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Charles Dickens : Our mutual friend
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Dying to know : scientific epistemology and narrative in Victorian England.
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ISBN: 1282904604 9786612904608 0226475387 9780226475387 0226475360 9780226475363 0226475379 Year: 2002 Publisher: Chicago University of Chicago press

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"Dying to Know is the work of a distinguished scholar, at the peak of his powers, who is intimately familiar with his materials, and whose knowledge of Victorian fiction and scientific thought is remarkable. This elegant and evocative look at the move toward objectivity first pioneered by Descartes sheds new light on some old and still perplexing problems in modern science." Bernard Lightman, York University, Canada In Dying to Know, eminent critic George Levine makes a landmark contribution to the history and theory of scientific knowledge. This long-awaited book explores the paradoxes of our modern ideal of objectivity, in particular its emphasis on the impersonality and disinterestedness of truth. How, asks Levine, did this idea of selfless knowledge come to be established and moralized in the nineteenth century? Levine shows that for nineteenth-century scientists, novelists, poets, and philosophers, access to the truth depended on conditions of such profound self-abnegation that pursuit of it might be taken as tantamount to the pursuit of death. The Victorians, he argues, were dying to know in the sense that they could imagine achieving pure knowledge only in a condition where the body ceases to make its claims: to achieve enlightenment, virtue, and salvation, one must die. Dying to Know is ultimately a study of this moral ideal of epistemology. But it is also something much more: a spirited defense of the difficult pursuit of objectivity, the ethical significance of sacrifice, and the importance of finding a shareable form of knowledge.


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Others
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ISBN: 0691224056 Year: 2001 Publisher: Princeton : Princeton University Press,

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This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the ''wholly other'' within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness. Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend, Conrad's ''The Secret Sharer,'' Yeats's ''Cold Heaven,'' or Proust's Remembrance of Things Past. Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title--Others--indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End. We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness. Each testifies in its own way to the richness and tangible weight of an otherness close at hand.

Keywords

Difference (Psychology) in literature. --- Criticism --- European fiction --- History and criticism --- Europe. --- Absurdity. --- Allegory. --- Allusion. --- Analogy. --- Anthony Trollope. --- Anthropomorphism. --- Aphorism. --- Aporia. --- Appropriation (art). --- Assonance. --- Autobiography. --- Catachresis. --- Charles Dickens. --- Concept. --- Consciousness. --- Criticism. --- Determination. --- Dichotomy. --- Dizziness. --- E. M. Forster. --- Edmund Husserl. --- Emblem. --- Essay. --- Feeling. --- Fiction. --- Genre. --- George Eliot. --- Harold Bloom. --- Howards End. --- Idealism. --- Ideology. --- Immanuel Kant. --- Instant. --- Irony. --- J. L. Austin. --- Jacques Derrida. --- Joseph Conrad. --- Kurtz (Heart of Darkness). --- Lesbian. --- Literary theory. --- Literature. --- Louis Althusser. --- Marcel Proust. --- Messianism. --- Metaphor. --- Michael Sprinker. --- Mrs. --- My Neighbor. --- Narration. --- Narrative. --- Novel. --- Novelist. --- Obscenity. --- Oedipus the King. --- On Truth. --- Otherness (book). --- Our Mutual Friend. --- Oxford University Press. --- Oxymoron. --- Pamphlet. --- Paragraph. --- Paul de Man. --- Performative utterance. --- Perjury. --- Philosopher. --- Philosophy. --- Poetry. --- Prose. --- Prosopopoeia. --- Pun. --- Racism. --- Rhetoric. --- Rhyme. --- Roland Barthes. --- Romanticism. --- Specters of Marx. --- Speech act. --- Stupidity. --- Subjectivity. --- Suffering. --- Suggestion. --- Synecdoche. --- Søren Kierkegaard. --- The Other Hand. --- The Resistance to Theory. --- The Secret Sharer. --- The Various. --- Theory. --- Thought. --- Trollope. --- Uncertainty. --- University of Minnesota Press. --- Verisimilitude (fiction). --- Victorian literature. --- W. B. Yeats. --- Wallace Stevens. --- Walter Benjamin. --- Werner Hamacher. --- Wissenschaft. --- Writing.


Book
Comedy and culture: England 1820-1900
Author:
ISBN: 0691064288 0691100909 1322006598 069161606X 1400857929 9781400857920 9780691064284 9780691616063 0691643407 Year: 1980 Publisher: Princeton, N. J.

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Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Keywords

English literature --- Thematology --- anno 1800-1899 --- Comic, The --- Middle class --- Literature and society --- Littérature anglaise --- Comique --- Classes moyennes --- Littérature et société --- History and criticism --- Histoire et critique --- Comic, The. --- History and criticism. --- Littérature anglaise --- Littérature et société --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Ludicrous, The --- Ridiculous, The --- Social aspects --- Social conditions --- Sociolinguistics --- Social classes --- Comedy --- Wit and humor --- Aestheticism. --- Aldous Huxley. --- Ambivalence. --- Aphorism. --- Art for art's sake. --- Bab Ballads. --- Becky Sharp (character). --- British humour. --- Comic book. --- Comic novel. --- Criticism. --- Culture and Anarchy. --- De Profundis (letter). --- Disenchantment. --- Dramatic monologue. --- Epigram. --- Falsity. --- Farce. --- Fashionable novel. --- Fiction. --- George Gissing. --- George Meredith. --- Gradgrind. --- Green World. --- Hamlet's Father. --- Harold Pinter. --- Henri Bergson. --- High culture. --- Huckleberry Finn. --- Human behavior. --- Humiliation. --- Humour. --- Hypocrisy. --- Irony. --- Joke. --- Joseph Andrews. --- Kingsley Amis. --- Laurence Sterne. --- Lewis Carroll. --- Libido. --- Literature. --- Little Dorrit. --- Lord Alfred Douglas. --- Lord Byron. --- Madame Bovary. --- Mario Praz. --- Martin Chuzzlewit. --- Max Beerbohm. --- Melodrama. --- Mortal Fear (novel). --- Mr. Dick. --- Narrative. --- Newgate novel. --- Nonsense verse. --- Novel. --- Novelist. --- Oscar Wilde. --- Our Mutual Friend. --- Overreaction. --- Parody. --- Persona. --- Philistinism. --- Picaresque novel. --- Poetry. --- Prose. --- Pun. --- Quibble (plot device). --- Quilp. --- Ridicule. --- Robert Plumer Ward. --- Romanticism. --- Samuel Butler (novelist). --- Satire. --- Self-love. --- Sensibility. --- Sentimental novel. --- Sentimentality. --- Simile. --- Snob. --- Social criticism. --- Superiority (short story). --- The Decay of Lying. --- The Green Carnation. --- The Importance of Being Earnest. --- The Narrator. --- The Newgate Calendar. --- The Old Curiosity Shop. --- The Ordeal of Richard Feverel. --- The Other Hand. --- The Picture of Dorian Gray. --- The Way of All Flesh. --- Thomas Love Peacock. --- Uriah Heep. --- V. --- Victorian era. --- Victorian literature. --- Weedon Grossmith. --- Writer. --- Writing. --- À rebours.

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