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J. Schlanger évoque les impacts, les emprunts, les traditions ou les ruptures qui traversent les idées et les oeuvres, les rapports entre elles, etc. Elle démontre le lien entre invention et mémoire.

Nouveauté --- Originalité (esthétique) --- Influence littéraire, artistique, etc. --- Nouveauté.

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Publisher description

Art --- Reproduction. --- Reproduction --- Sculpture antique --- Imitation (art) --- Originalité (esthétique) --- Art romain --- Esthétique --- Objets d'art --- Art romain. --- Esthétique. --- Reproduction (art)

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Copyright --- Art. --- Art --- Droit d'auteur --- Originalité (esthétique) --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Law and art --- Law and legislation --- Copyright - Art. --- Copyright - Art - France. --- Acqui 2006

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Art, Byzantine --- Byzantine literature --- Music, Byzantine --- Originality (Aesthetics) --- Art byzantin --- Littérature byzantine --- Musique byzantine --- Originalité (Esthétique) --- History and criticism --- Histoire et critique --- Byzantine Empire --- Empire byzantin --- Civilization --- Civilisation --- Art, Byzantine. --- Byzantine literature. --- Music, Byzantine. --- Civilization. --- Littérature byzantine --- Originalité (Esthétique) --- Byzantine music --- Music, Greek and Roman --- Greek literature, Byzantine --- Greek literature, Medieval and late --- Greek literature --- Byzantine art --- Art, Medieval --- Christian art and symbolism

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This work argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending and generic innovation in six of Euripides' plays.

Tragedy --- Mythology, Greek, in literature --- Closure (Rhetoric) --- Originality (Aesthetics) --- Rhetoric, Ancient --- Euripides --- Technique --- Mythology, Greek, in literature. --- Originality (Aesthetics). --- Closure (Rhetoric). --- Rhetoric, Ancient. --- Tragedy. --- Technique. --- Ancient rhetoric --- Antieke retoriek --- Conclusion (Rhétorique) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Oorspronkelijkheid (Esthetica) --- Originaliteit (Esthetica) --- Originalité (Esthétique) --- Peroratie --- Peroration --- Péroration --- Retoriek [Antieke ] --- Retoriek van de Oudheid --- Rhetoric [Ancient ] --- Rhétorique ancienne --- Rhétorique de l'Antiquité --- Slot (Retoriek) --- Drama --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Aesthetics --- Rhetoric --- -Technique --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Criticism and interpretation --- Greek drama (Tragedy) --- History and criticism --- Euripides - Technique --- History and criticism. --- Criticism and interpretation.