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Painting, Canadian --- Canadian painting --- Painters Eleven (Group of painters)
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The 2017 painting Quebec by Adam Miller represents over four hundred years of Quebec history. Featuring recognizable Quebec and Canadian politicians, ordinary characters, and allegorical figures, this unusual work visualizes many of the debates surrounding the 150th anniversary of Canadian Confederation as well as the 375th anniversary Montreal's founding. Bringing together a collection of commentaries on the painting and its artist, this volume contemplates the Quebec and Canadian experience and the bonds that link art and history. Included within are a reproduction of the painting, assorted detail shots, a key to the figures represented, and preparatory drawings used for the final work. Furthermore, essays by art historians François-Marc Gagnon, Donald Kuspit, and Alexandre Turgeon reflect on the painting and its style, as well as on its representation of history in relation to questions of politics, art, and collective memory. The book also contains an interview with Adam Miller conducted by Clarence Epstein, which reveals the sources of inspiration for the piece and the artist's creative process. A preface by the patron who commissioned the painting, Salvatore Guerrera, rounds out the contributions. Adam Miller is a painter known for his polished neo-classical figurative style that dramatizes historical subject matter and themes of social justice. He lives in New York.
Painting, Canadian --- Canadian painting --- Painters Eleven (Group of painters) --- Miller, Adam,
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Cet important ouvrage, abondamment illustré en couleurs, fait le survol d'un siècle d'art québécois à partir d'une centaine d'œuvres de la collection de l'Université de Montréal. Il intéressera tous les amateurs d'art qui y retrouveront des œuvres importantes de quatre-vingts peintres majeurs, de Marc-Aurèle Fortin à Marc Garneau, en passant par Borduas, Riopelle, Pellan, Molinari, Dominique Blain et Ariane Thézé.
Art, French-Canadian --- Painting, Canadian --- Université de Montréal --- Collections d'art --- Art collections --- Canadian painting --- Painters Eleven (Group of painters) --- French-Canadian art --- Montréal (Québec). --- University of Montreal --- Universidad de Montreal --- Université Laval à Montréal --- Art québécois --- Peinture québécoise --- art --- peinture --- Québec
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Our understanding of twentieth-century art is largely based on an aesthetic tradition initiated by the Impressionists, Cezanne, and the Cubists. However, painting that is mystically rather than aesthetically realized can not be examined within this tradition. What is needed is a new context, one which allows us to probe the mystical experience and teachings that motivate visionary painters. This book examines the ways in which Bertram Brooker, Emily Carr, Lawren Harris, Jock Macdonald, and Fred Varley, five of the most dynamic and innovative Canadian painters of the period 1920-1940, used mystical form rather than aesthetically initiated form in their painting. None of these painters was motivated solely by mystical concerns; each of them also painted works which were of a secular or non-spiritual nature. None the less, they were all deeply interested in and concerned about matters mystical. Through a careful examination of the primary documentation Ann Davis looks at the sources of their beliefs in Christianity, transcendentalism, and theosophy and theories of the fourth dimension, and attempts to put some of their major works into new contexts so that familiar paintings can be seen in a new and revealing mystical way. Each artist in his or her own way wanted to capture the logic of ecstasy. Their mystical works were conjured up more through contemplation and self-surrender than from direct personal experience. These paintings provided not so much a feast for the eye or an arena for the emotions as a launching pad for the spirit, and an outward manifestation of the hidden spiritual dimension of reality which pervades both nature and oneself.
Painting, Canadian --- Mysticism and art --- Art and mysticism --- Art --- Canadian painting --- Painters Eleven (Group of painters) --- Themes, motives. --- Kanada --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Painting, Canadian
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Marcel Dzama first gained fame with his drawings, but has recently expanded his practice to encompass film and three-dimensional work, developing an immediately recognizable language that draws from a diverse range of references and influences, including Dada and Marcel Duchamp. Created in close collaboration with the artist, this publication includes work from his 2013 exhibition at David Zwirner in London, which featured three videos inspired by the game of chess; puppets and masks based on the characters; and drawings, collages, dioramas, paintings and sculptural works. Dzama utilized the architecture of the gallery itself--an eighteenth-century Georgian townhouse--by hanging puppets from a skylight above the five-story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street. Among the drawings included is the large-scale, four-part Myth, Manifestos and Monsters, in which characters from the films line up alongside figures from the artist's earlier repertoire. Other drawings, such as two large-scale works executed on piano scroll, depict the characters in poses that mirror their movements and dancing in the films, while a series of new collages feature this imagery in more unexpected contexts. Five small paintings depicting a lone female terrorist seated on a bed emphasize the underlying tension between reality and fiction that characterizes all of the works gathered here. --Amazon.
