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In 1987 werd in Moorslede een grote retrospectieve tentoonstelling gehouden met een 80-tal werken van deze in 1874 in Moorslede geboren kunstschilder. Nu, 34 jaar later, was het dringend tijd om de kennis die toen werd opgedaan, niet verloren te laten gaan en recent onderzoek en nieuwe inzichten in dit boek vast te leggen. Het resultaat is een kunstboek met een overzicht van het oeuvre van Emiel Jacques. Ruim 200 werken komen aan bod. Voor het eerst krijgen we ook een inzicht in de werken die hij maakte in Nederland en de Verenigde Staten.
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Voici un livre qui parle avec Pierre Soulages. Un dialogue. Intérieur, plus que formel. Et issu d'un dialogue. Réel, ancien, continué. Ce n'est pas un livre sur. C'est un livre avec. Un livre vers. Et autant une réflexion sur le langage que sur la peinture. Pour continuer d'apprendre à voir." H. M. Poète, traducteur, Henri Meschonnic est aussi spécialiste de la théorie du langage et de la littérature. Il a été professeur à l'université de Paris-X et a notamment publié Critique du rythme, Modernité modernité, De la langue française.
Creation (Literary, artistic, etc.) --- Painting in art. --- Soulages, Pierre,
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Painting in art --- Art --- Peinture dans l'art --- Exhibitions --- History --- Expositions --- Romberg, Osvaldo, --- Romberg, Osvaldo --- Exhibitions.
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Painting --- Pictorial works --- Themes, motives --- Painting in art --- Peinture --- Peinture dans l'art --- Exhibitions --- Thèmes, motifs --- Expositions --- Iconography
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In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Painting in art. --- Pictures in art. --- Mural painting and decoration, Roman --- Aesthetics, Classical. --- Greek influences. --- Themes, motives.
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In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
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Painting --- illusionism --- schilderij in schilderij --- anno 1200-1299 --- anno 1300-1399 --- Italy --- Painting in art. --- Pictures in art. --- Figurative painting, Italian --- Peinture dans l'art --- Illustrations, images, etc. dans l'art --- Peinture figurative italienne --- Themes, motives --- Thèmes, motifs --- Pictures in art --- Painting in art --- Thèmes, motifs --- Figurative painting, Italian - 13th century - Themes, motives --- Figurative painting, Italian - 14th century - Themes, motives --- Italiaanse school
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allegorie van de schilderkunst --- self-portraits --- trompe-l'oeil --- painting [image-making] --- Apelles en Campaspe --- Iconography --- Pictura --- studios [work spaces] --- kunstkamer --- Painting --- Parrhasios --- Luke [Evangelist] --- Zeuxis --- Apelles --- Campaspe --- Painting in art. --- Painting, European --- Themes, motives. --- Campaspe [Mythological character]
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History --- schilderij in schilderij --- Painting --- Vermeer, Johannes --- Steen, Jan --- Hooch, de, Pieter --- Vredeman de Vries, Hans --- anno 1600-1699 --- Netherlands --- Grimmer, Abel --- Giselaer, de, Nicolaes --- Bassen, van, Bartholomeus --- Vredeman de Vries, Paul --- Painting in art. --- Pictures in art. --- Painting, Dutch --- Peinture dans l'art --- Illustrations, images, etc. dans l'art --- Peinture hollandaise --- Themes, motives. --- Thèmes, motifs --- Themes, motives --- Thèmes, motifs --- Schilderkunst --- Nederland --- architectuurschilderingen
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Painting --- art [fine art] --- Iconography --- painting [image-making] --- Art --- Clerck, de, Antoon --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Catalogues d'expositions --- De Clerck, A. --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- De Clerck, Antoon --- Painting in art --- Painting, Modern --- Exhibitions --- Clerck, Antoon De, --- De Clerck, Antoon, --- Exhibitions.
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