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componisten --- Pärt, Arvo --- anno 1900-1999
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Pärt, Arvo --- Criticism and interpretation. --- Pärt, Arvo --- Composers --- Estonia --- Biography --- Austria --- Criticism and interpretation --- Pärt, Arvo, 1935- -- Kritiek en interpretatie --- Pärt, Arvo, 1935- -- Criticism and interpretation --- Pärt, Arvo, 1935- -- Critique et interprétation --- 78.21.1 Pärt
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Muziekanalyses --- Muziekgeschiedenis --- Hedendaagse muziek --- Pärt, Arvo (1935-) --- 20e eeuw
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One of the most frequently performed contemporary composers, Arvo Part has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Part's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Part as a major cultural figure and reflect on the unprecedented impact of his music.
Music --- Motion picture music --- Motion picture music. --- Music. --- History and criticism. --- Pärt, Arvo --- Pärt, Arvo. --- Criticism and interpretation. --- 1900-1999.
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Cet ouvrage traite de la vie et de l'oeuvre du compositeur estonien. L'auteur de Tabula rasa revient sur son parcours et sur son esthétique lors d'un entretien avec E. Restagno.
Composers --- Avant-garde (Music) --- Compositeurs --- Musique expérimentale --- Interviews --- Attitudes --- Entretiens --- Pärt, Arvo --- Musique expérimentale --- Pärt, Arvo --- Pärt, Arvo.
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Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- Pärt, Arvo --- Pärt, Arvo --- Pjārts, Arvo --- Pi︠a︡rt, Arvo --- Pärt, A. --- Paert, Arvo Augustovich --- Pyart, Arvo --- Criticism and interpretation. --- General. --- Pärt, Arvo. --- Criticism and interpretation --- Pärt, Arvo - Criticism and interpretation
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