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Difficult as it is to imagine today, in 1937 America's two leading media companies fought over the right to perform Shakespeare for an American radio audience in an attempt to bring prestige to their networks. The resulting fourteen broadcasts are among the more remarkable recreations of Shakespeare of their time. This lively and engaging book shows the cultural dominance of radio in the 1930s, and tells the story of why the networks each wanted to lord Shakespeare's prestige over the other, how they put their series together, the critical reception, and the cultural impact and legacies of the broadcasts.

Radio plays --- Social aspects --- Shakespeare, William, --- Audio adaptations --- History and criticism. --- Adaptation. --- CBS. --- Columbia Shakespeare Cycle. --- Edward G. Robinson. --- Humphrey Bogart. --- John Barrymore. --- NBC. --- Old Time Radio. --- Orson Welles. --- Radio Shakespeare. --- Radio Summer Series.

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Orson Welles's greatest breakthrough into the popular consciousness occurred in 1938, three years before Citizen Kane, when his War of the Worlds radio broadcast succeeded so spectacularly that terrified listeners believed they were hearing a genuine report of an alien invasion-a landmark in the history of radio's powerful relationship with its audience. In Radio's America, Bruce Lenthall documents the enormous impact radio had on the lives of Depression-era Americans and charts the formative years of our modern mass culture. Many Americans became alienated from their government and economy in the twentieth century, and Lenthall explains that radio's appeal came from its capability to personalize an increasingly impersonal public arena. His depictions of such figures as proto-Fascist Charles Coughlin and medical quack John Brinkley offer penetrating insight into radio's use as a persuasive tool, and Lenthall's book is unique in its exploration of how ordinary Americans made radio a part of their lives. Television inherited radio's cultural role, and as the voting tallies for American Idol attest, broadcasting continues to occupy a powerfully intimate place in American life. Radio's America reveals how the connections between power and mass media began.

Radio broadcasting --- Radio --- Radio industry and trade --- Broadcasting --- Mass media --- History. --- Social aspects --- United States --- History --- radio communications, culture, great depression, 20th century, united states, operations, media studies, orson welles, citizen kane, war of the worlds, broadcasts, audience, alien invasion, powerful relationship, enormous impact, depression-era americans, government, economiy, economics, stock market crash, poverty, entertainment, impersonal public arena, john brinkley, charles coughlin, persuasive tool, television, cultural role.

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"Slow Fade to Black completes Richard B. Jewell's richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio's fortunes, which peaked during World War II, declined in the post-war period, and finally collapsed in the 1950s. With unparalleled access to archival materials, Jewell chronicles the period from 1942 to the company's demise in 1957. Some of the towering figures associated with the studio were Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to its colorful cast of characters, the RKO narrative features key moments in entertainment history: Hollywood collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell's two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date"--Provided by publisher.

RKO Radio Pictures --- History. --- Radio Keith Orpheum Radio Pictures, inc. --- RKO Radio Pictures, inc. --- RKO-Pathe --- RKO Teleradio Pictures --- Radio-Keith-Orpheum Corporation --- Radio Pictures --- PERFORMING ARTS / Film & Video / History & Criticism. --- RKO Distributing Corp. --- RKO General, inc. --- RKO Productions --- Film --- anno 1940-1949 --- anno 1950-1959 --- United States --- 20th century. --- charles koerner. --- cinema. --- classic hollywood. --- early 20th century film studios. --- early filmmaking. --- early hollywood. --- entertainment history. --- film censorship. --- film history. --- film noir. --- film studies. --- film. --- hollywood studio system. --- hollywood. --- howard hughes. --- independent film production. --- jane russell. --- media history. --- media studies. --- movies. --- orson welles. --- rko film studios. --- rko films. --- rko radio pictures. --- robert mitchum. --- television. --- val lewton. --- United States of America

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Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. Discovering Orson Welles collects Rosenbaum's writings to date on Welles-some thirty-five years of them-and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, Heart of Darkness; Rosenbaum's rebuttal to Pauline Kael's famous essay "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, The Big Brass Ring and The Cradle Will Rock; and an account of Rosenbaum's work as consultant on the 1998 re-editing of Touch of Evil, based on a studio memo by Welles.

Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture industry --- Biography --- Analysis, appreciation. --- History and criticism --- Employees --- Welles, Orson, --- Welles, George Orson, --- Uėlls, Orson, --- Gouels, Orson, --- Jeeves, O. W., --- Spelvin, G. O., --- Magnificent Ambersons (Motion picture) --- Criticism and interpretation. --- Cinéma --- History --- Histoire --- Welles, Orson --- Welles, George Orson --- Uėlls, Orson --- Gouels, Orson --- Jeeves, O. W. --- Spelvin, G. O. --- The gGeat One --- american director. --- biographical. --- career. --- chimes at midnight. --- cinema. --- creative control. --- creative process. --- don quixote. --- f for fake. --- film criticism. --- film director. --- film studies. --- films. --- heart of darkness. --- hollywood. --- innovation. --- movie studies. --- movies. --- orson welles. --- othello. --- personal interviews. --- raising kane. --- studio memo. --- the big brass ring. --- the cradle will rock. --- the ultimate auteur. --- touch of evil. --- unfinished films. --- unfinished work. --- welles canon. --- Welles, orson, 1915-1985 --- Critique et interprétation

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Presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen

Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Stage history. --- Criticism and interpretation. --- Literature and literary studies --- Literary studies: plays and playwrights / Shakespeare studies and criticism --- LITERARY CRITICISM --- Biography, Literature & Literary studies --- Shakespeare. --- Literature: history & criticism --- English. --- American identities. --- European Fascism. --- Georgia Shakespeare. --- Globe Theatre. --- John Barton. --- Julius Caesar. --- Lindsay Anderson. --- Margaret Thatcher. --- Orson Welles. --- Second World War. --- Trevor Nunn. --- global Caesars. --- minor films. --- modernist productions. --- new millenium. --- unknown accents.