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Art --- sales catalogs --- Mehringer, A. --- Pahl-Mehringer [München]
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Art --- sales catalogs --- Mehringer, A. --- Pahl-Mehringer [München]
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Revisiting Divisions of labour is a reflection on the making of a modern sociological classic text and its enduring influence on the discipline and beyond. Ray Pahl's 1984 book is distinctive in the sustained impact it has had on how sociologists think about, research and report on the changing nature of work and domestic life. In this timely revisiting of a landmark project, excerpts from the original are interspersed with contributions from leading researchers reflecting on the book and its effects in the ensuing three decades. The book will be of interest to researchers, students and lecturers in sociology and related disciplines.
Work. --- Division of labor. --- Working class. --- Industry (Psychology) --- Method of work --- Work, Method of --- Human behavior --- Labor --- Occupations --- Work-life balance --- Commons (Social order) --- Labor and laboring classes --- Laboring class --- Labouring class --- Working class --- Working classes --- Social classes --- Labor, Division of --- Economic specialization --- Employment --- Pahl, R. E. --- Division of labor --- Work --- E-books --- Divisions of Labour. --- Durkheimian theory. --- Isle of Sheppey. --- Marxist theory. --- Ray Pahl. --- Sheppey project. --- Weberian theory. --- deindustrialization. --- domestic division of labour. --- household work strategy. --- life course. --- post-industrial laboratory. --- sociology. --- women's work. --- workers' lives'.
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It is widely recognized that American culture is both exceptionally religious and exceptionally violent. Americans participate in religious communities in high numbers, yet American citizens also own guns at rates far beyond those of citizens in other industrialized nations. Since9/11, United States scholars have understandably discussed religious violence in terms of terrorist acts, a focus that follows United States policy. Yet, according to Jon Pahl, to identify religious violence only with terrorism fails to address the long history of American violence rooted in religion throughout the country’s history. In essence, Americans have found ways to consider blessed some very brutal attitudes and behaviors both domestically and globally.In Empire of Sacrifice, Pahl explains how both of these distinctive features of American culture work together by exploring how constructions along the lines of age, race, and gender have operated to centralize cultural power across American civil or cultural religions in ways that don’t always appear to be "religious" at all. Pahl traces the development of these forms of systemic violence throughout American history, using evidence from popular culture, including movies such as Rebel without a Cause and Reefer Madness and works of literature such as The Narrative of the Life of Frederick Douglass and The Handmaid's Tale, to illuminate historical events. Throughout, Pahl focuses an intense light on the complex and durable interactions between religion and violence in American history, from Puritan Boston to George W. Bush’s Baghdad.
Christianity and culture --- Violence --- Sacrifice --- Burnt offering --- Worship --- Religious aspects --- Christianity. --- Social aspects --- United States --- Church history. --- American. --- Empire. --- Pahl. --- Sacrifice. --- across. --- age. --- all. --- along. --- always. --- appear. --- both. --- centralize. --- civil. --- constructions. --- cultural. --- culture. --- distinctive. --- dont. --- explains. --- exploring. --- features. --- gender. --- have. --- lines. --- operated. --- power. --- race. --- religions. --- religious. --- that. --- these. --- together. --- ways. --- work.
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"The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers - among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl - in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education." "Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history."--BOOK JACKET.
Bauhaus --- Gropius, Walter --- Feininger, Lyonel --- Schreyer, Lothar --- Determann, Walter --- Albers, Jozef --- Breuer, Marcel --- Stölzl, Gunta --- Bogler, Theodor --- Mögelin, Else --- Kandinsky, Wassily --- Moholy-Nagy, László --- Jucker, Carl Jakob --- Hartwig, Joseph --- Buscher, Alma --- Schlemmer, Oskar --- Bayer, Herbert --- Moholy, Lucia --- Brandt, Marianne --- Meyer, Hannes --- Klee, Paul --- Pahl, Pius --- kunst --- architectuur --- design --- grafische vormgeving --- meubelkunst --- Duitsland --- twintigste eeuw --- kunsttheorie --- kleur --- kleurtheorie --- Gropius Walter --- Schreyer Lothar --- Determann Walter --- Albers Josef --- Breuer Marcel --- Stölzl Gunta --- Bogler Theodor --- Mögelin Else --- Kandinsky Wassily --- Moholy-Nagy Laszlo --- Wagenfeld Wilhelm --- Hartwig Joseph --- Buscher Alma --- Schlemmer Oskar --- Bayer Herbert --- Pahl Pius --- Meyer Hannes --- Brandt Marianne --- Moholy Lucia --- 7.037 --- Exhibitions --- Art, European --- Art, German --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- Staatliches Bauhaus --- Bauhaus. --- Art allemand --- Art européen --- Modernisme (Art) --- History --- Exhibitions. --- Histoire --- Expositions --- Gropius, Walter. --- Feininger, Lyonel. --- Schreyer, Lothar. --- Determann, Walter. --- Albers, Jozef. --- Breuer, Marcel. --- Stölzl, Gunta. --- Bogler, Theodor. --- Mögelin, Else. --- Kandinsky, Wassily. --- Moholy-Nagy, László. --- Jucker, Carl Jakob. --- Hartwig, Joseph. --- Buscher, Alma. --- Schlemmer, Oskar. --- Bayer, Herbert. --- Moholy, Lucia. --- Brandt, Marianne. --- Meyer, Hannes. --- Klee, Paul. --- Pahl, Pius.
