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Widor: A Life beyond the Toccata brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. He is considered one of the greatest organists of his time, a prolific composer in nearly every genre, professor of organ and composition at the Paris Conservatory, academician and administrator at the Institute of France, journalist, conductor, music editor, scholar, correspondent, inspired visionary, and man of deep culture.
An appendix constitutes the most complete listing ever compiled of Widor's oeuvre. Each work is dated as accurately as possible and includes the publisher, plate number, dedicatee, and relevant commentary. Another appendix lists Widor's complete published writings, otherthan the scores of press reviews he penned over several decades.
Widor: A Life beyond the Toccata illuminates the life and work of one of France's most distinguished yet neglected musicians of the belle epoque.

John Near is William Martin and Mina Merrill Prindle Professor of Fine Arts and college organist at Principia College.

Composers --- Widor, Charles-Marie, --- Widor, Charles, --- Widor, Charles Marie Jean Albert, --- Widor, C.-M. --- Widor, Ch. M. --- Charles-Marie Widor. --- Paris Conservatory. --- Reginald Goodall. --- academician. --- composer. --- eucatastrophe. --- organist.

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This comprehensive re-evaluation of John Stainer's life and work demonstrates that there was a great deal more to admire beyond The Crucifixion. The thoroughness of the research is impressive, based on profusion of sources, many of them little used until now.... A text that carries great authority, plus (almost equally important) a new and generously annotated list of Stainer's works both musical and literary. At last, Stainer has got his due, once and for all.'NICHOLAS TEMPERLEY, Professor of Music Emeritus, University of Illinois. One of the most important musicians of the Victorianera, Stainer is known for his considerable influence as a composer of Anglican liturgical music, and his corpus of secular works - madrigals and songs - presents many surprises. He was a brilliant organist, a fine scholar, theorist, pedagogue and teacher - multifarious attributes which this study elucidates and understands as part of his wider musical personality. Stainer's life is a story of extraordinary social mobility. From lowly origins he rose to become organist of St Paul's Cathedral and Professor of Music at Oxford. Yet after his premature death in 1901 he suffered almost immediate neglect except for the popularity of a handful of works, among them I saw the Lord and The Crucifixion. In rehabilitating Stainer and the crucial contribution he made to musical life, this book examines the breadth of his work as a composer, and the important role he played in the regeneration of sacredand secular musical institutions in Victorian Britain. JEREMY DIBBLE is Professor of Music at Durham University. His previous books include studies of Parry and Stanford and he is the author of numerous articles on British music. He is currently working on a dictionary of hymnology.

Composers --- Stainer, John, --- Stainer, J. --- Anglican Liturgical Music. --- British Composer. --- Choral Music. --- John Stainer. --- Music Scholar. --- Organist. --- Sacred Music. --- Secular Music. --- Victorian Era.

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An examination of the role of the pedal clavichord in understanding the work of J. S. Bach, as well as its relevance to contemporary organ performances. Friederich Griepenkerl, in his 1844 introduction to Volume 1 of the first complete edition of J. S. Bach's organ works, wrote: "Actually the six Sonatas and the Passacaglia were written for a clavichord with two manuals and pedal,an instrument that, in those days, every beginning organist possessed, which they used beforehand, to practice playing with hands and feet in order to make effective use of them at the organ. It would be a good thing to let suchinstruments be made again, because actually no one who wants to study to be an organist can really do without one." What was the role of the pedal clavichord in music history? Was it a cheap practice instrument for organistsor was Griepenkerl right? Was it a teaching tool that helped contribute to the quality of organ playing in its golden age? Most twentieth-century commentary on the pedal clavichord as an historical phenomenon was written in a kindof vacuum, since there were no playable historical models with which to experiment and from which to make an informed judgment. At the heart of Bach and the Pedal Clavichord: An Organist's Guide are some extraordinary recentexperiments from the Göteborg Organ Art Center [GOArt] at Göteborg University. The Johan David Gerstenberg pedal clavichord from 1766, now in the Leipzig University museum, was documented and reconstructed; the new copy was thenused for several years as a living instrument for organ students and teachers to experience. On the basis of these experiments and experiences, the book explores, in new and artful ways, Bach's keyboard technique, a technique preserved by his first biographer, J. N. Forkel [1802], and by Forkel's own student, Griepenkerl.

Performance practice (Music) --- Pedal clavichord. --- Organ music --- Pratique de l'execution (Musique) --- Orgue, Musique d' --- Clavicorde à pedalier. --- Interpretation (Phrasing, dynamics, etc.) --- Histoire --- History --- Bach, Johann Sebastian, --- Clavichord --- Musical performance practice --- Performing practice (Music) --- Music --- Performance --- Bach. --- Golden Age. --- Historical Models. --- Instrument. --- J.S. Bach. --- Johann Sebastian Bach. --- Keyboard Technique. --- Music History. --- Music. --- Organ Performances. --- Organ Playing. --- Organist. --- Pedal Clavichord.

