Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Drag Queens and Beauty Queens is the portrait of the gay community in Atlantic City seen through the lens of two beauty pageants, the iconic Miss America Pageant and its drag counterpart, the Miss'd America Pageant. Both originated and evolved in this oldest of America's resort towns. Beauty pageants are anything but trivial. As public spectacle, pageantry allows for the expression of oppositional values in a context that appears inconsequential, but they are actually highly charged performances of gender, deeply rooted in the social, political, and economic ideals contested within the culture of the time. Both the Miss America pageant and the Miss'd America pageant lie at the heart of gay life in Atlantic City, which centered around the once vibrant and now abandoned New York Avenue. The book contends that the Miss America pageant is admired by the gay community there in general and the gay male and drag community in particular because of its long-standing social and economic interactions with the town, and is understood by gays as essentially a camp performance. Drag Queens and Beauty Queens illustrates the immense influence that the Miss America Pageant had on the construction of gay identity in Atlantic City, and how gay Atlantic City has in turn "queered" the Miss America Pageant"--

Beauty contests --- Gay community --- Drag shows --- Drag balls --- Drag queens --- Drag kings --- Miss America Pageant. --- Miss'd America Pageant.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sarah Banet-Weiser complicates the standard feminist take on beauty pageants in this intriguing look at a hotly contested but enduringly popular American ritual. She focuses on the Miss America pageant in particular, considering its claim to be an accurate representation of the diversity of contemporary American women. Exploring the cultural constructions and legitimations that go on during the long process of the pageant, Banet-Weiser depicts the beauty pageant stage as a place where concerns about national identity, cultural hopes and desires, and anxieties about race and gender are crystallized and condensed. The beauty pageant, she convincingly demonstrates, is a profoundly political arena deserving of serious study. Drawing on cultural criticism, ethnographic research, and interviews with pageant participants and officials, The Most Beautiful Girl in the World illustrates how contestants invent and reinvent themselves while articulating the female body as a national body. Banet-Weiser finds that most pageants are characterized by the ambivalence of contemporary "liberal" feminism, which encourages individual achievement, self-determination, and civic responsibility, while simultaneously promoting very conventional notions of beauty. The book explores the many different aspects of the Miss America pageant, including the swimsuit, the interview, and the talent competitions. It also takes a closer look at some extraordinary Miss Americas, such as Bess Myerson, the first Jewish Miss America; Vanessa Williams, the first African American Miss America; and Heather Whitestone, the first Miss America with a disability.

Beauty contests --- National characteristics. --- Racism in popular culture. --- Popular culture --- Characteristics, National --- Identity, National --- Images, National --- National identity --- National images --- National psychology --- Psychology, National --- Anthropology --- Nationalism --- Social psychology --- Collective memory --- Ethnopsychology --- Exceptionalism --- Miss Universe Pageant. --- Miss America Pageant. --- Taḥarut "Mis Yunivers" --- achievement. --- american women. --- beauty pageants. --- beauty standards. --- beauty. --- bess myerson. --- black miss america. --- cultural criticism. --- disability. --- diversity. --- empowerment. --- ethnography. --- feminism. --- gender studies. --- gender. --- heather whitestone. --- interview. --- interviews. --- jewish miss america. --- liberal feminism. --- miss america. --- national identity. --- nonfiction. --- pageant officials. --- pageant participants. --- pageants. --- race. --- ritual. --- sexuality. --- social issues. --- sociology. --- swimsuit. --- talent competitions. --- vanessa williams.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

As the first Native American to win the title of Miss Oklahoma, Supernaw earned the right to enter the Miss America pageant. Her story goes much deeper, delving into how she acquired the knowledge and love of her Native traditions, nurtured by mentors from her grandma who takes her to stomp dances to members of the Native American Church who recognize her talents, which shine despite the abusive household in which she was raised.

Women scholars --- Indian scholars --- Indians of North America --- Indian women --- Munsee Indians --- Creek Indians --- Ethnic identity --- Supernaw, Susan, --- Supernaw, Susan, --- Supernaw, Susan, --- Family. --- Childhood and youth. --- Miss America Pageant

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Newest research into drama and performance of the middle ages.

Theater --- English drama --- History --- History and criticism. --- Academic Latin drama. --- British Isles. --- Civic mystery cycles. --- East Anglian theatre. --- European drama. --- Folk happenings. --- Gentry festivities. --- International influences. --- Latin drama. --- London playhouses. --- Mechanical stage effects. --- Medieval. --- Middle Ages. --- Modern survivals. --- Pageant waggon construction. --- Pageantry. --- Performance. --- Research productions. --- Stagecraft. --- Theatre. --- York Corpus Christi Play.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.

Music --- Music theater --- History and criticism. --- Vaughan Williams, Ralph, --- Dramatic music --- Mixed media (Music) --- Uilʹi︠a︡ms, Ralʹf Voan, --- Vaughan-William, R. --- Vaughan Williams, R. --- Vaughn Williams, Ralph, --- Voan Uilʹi︠a︡ms, R. --- Voan Uilʹi︠a︡ms, Ralʹf, --- Vōn-Wiriamuzu, Reifu, --- William, R. Vaughan --- -Williams, Ralph Vaughan, --- Williams, Vaughan, --- Wiriamuzu, Reifu Vōn-, --- Williams, Ralph Vaughan --- Williams, R. Vaughan --- 1900 - 1999 --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Edward Gordon Craig. --- English music-theatre. --- Englishness. --- May festival. --- Mummers' play. --- Purcell. --- Serge Diaghilev. --- Vaughan Williams. --- Wagnerism. --- early twentieth-century. --- musical practice. --- musical renaissance. --- pageant play. --- theatre artist.