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Homère a-t-il existé ? Les hellénistes ne se posent plus guère la question. Mais la question de savoir comment l'Iliade et l'Odyssée ont été composées reste d'actualité. Car le texte homérique, avec ses scansions, ses fulgurances, sa puissance d'évocation, porte trace d'une tradition orale perpétuée par les chanteurs, les scribes, les aèdes. D'où l'intérêt de mettre les épopées homériques en regard avec d'autres poésies orales, comme s'y emploie Dominique Casajus dans cet essai majeur. Chants touaregs, poésie arabe archaïque, bardes serbo-croates, troubadours et ménestrels : autant de complaintes récitées ou chantées, autant de "situation d'oralité", diffusés par des interprètes itinérants. Le narrateur éploré, l'amant délaissé qu'ils mettent en scène n'est jamais qu'une transposition poétique de la solitude dans laquelle ils œuvraient en tant que poètes.

Troubadour songs --- Oral tradition in literature. --- Oral tradition --- Poetry --- Folk poetry --- Chansons de troubadours --- Tradition orale dans la littérature --- Tradition orale --- Poésie --- Poésie populaire --- History and criticism --- History --- History and criticism. --- Histoire et critique --- Histoire --- History of oral poetry --- Oral tradition. --- Tradition orale dans la littérature --- Poésie --- Poésie populaire --- Folk poetry - History and criticism --- History of oral poetry.

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Poetry --- Folk poetry --- Poetics --- History and criticism --- -Oral poetry --- Folk literature --- History and criticism. --- -History and criticism --- Tradition orale. --- Poésie populaire --- Histoire et critique. --- Folk poetry - History and criticism --- Poésie populaire

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This volume deals with the submerged literature of ancient Greece; that is, all the texts produced for socially relevant events that have contributed to the configuration and articulation of ancient Greek culture as we know it. In particular, the hermeneutic tool of submerged literature may shed new light on the dynamics behind the 'emersion' or 'submersion' of certain texts during different periods. The category of submerged literature is extended here to include preserved and lost texts as well as those texts that can be reconstructed through investigation. The volume investigates the manifold speech acts that we know of through various sources and that, either from the outset or over the course of time, have been placed at the edge of diffusion, conservation and transmission. The essays contained in the volume deal with questions of hermeneutics, philology and methodology, as well as with epic cycles, lyric poetry, tragedy, comedy, satyr drama, and mime. By approaching these genres from the perspective of submerged literature, the book tries to provide a more precise contextualization of the texts within the communication system of ancient Greece. The book thus presents a new line of research and a series of studies that take a fresh look at the texts and all archaeological and iconographic sources relating to Greek culture, taking into account the results of ethnographic and anthropological research. This extensive investigation examines unique ancient Greek orality and literacy dynamics using a new hermeneutic frame that will hopefully reshape our understanding of ancient Greek culture.

Greek literature --- Littérature grecque --- History and criticism. --- Histoire et critique --- History and criticism --- Comparative literature. --- Comparative literature --- Literature, Comparative --- Philology --- Littérature grecque --- Greek literature - History and criticism --- Greek literature. --- oral poetry. --- textual transmission.

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Folk poetry --- -Literature and folklore --- Folklore and literature --- Literature and folk-lore --- Folklore --- Oral poetry --- Folk literature --- History and criticism --- Literature and folklore. --- History and criticism. --- Herder, Johann Gottfried von (1744-1803). --- Scheffer, Johannes Gerhard (1621-1679). --- Literature and folklore --- Poesie populaire --- Pays scandinaves --- Poesie scandinave --- Herder (johann gottfried von), 1744-1803

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This is a study in oral poetic composition. It examines how oral poets compose their recitations. Specifically, it is a study of the recitations of 17 separate master poets from the Island of Rote recorded over a period of 50 years. Each of these poets offers his version of what is culturally considered to be the ‘same’ ritual chant. These compositions are examined in detail and their oral formulae are carefully compared to one another. Professor James J. Fox is an anthropologist who carried out his doctoral field research on the Island of Rote in eastern Indonesia in 1965–66. In 1965, he began recording the oral traditions of the island and developed a close association with numerous oral poets on the island. After many subsequent visits, in 2006, he began a nine-year project that brought groups of oral poets to Bali for week-long recording sessions. Recitations gathered over a period of 50 years are the basis for this book..

Oral-formulaic analysis. --- Oral tradition --- Folk poetry, Indonesian --- Indonesian folk poetry --- Tradition, Oral --- Formulaic analysis, Oral --- Indonesian poetry --- Oral communication --- Folklore --- Oral history --- Folk literature --- History and criticism --- Methodology --- eastern indonesia --- oral poetry --- anthropology --- Delhi University Students' Union --- Dengka language --- Dialect --- Meno --- Rice --- Ringgou language --- Sacred language --- Termanu language --- Rote Ndao (Indonesia) --- Kabupaten Rote Ndao (Indonesia) --- Rote Ndao Regency (Indonesia)