Narrow your search
Listing 1 - 10 of 12 << page
of 2
>>
Sort by

Book
Chinatown Opera Theater in North America
Author:
ISBN: 0252099001 9780252099007 9780252040566 9780252082030 0252040562 0252082036 Year: 2017 Publisher: Urbana, IL : University of Illinois Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities. Drawing on a wealth of Chinese and English-language research, Nancy Yunhwa Rao tells the story of iconic theatre companies and the networks and migrations that made Chinese opera a part of North American cultures.


Book
Chinese opera : the actor's craft
Authors: ---
ISBN: 9888268252 9888268260 9789888268269 9789888208265 9888208268 Year: 2014 Publisher: Hong Kong : Hong Kong University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor's Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor's Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.


Book
The rise of the Peking Opera 1770-1870 : social aspects of the theatre in Manchu China.
Author:
ISBN: 0198151373 Year: 1972 Publisher: Oxford Clarendon


Book
The stagecraft of Peking opera : from its origins to the present day
Author:
ISBN: 7800050912 Year: 1995 Publisher: Beijing New world

Listening to theatre : the aural dimension of Beijing opera
Author:
ISBN: 0824812212 9780824812218 Year: 1991 Publisher: Honolulu University of Hawaii Press


Book
Alternative Chinese opera in the age of globalization : performing zero.
Author:
ISBN: 9780230245655 023024565X Year: 2011 Publisher: New York Palgrave Macmillan

Loading...
Export citation

Choose an application

Bookmark

Abstract

"Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese "opera" in locations around the Pacific Rim, including Hong Kong, Taiwan and California"--


Book
Staging Revolution : Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution
Author:
ISBN: 9888455168 9789888455164 9789888455812 9888455818 Year: 2018 Publisher: Hong Kong : Baltimore, Maryland : Baltimore, Md. : Hong Kong University Press, Project Muse, Project MUSE,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merit. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju's interactions with politics are the practitioners' constant artistic experimentation to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage and by examining how major artistic elements interacted with one other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first-person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement. --Description from the publisher.


Book
The metamorphosis of Tianxian pei : local opera under the revolution (1949-1956)
Authors: ---
ISBN: 9629968924 9789629968922 9789629965938 9629965933 Year: 2015 Publisher: Hong Kong : Chinese University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This volume is the most extensive social and cultural history of twentieth-century Huangmei Opera to date. A regional Chinese theater originating in the Anqing countryside, Huangmei Opera gained popularity with the success of the 1950s play and movie, Married to a Heavenly Immortal. Through a case study of this work, the author juxtaposes the complex process of rewriting and revising the play and movie against the rapidly changing cultural and ideological climate of the Communist theater reform movement. As a result, the traditional theme of filial piety becomes a struggle over class and free love. This volume features a full translation of the original play and its revision in the 1950s, as well as selected articles by scriptwriters, directors, performers, and critics.


Book
Performing China on the London Stage : Chinese Opera and Global Power, 1759–2008
Author:
ISBN: 1137597852 1137597860 Year: 2016 Publisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.

Drama kings : players and publics in the re-creation of Peking opera, 1870-1937
Author:
ISBN: 1282359037 9786612359033 052093279X 9780520932791 9780520247529 0520247523 9781282359031 Year: 2007 Publisher: Berkeley : University of California Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera's key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre's star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the "Four Great Female Impersonators" became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era.

Listing 1 - 10 of 12 << page
of 2
>>
Sort by