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Anton Heiller is one of the twentieth century's most renowned and influential organists. Born in 1923, Heiller was trained in Vienna and rose to prominence quickly, giving his first solo recital at the age of twenty-two. Before concentrating on the organ exclusively, he was a successful conductor of the symphonic repertoire, and from 1945 until his untimely death in 1979, he was professor for organ at the University of Music and Performing Arts in Vienna.His interpretations of Bach, which included registration and articulation, as well as a consideration of the theological underpinnings, would change the way Bach is played. Anton Heiller: Organist, Composer, Conductorprovides an assessment of Heiller's works and teaching, while also examining his complex personality, one torn between strong religious devotion and the world of artistry. Underlying this story here is also the story of church music and organ playing in central Europe in the decades after World War II, and of the then unique crossroads of organ cultures in mid-twentieth-century Europe. Peter Planyavsky was Anton Heiller's successor as an organ professor in Vienna, and Organist of St. Stephan's Cathedral in Vienna from 1969 through 2004. He is also a prolific composer, improviser, and conductor. The book is translated from the original German by Christa Rumsey, also a former student of Heiller.

Organists. --- Composers. --- MUSIC --- Composers --- Organists --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Songwriters --- Musicians --- Organ players --- Keyboard players --- Organ blowers (Persons) --- Individual Composer & Musician. --- Printed Music --- Percussion. --- Musical Instruments --- Piano & Keyboard. --- Heiller, Anton, --- Austria. --- al-Nimsā --- Alpen- und Donau-Reichsgaue --- Ao-ti-li --- Austrian Republic --- Ausztria --- Autriche (Republic) --- Avstrii︠a︡ --- Avstrija --- Avusturya --- Deutschösterreich --- German Austria --- Österreich --- Ostmark --- Østrig --- Osṭriyah --- Ōsutoria --- Rakousko --- Republic of Austria --- Republik Österreich --- אוסטריה --- オーストリア --- Austro-Hungarian Monarchy --- Holy Roman Empire --- 20th century. --- Anton Heiller. --- Bach. --- Europe. --- North America. --- Vienna. --- World War II. --- builders. --- composer. --- conductor. --- musicians. --- organist. --- organs. --- theological.

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In 1683 English court musicians and the Musical Society of London joined forces to celebrate St Cecilia's Day (22 November) with a feast and the performance of specially composed music. The most prominent composers and poets of the age wrote for these occasions, including Henry Purcell, John Blow, John Dryden and William Congreve.

Music --- Saint Cecilia's Day --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- St. Cecilia's Day --- Holidays --- History and criticism. --- Songs and music. --- History --- Musical Society of London --- History. --- Cecilia, --- Cäcilia --- Händel, Georg Friedrich --- Purcell, Henry --- Songs and music --- 1600-1799 --- England --- Purcell, ... --- Purcel, ... --- Purcel, Henry --- Purcell, H. --- Purcell, Henri --- Purcel, Henri --- Komponist --- Organist --- London --- Purcell, Daniel --- 1659-1695 --- XX.XX.1659-21.11.1695 --- Händel, Georg-Friedrich --- Händel, Georg Friederich --- Händel, Georg Fr. --- Händel, Georg F. --- Händel, George Friedrich --- Händel, George Frideric --- Händel, George F. --- Händel, G. Friedrich --- Händel, G. Fr. --- Händel, G. F. --- Händel, G.F. --- Hændel, G.-F. --- Händel --- Händel, C. F. --- Händel, C.F. --- Händel, Friedrich G. --- Händel, F. G. --- Händel, F.G. --- Händel, H. --- Händl, F. G. --- Händl, F.G. --- Händl, Georg Friedrich --- Haendel, Georg Friedrich --- Haendel, Georg-Friedrich --- Haendel --- Händle, Georg Friedrich --- Handel, Georg Friedrich --- Handel, Georg Frederic --- Handel, Georg Frideric --- Handel, Georg F. --- Handel, George Friedrich --- Handel, George Friderick --- Handel, George Frideric --- Handel, George Fridric --- Handel, George Frederick --- Handel, George Frederic --- Handel, George F. --- Handel, Georgio Fredrico --- Handel, Georgio F. --- Handel, Giorgio Federico --- Handel, Goerg Friedrich --- Handel, G. F. --- Handel, G.F. --- Handel --- Handell --- Hendel, Georg Friedrich --- Hendel, George Friederich --- Hendel, Giorgio-Federico --- Hendel --- Hendeli, Georg Pʹridrix --- Häddelischen --- Halle (Saale) --- Hamburg --- Händel, Georg --- Händel, Dorothea --- Rotth, Christian August --- Flörcke, Johanna Friederike <> --- 1685-1759 --- 23.02.1685-14.04.1759 --- Cäcilia --- Cecilia --- Heilige --- Rom --- 200-230 --- Cäcilia, --- Caecilia, --- Cecelia, --- Cécile, --- Cecily, --- Cecylia, --- Angleterre --- Kingdom of England --- Engeland --- Inghilterra --- Inglaterra --- Engländer --- Großbritannien --- -1707 --- Cecelia --- Caecilia --- British music. --- Composers. --- Cultural celebration. --- Handel. --- Historical records. --- Music. --- Musical compositions. --- Musical diversity. --- Musical history. --- Musical influence. --- Musical performances. --- Purcell. --- St Cecilia's Day.