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Pintores cusqueños de la colonia
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Year: 1995 Publisher: Lima: Municipalidad del Qosqo,

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Investigación sobre el desarrollo de la Escuela de Pintura Cusqueña de los siglos XVI, VII y XVIII. Se destaca la obra pictórica de los principales artistas y el análisis histórico artístico de aquellas obras, que hoy se encuentran en Templos, monasterios y conventos de la ciudad del Cusco.La obra presenta facsímiles de firmas, heráldica de apellidos, fotografías a blanco y negro, y algunas a color "Posthumous publication pays tribute to distinguished Cuzco art historian who taught at the Escuela Superior Autonoma de Bellas Artes Diego Quispe Tito. Text offers a wealth of documentation on the artists whose work defined the important Cuzco School of painting during Spanish colonial period. Organization follows strict chronological order by century, including extensive lists of artists and their known works with useful reproductions of their respective autographs. Biographical data compiled mostly from secondary sources is complemented with brief descriptions of pictorial techniques and the iconography of their major works. Provides detailed information in separate chapters on better-known 17th- and 18th-century painters such as Diego Quispe Tito, Basilio de Santa Cruz Pumaqallo, and Basilio Pacheco. Color and b/w reproductions are extremely uneven, but an important visual reference for future studies nonetheless"--Handbook of Latin American Studies


Book
Inventing Indigenism
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ISBN: 9781477324097 9781477324080 9781477324103 1477324100 1477324097 Year: 2021 Publisher: Austin

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"The Peruvian painter Francisco Laso (1823-69) was born to an aristocratic Creole family. After studying painting in Europe, he returned to Peru and began to focus on portraiture and religious paintings. Over time, he increasingly grew interested in portraying the lives of everyday people rather than the ruling elite class. In addition, he began to depict people of indigenous and African descent, often in traditional dress, as in the cases of the Quechua and Aymara people he painted. His solemn and still studies serve to underscore a shift in depicting indigenous peoples as servants or slaves to representing a noble and lost figure in the Peruvian imagination. Laso's work was part of a broader transformation among nineteenth-century Peruvian painters that influenced writers and intellectuals, who were actively crafting a new national identity in the aftermath of independence from Spain. These images and the ideas they represented continued to shape Peruvian national identity even as the country began to implement modernization programs in the early twentieth century. Natalia Majluf contextualizes Laso's corpus of work within the longer visual culture rooted in the Enlightenment of the late eighteenth century and through portraits of indigenous peoples in the early twentieth century"--

Moche fineline painting from San José de Moro
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ISBN: 9781931745383 9781931745390 1931745382 1931745390 Year: 2007 Volume: 58 Publisher: Los Angeles, Calif. : Cotsen Institute of Archaeology at UCLA,

Moche Portraits from Ancient Peru
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ISBN: 0292716222 Publisher: Austin University of Texas Press

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