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Ozu, Yasujiro --- J6839 --- Japan: Media arts and entertainment -- cinema --- Ozu, Yasujiro, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎
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Le cinéaste japonais Yoshishige (Kiju) Yoshida présente l'oeuvre, la vie et l'esprit de son aîné Yasujirô Ozu, cinéaste reconnu dont il fut l'assistant. Il dévoile ses caractéristiques techniques particulières, notamment sa manière de filmer au ras du sol, depuis ses débuts à l'époque du cinéma muet jusqu'à ses derniers films.
791.471 OZU --- CDL --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- Criticism and interpretation. --- 小津, 安二郎
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Considered by many film critics and scholars as a master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. With fifteen never before published chapters in English by contributors from North America, Europe, and Japan, Reorienting Ozu explores the Japanese director's oeuvre and his lasting impact on global art cinema. Exploring major theoretical frameworks that characterize Ozu studies, chapters consider the various cultural factors that influenced the director's cinematic output, such as the anxiety of middleclass Japan in the 1930s, the censorship imposed by the US-occupation after World War II, and women's rights in Ozu's late work such as Tokyo Twilight (1957). Ultimately, chapters illuminate Ozu's influence on the directors of Japan and beyond. With the recent restoration and re-release of Ozu's early and late films, this volume provides an opportunity to examine not only the auteur's major works but also the relationshipsboth cultural and aestheticthat are forged among directors across the world.
Ozu, Yasujirō, --- Criticism and interpretation. --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- J6839 --- J2284.80 --- Japan: Media arts and entertainment -- cinema --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- 小津, 安二郎
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Paul Schrader --- twintigste eeuw --- film --- filmtheorie --- filmgeschiedenis --- Ozu Yasujiro --- Bresson Robert --- Dreyer Carl Theodor --- film en religie --- 791.41 --- 791.43 --- Ozu, Yasujiro --- Dreyer, Carl-Theodor --- Bresson, Robert --- Ozu, Yasujirō, --- Dreyer, Carl Theodor, --- Motion pictures --- Aesthetics. --- Criticism and interpretation. --- Aesthetics --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- Film --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- Dreyer, Carl Theodor
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This book offers a new interpretation of Ozu Yasujiro's career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence.
Motion pictures --- Cinéma --- Ozu, Yasujiro, --- Motion picture producers and directors --- Ozu, Yasujirō, --- Criticism and interpretation. --- Réalisateurs de cinéma --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- Réalisateurs de cinéma
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Over the last two decades, Yasujiro Ozu has won international recognition as a major filmmaker. Combining biographical information with discussions of the films' aesthetic strategies and cultural significance, David Bordwell questions the popular image of Ozu as the traditional Japanese artisan and examines the aesthetic nature and functions of his cinema.
Motion pictures --- Aesthetics. --- Ozu, Yasujiro --- Ozu, Yasujirō, --- -#SBIB:309H1323 --- #SBIB:309H1323 --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Aesthetics --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- Criticism and interpretation. --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- CDL --- 791.471 OZU --- Japanese cinema films --- Directing --- Ozu, Yasujirō, 1903-1963 - Critical studies --- OZU, YASUJIRO (1903-1963) --- FILMOGRAPHIE
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Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.
#SBIB:309H1327 --- #SBIB:309H1323 --- #SBIB:309H520 --- #SBIB:AANKOOP --- Films met een amusementsfunctie en/of esthetische functie: script --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Audiovisuele communicatie: algemene werken --- 791.471 OZU --- CDL --- Tōkyō monogatari (Motion picture) --- Ozu, Yasujiro, --- Ozuyasu, --- 小津安二郎, --- Criticism and interpretation. --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- Ozu, Yasujiro --- Ozu, Yasujirō, --- Viaggio a Tokyo (Motion picture) --- Tokyo story (Motion picture) --- Voyage à Tôkyô (Motion picture)
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With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors-Yasujiro Ozu, Robert Bresson, and Carl Dreyer-and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader's theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Motion pictures --- Aesthetics --- Aesthetics. --- Dreyer, Carl Theodor, --- Bresson, Robert --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- Criticism and interpretation. --- 小津, 安二郎 --- Ozu, Yasujirō, --- Dreyer, Carl Theodor --- andrei tarkovsky. --- art classes. --- associations. --- austere camerawork. --- bela tarr. --- carl dreyer. --- common dramatic language. --- directors. --- divergent cultures. --- editorial comments. --- film styles. --- nuri bilge ceylan. --- psychological realism. --- robert bresson. --- self consciousness. --- slow cinema. --- spiritual state. --- theo angelopoulos. --- transcendental style. --- world of the art film. --- writers. --- yasujiro ozu.
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