpretation --- 16e siècle --- Guidebooks. --- -Architecture --- Domiciles --- Dwellings - Italy - Guidebooks --- Architecture, Renaissance - Italy --- Classicism in architecture - Italy --- Palladio, Andrea, 1508-1580 --- Palladio, Andrea, - 1508-1580 - Criticism and interpretation --- Palladio, Andrea, - 1508-1580
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Renaissance --- Palladio, Andrea, --- Criticism and interpretation --- Venice (Italy) --- Intellectual life --- 72.034 <45> --- 930.85.44 <45> --- 094:72 --- -Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- Cultuurgeschiedenis: Renaissance--Italië --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Architectuur. Bouwkunst --- History --- Palladio, Andrea --- Palladio, A. --- Palladio, André, --- Palladio, --- Andrea, --- Criticism and interpretation. --- -Intellectual life --- -Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- 094:72 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Architectuur. Bouwkunst --- 930.85.44 <45> Cultuurgeschiedenis: Renaissance--Italië --- 72.034 <45> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- -Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Bneci (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Venet︠s︡ii︠a︡ (Italy) --- Renaissance - Italy - Venice --- Palladio, Andrea, - 1508-1580 - Criticism and interpretation --- Venice (Italy) - Intellectual life - 16th century --- Palladio, Andrea, - 1508-1580
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