Dzama, Marcel --- Drawing, Canadian --- Painting, Canadian --- Sculpture, Canadian --- Collage --- Video art --- 7.07 --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Tentoonstellingscatalogi ; Londen ; New York ; David Zwirner Gallery --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Collages --- Art --- Found objects (Art) --- Handicraft --- Montage --- Canadian sculpture --- Canadian painting --- Painters Eleven (Group of painters) --- Canadian drawing --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Time-based art
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"Examining the pervasiveness of censorship in Fascist Italy, from the entrenchment of Mussolini's role as 'prime censor' to the suppression of works by female writers, this is a look, at the vulnerability of culture under a dictatorship."--Jacket
Painting, Canadian --- Peinture canadienne --- 850 "19" --- 351.751 <45> --- 655.41 <45> --- 945.094 --- Italiaanse literatuur--20e eeuw. Periode 1900-1999 --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Italië --- Uitgeverij--algemeen--Italië --- Geschiedenis van Italië: fascisme Mussolini--(1922-1944) --- 945.094 Geschiedenis van Italië: fascisme Mussolini--(1922-1944) --- 351.751 <45> Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Italië --- 850 "19" Italiaanse literatuur--20e eeuw. Periode 1900-1999 --- Canadian painting --- Painters Eleven (Group of painters) --- Censorship --- Fascism and literature --- Italian literature --- Politics and culture --- Publishers and publishing --- 82:32 --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- 82:32 Literatuur en politiek --- Literatuur en politiek --- 945.094 Geschiedenis van Italië: fascisme; Mussolini--(1922-1944) --- Geschiedenis van Italië: fascisme; Mussolini--(1922-1944) --- History --- History and criticism --- Law and legislation --- Italy --- Repubblica italiana (1946- ) --- Italian Republic (1946- ) --- Włochy --- Regno d'Italia (1861-1946) --- Iṭalyah --- Italia --- Italie --- Italien --- Italii︠a︡ --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- إيطاليا --- Īṭāliyā --- جمهورية الإيطالية --- Jumhūrīyah al-Īṭālīyah --- Італія --- Італьянская Рэспубліка --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Италия --- Италианска република --- Italianska republika --- Ιταλία --- Ιταλική Δημοκρατία --- Italikē Dēmokratia --- 이탈리아 --- It'allia --- 이탈리아 공화국 --- It'allia Konghwaguk --- איטליה --- רפובליקה האיטלקית --- Republiḳah ha-Iṭalḳit --- Lýðveldið Ítalía --- Itālija --- Itālijas Republika --- Italijos Respublika --- Olaszország --- Olasz Köztársaság --- イタリア --- Itaria --- イタリア共和国 --- Itaria Kyōwakoku --- Italiya Respublikasi --- Италия Республикаси --- Italii︠a︡ Respublikasi --- Итальянская Республика --- Італійська Республіка --- Italiĭsʹka Respublika --- İtalya --- İtalya Cumhuriyeti --- איטאליע --- Iṭalye --- 意大利 --- Yidali --- 意大利共和国 --- Yidali Gongheguo --- Laško --- Sardinia (Italy) --- Cultural policy --- Sociology of literature --- History of Italy --- History of civilization --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- History and criticism. --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- Publishing --- Італійська Республіка --- Italian literature - 20th century - History and criticism --- Censorship - Italy - History - 20th century --- Publishers and publishing - Italy --- Fascism and literature - Italy --- Politics and culture - Italy - History - 20th century
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