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Over the past decade, artist Lisa Oppenheim has steadily developed a unique body of work exploring the usage of (historical) imagery. Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today. One could define her work as an archaeology of time and visual culture. By exposing, or even reexposing, archival material, Oppenheim bridges the past and the present by introducing new meaning to these historical images, often resulting in film and photographic projects.
kunst --- eenentwintigste eeuw --- Verenigde Statan --- 77.071 OPPENHEIM --- archivering --- archieven --- Oppenheim Lisa --- fotografie --- film --- Photographie --- Art vidéo --- Oppenheim, Lisa, --- Oppenheim, Lisa, 1975 --- -kunst --- -Photographie --- Oppenheim, Lisa, 1975-
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From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the camera or create contact-printing with sources of light other than the enlarger, while still others use expired photographic papers and extraneous materials, such as dust and sweat, selected to match the particular subject of the photograph. All of the artists share a willingness to embrace accident and chance. Trial and error contribute to an understanding of the materials and their potential, as do the attitudes of underlying curiosity and inventive interrogation. The act of making each image is like a performance, with only the photographer present. The results are stunning. This lavish publication accompanies an eponymous exhibition on view at the J. Paul Getty Museum from April 14 to September 6, 2015.
fotografie --- kunst --- eenentwintigste eeuw --- materialiteit --- fotografische procédés --- Rossiter Alison --- Breuer Marco --- Welling James --- Oppenheim Lisa --- McCaw Chris --- Chiara John --- Brandt Matthew --- 77.039 --- Exhibitions --- Photographie --- Photographie, technique --- Photographie d'art --- Photography --- Welling, James --- Breuer, Marco --- Oppenheim, Lisa --- Rossiter, Alison --- Brandt, Matthew --- Chiara, John --- McCaw, Chris --- United States --- artistieke fotografie --- United States of America
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This catalogue presents an important new trend in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualize them within the history of art and culture. Drawing on the legacies of conceptual and commercial photography, these artists pursue a largely studio-based approach to still-life photography that centers on the representation of objects, often printed matter such as books, magazines and record covers. The result is images imbued with poetic and evocative personal significance--a sort of displaced self-portraiture--that resonate with larger cultural and historical meanings. Driven by a deep interest in the medium of photography, these artists investigate the nature, laws and magic of film photography at the moment of its disappearance in our digital age. They attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies, and by creating photo-sculptures and installations.Artists include Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag and Sara VanDerBeek.
760.5 --- fotografie, verzamelen - musea - tentoonstellingen --- Exhibitions --- Photography --- anno 2000-2009 --- Davey, Moyra --- Angelmaier, Claudia --- Collier, Anne --- Lassry, Elad --- Sonntag, Kathrin --- Hewitt, Leslie --- VanDerBeek, Sara --- Oppenheim, Lisa --- Baum, Erica --- Shirreff, Erin --- artistieke fotografie
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The photographic image is imbued with stillness. No movement, no sound, no time. But what happens if you add one of these missing elements? The Still Point of the Turning World focuses on that rare moment in which a photographer turns towards film or a video artist turns towards photography. What beauty can be found on the border between these two media?
fotografie --- film --- videokunst --- video --- video-installaties --- twintigste eeuw --- eenentwintigste eeuw --- 77.039 --- Photography --- installations [visual works] --- photography [process] --- video art --- film stills --- digital art [visual works] --- Garabedian, Mekhitar --- Lumière, Louis --- Evron, Nir --- Guidi, Guido --- Braeckman, Dirk --- Neville, Mark --- Stezaker, John --- Smith, John --- Cartier-Bresson, Henri --- Bakel, van, Michiel --- Barker, Morton --- Dee, Jason --- Oppenheim, Lisa --- Claerbout, David --- Goiris, Geert --- Wall, Jeff --- Graham, Paul --- Muybridge, Eadweard --- Sugimoto, Hiroshi --- Michals, Duane --- Lewis, Mark --- Boer, de, Manon --- Torfs, Ana --- Raqs Media Collective [New Delhi]
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