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This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin "ations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature.
-Classical poetry --- Greek poetry --- Latin poetry --- History and criticism. --- Oral communication --- Classical poetry --- Classical languages --- Oral transmission --- Speech communication --- Verbal communication --- Communication --- Metrics and rhythmics. --- Metrics and rhythmics --- History and criticism --- Greece --- Rome --- Classical languages - Metrics and rhythmics. --- Classical poetry - History and criticism. --- Oral communication - Greece. --- Oral communication - Rome.
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This new edition of M.L. Clarke's 1953 classics study of Roman rhetoric incorporates corrections and a new introduction by D.H. Berry. The bibliography has been substantially updated and supplemented by suggestions for further reading.
Rhetoric [Ancient ] --- Oratory [Ancient ] --- Speeches, addresses, etc. [Latin ] --- History and criticism --- Theory, etc. --- Oral communication --- Rome --- Speeches, addresses, etc., Latin - History and criticism - Theory, etc. --- Oral communication - Rome. --- Speeches, addresses, etc., Latin --- Rhetoric, Ancient. --- Oratory, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Oral transmission --- Speech communication --- Verbal communication --- Communication --- Latin orations --- Latin speeches --- Rhetoric
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Speeches, addresses, etc., Latin --- Oral communication --- Gesture --- Rhetoric, Ancient --- Oratory, Ancient --- Gesture in art --- Audiences --- History and criticism --- History --- Rome --- Politics and government --- Audiences. --- Gesture in art. --- Oratory, Ancient. --- Rhetoric, Ancient. --- History. --- History and criticism. --- Politics and government. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Oral transmission --- Speech communication --- Verbal communication --- Communication --- Mudra --- Acting --- Body language --- Elocution --- Movement (Acting) --- Oratory --- Sign language --- Audiences, Communication --- Communication audiences --- Spectators --- Rhetoric --- Social aspects --- Speeches, addresses, etc., Latin - History and criticism --- Oral communication - Rome --- Gesture - Rome - History --- Rome - Politics and government
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The essays in Between Orality and Literacy address how oral and literature practices intersect as messages, texts, practices, and traditions move and change, because issues of orality and literacy are especially complex and significant when information is transmitted over wide expanses of time and space or adapted in new contexts. Their topics range from Homer and Hesiod to the New Testament and Gaius’ Institutes , from epic poetry and drama to vase painting, historiography, mythography, and the philosophical letter. Repeatedly they return to certain issues. Writing and orality are not mutually exclusive, and their interaction is not always in a single direction. Authors, whether they use writing or not, try to control the responses of a listening audience. A variable tradition can be fixed, not just by writing as a technology, but by such different processes as the establishment of a Panhellenic version of an Attic myth and a Hellenistic city’s creation of a single celebratory history.
Oral communication --- Written communication --- Transmission of texts --- Oral tradition in literature --- Oral-formulaic analysis --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Oral tradition --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Oral transmission --- Speech communication --- Verbal communication --- History and criticism --- Methodology --- Oral communication - Greece - Congresses --- Oral communication - Rome - Congresses --- Written communication - Greece - Congresses --- Written communication - Rome - Congresses --- Transmission of texts - Greece - Congresses --- Transmission of texts - Rome - Congresses --- Oral tradition in literature - Greece - Congresses --- Oral tradition in literature - Rome - Congresses --- Oral-formulaic analysis - Congresses
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