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Book
Paléographie musicale : les principaux manuscrits de chant grégorien, ambrosien, mozarabe, gallican :
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Year: 1969 Publisher: Berne : Editions H. Lang,

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Book
I codici notati della Biblioteca nazionale di Napoli
Authors: ---
Year: 1967 Volume: 47 Publisher: Firenze : L. S. Olschki,

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Book
Codex Ivrea Studien
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ISBN: 9790700325008 Year: 2013 Publisher: Berlin : Apus Musikverlag,

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Book
La première écriture musicale du monde occidental : la notation neumatique dans les manuscrits du chant grégorien du XIème au XIIIème siècle
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ISBN: 2877500934 9782877500937 Year: 2003 Publisher: Bourg-la-Reine: Zurfluh,


Book
Early music editing : principles, historiography, future directions
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ISBN: 9782503551517 2503551513 Year: 2013 Publisher: Turnhout: Brepols,

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Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as "to prepare an edition (of a literary work or works by an earlier author), " or "to prepare, set in order for publication (literary material which is wholly or in part the work of others)." Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED - "to prepare a film for the cinema or recordings for broadcasting, etc.


Book
The calligraphy of medieval music
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ISBN: 250354049X 9782503540498 9782503540054 2503540058 Year: 2011 Publisher: Turnhout: Brepols,

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The Calligraphy of Medieval Music treats the practical aspects of the book making and music writing trades in the Middle Ages. It covers most major regions of music writing in medieval Europe, from Sicily to England and from Spain to the eastern Germanic regions. Specific issues raised by the contributors include the pricking and ruling of books; the writing habits of scribes and their reliance on memory; the cultural influence of monastic orders such as the Carthusians; graphic variants between regional styles of music notation ranging from tenth-century Saint-Gall to sixteenth-century Cambrai; and the impact of print on late medieval notation. The volume opens with a few essays dealing with general issues such as page layout and manuscript production both in and out of medieval Europe. The second part of the book covers early music notations from the tenth and eleventh centuries, and the third part, the twelfth to the sixteenth centuries.

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