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Didactics of the arts --- Art --- art [discipline] --- Cimiotti, Emil --- Lehmann, Kurt --- Schaal, Hans Dieter --- Klumbies, Heinrich --- Hubbuch, K. --- Lörcher, Alfred --- Heider, Klaus --- Stoll, Arthur --- Arnold, Klaus --- Bramke, Erdmut --- Henninger, Manfred --- Schelenz, Walter --- Schreiner, Hans --- Schweizer, Helmut --- Clapeko, Claus-Peter --- Willikens, Ben --- Goertz, Jürgen --- Arndt, Axel --- Bendixen, Klaus --- Böhmer, Gunter --- Bohnet, Hans-Dieter --- Engbarth, Otto --- Förch, Robert --- Henning, Wolfgang --- Hobbing, Edzard --- Huthmacher, Dieter --- Kämper, Herbert --- Kiess, Emil --- Loeser, Doro --- Pahl, Manfred --- Peisert, Friedel --- Riester, Rudolf --- Röck, Irmela --- Rössing, Karl --- Schanz, Heinz --- Schmandt, Edgar --- Schöllkopf, Günter --- Schwalb, Lotte --- Uhlig, Martin --- Look, van, Hans-Günther --- Völkle, Bernd --- Wais, Alfred --- Weber, Jürgen --- Wolf, Lutz --- Yelin, Rudolf --- Ackermann, Max --- Baschang, Hans --- Antes, Horst --- Bernhard, Franz --- Dienst, Rolf-Gunter --- Reuter, Hans Peter --- Accademia di belli arte di Roma [Roma] --- anno 1900-1999 --- Germany
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drawing [image-making] --- Neue Sachlichkeit --- Expressionist [style] --- Drawing --- women [female humans] --- Art --- Sculpture --- Iconography --- Cubist --- Art styles --- painting [image-making] --- Painting --- sculpting --- Surrealist --- Hrdlicka, Alfred --- Ackermann, Max --- Wintersberger, Lambert Maria --- Münter, Gabriele --- Man Ray --- Maillol, Aristide --- Ilg, Andreas --- Bauer, Victor --- Hausner, Rudolf --- Dreher, Peter --- Arp, Hans --- Chirico, de, Giorgio --- Klimt, Gustav --- Picasso, Pablo --- Nolde, Emil --- Léger, Fernand --- Anzinger, Siegfried --- Stuck, von, Franz --- Gironella, Alberto --- Tamayo, Rufino --- Ernst, Max --- Magritte, René --- Beuys, Joseph --- Schad, Christian --- Wölzl, Rainer --- Bellmer, Hans --- Liner, Carl Walter --- Beckmann, Max --- Jacobsen, Robert --- Hödicke, Karl Horst --- Munch, Edvard --- Merkel, Georg --- Thöny, Wilhelm --- Balkenhol, Stephan --- Kokoschka, Oskar --- Miró, Joan --- von Matsch, Franz --- Holderries-Kaesdorf, Romane --- Baselitz, Georg --- Bottoli, Oskar --- Rohlfs, Christian --- Kleine-Klopries, Heinz --- Hacker, Dieter --- Botero, Fernando --- Moore, Henry --- Magnelli, Alberto --- Pahl, Manfred --- Pechstein, Max --- Kirchner, Ernst Ludwig --- Riestra, Adolfo --- Corneille --- Bach, Elvira --- Kunsthalle Würth [Schwäbisch Hall] --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- anno 1900-1909 --- anno 1900-1999 --- anno 1800-1999 --- Women in art --- Art, Modern --- Femmes dans l'art --- Exhibitions. --- Expositions --- Sammlung Würth --- Sammlung Würth --- Matsch, von, Franz
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Iconography --- Art --- art [discipline] --- painting [image-making] --- sculpting --- Grieshaber, HAP --- Dewald, Franz --- Lindau, Uwe --- Heckel, Erich --- Baselitz, Georg --- Wörn, Walter --- Kitzel, Herbert --- Kille, Harald --- Arnold, Klaus --- Brodwolf, Jürgen --- Dreher, Peter --- Dreyer, Paul Uwe --- Henninger, Manfred --- Schreiner, Hans --- Tripp, Jan Peter --- Willikens, Ben --- Arndt, Axel --- Bauer, Herbert --- Baumann, Werner --- Bopp, Albrecht A. --- Braun, Reinhold --- Broder, Jakob --- Bunsen, Frederick D. --- Döring, Adam Lude --- Fischl, Achim --- Fleischmann, Adolf --- Förch, Robert --- Glinin, Almut --- Grunert, Andreas --- Hagstotz, Magda --- Hämmerle, Joachim --- Hauf, Hans-Peter --- Hoffmann, Sabine --- Holderried-Kaesdorf, Romane --- Huber, Ika --- Ilg, Andreas --- Kares, Johannes --- Konrad, Bertram --- Kurz, Bruno --- Langguth, Peter --- Lemmerz, Petra --- Baumeister, Willi --- Itten, Johannes --- Münch, Hanspeter --- Opialka, Andreas --- Pahl, Manfred --- Schmidt, Jürgen --- Seemann, Karl-Henning --- Stütz-Mentzel, Hannah --- Tamschick, Rüdiger --- Treder, Klaus-Martin --- Wachter, Emil --- Hoflehner, Rudolf --- Schlemmer, Oskar --- Kirkeby, Per --- Ackermann, Max --- Balkenhol, Stephan --- Baschang, Hans --- Lüpertz, Markus --- Sonderborg, K.R.H. --- Schumacher, Emil --- Antes, Horst --- Chevalier, Peter --- Hoelzel, Adolf --- Hofer, Karl --- Lenk, Thomas --- Pfahler, Georg Karl --- Stankowski, Anton --- Stöhrer, Walter --- Wintersberger, Lambert Maria --- Bier, Wolfgang --- Bunk, Holger --- anno 1900-1999 --- anno 2000-2099 --- Karlsruhe --- Stuttgart
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