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Douglas Little explores the stormy American relationship with the Middle East from World War II through the war in Iraq, focusing particularly on the complex and often inconsistent attitudes and interests that helped put the United States on a collision course with radical Islam early in the new millennium. After documenting the persistence of ""orientalist"" stereotypes in American popular culture, Little examines oil, Israel, and other aspects of U.S. policy. He concludes that a peculiar blend of arrogance and ignorance has led American officials to overestimate their ability to shape events
Orientalism --- Nationalism --- Arab-Israeli conflict --- United States --- Middle East --- Relations --- International relations. Foreign policy --- anno 2000-2009 --- anno 1940-1949 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- Arab-Israeli conflict. --- East and West --- Israel-Arab conflicts --- Israel-Palestine conflict --- Israeli-Arab conflict --- Israeli-Palestinian conflict --- Jewish-Arab relations --- Palestine-Israel conflict --- Palestine problem (1948- ) --- Palestinian-Israeli conflict --- Palestinian Arabs --- History --- Orientalism - United States --- Nationalism - Middle East --- United States - Relations - Middle East --- Middle East - Relations - United States --- United States of America
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When Henry Luce announced in 1941 that we were living in the "American century," he believed that the international popularity of American culture made the world favorable to U.S. interests. Now, in the digital twenty-first century, the American century has been superseded, as American movies, music, and video games are received, understood, and transformed.How do we make sense of this shift? Building on a decade of fieldwork in Cairo, Casablanca, and Tehran, Brian T. Edwards maps new routes of cultural exchange that are innovative, accelerated, and full of diversions. Shaped by the digital revolution, these paths are entwined with the growing fragility of American "soft" power. They indicate an era after the American century, in which popular American products and phenomena-such as comic books, teen romances, social-networking sites, and ways of expressing sexuality-are stripped of their associations with the United States and recast in very different forms. Arguing against those who talk about a world in which American culture is merely replicated or appropriated, Edwards focuses on creative moments of uptake, in which Arabs and Iranians make something unexpected. He argues that these products do more than extend the reach of the original. They reflect a world in which culture endlessly circulates and gathers new meanings.
Popular culture --- Orientalism --- Ethnic attitudes --- Culture diffusion --- Globalization --- Social aspects --- United States --- Middle East --- Relations --- Civilization --- Middle West --- 21st century --- Cultural diffusion --- Diffusion of culture --- Culture --- Social change --- Attitude (Psychology) --- Ethnic relations --- Minorities --- Cultural awareness --- Race awareness --- East and West --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Asia, South West --- Asia, Southwest --- Asia, West --- Asia, Western --- East (Middle East) --- Eastern Mediterranean --- Fertile Crescent --- Levant --- Mediterranean Region, Eastern --- Mideast --- Near East --- Northern Tier (Middle East) --- South West Asia --- Southwest Asia --- West Asia --- Western Asia --- Orient --- Popular culture - United States --- Popular culture - Middle East --- Orientalism - United States --- Ethnic attitudes - Middle East --- Culture diffusion - Middle East --- Globalization - Social aspects - Middle East --- United States - Relations - Middle East --- Middle East - Relations - United States --- Middle East - Civilization - 21st century
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