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《奇襲白虎团》选曲
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Year: 1968 Publisher: 上海 上海文化出版社

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Jing ju wen hua ci dian
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ISBN: 7543206714 Year: 2001 Publisher: Shanghai : Han yu da ci dian chu ban she,

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Keywords

Theater --- Operas, Chinese --- Chinese

Listening to Theatre
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ISBN: 0824846567 058536446X 0824812212 Year: 1991

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L'opéra chinois contemporain et le théâtre occidental : entretiens avec Wu Hsing-Kuo
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ISBN: 9782296549869 2296549861 Year: 2011 Publisher: Paris: L'Harmattan,

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Wu Hsing-Kuo est un célèbre acteur de cinéma qui a joué aux côtés de Jacky Chan et de Gong Li. Mais cet ouvrage s'intéresse à l'homme de théâtre. Les entretiens rapportés ici sont le témoignage vivant d'une aventure théâtrale unique dans laquelle s'établit la fusion du théâtre chinois et du théâtre occidental à travers l'adaptation de pièces shakespeariennes, de tragédies grecques, du théâtre de Beckett et de l'oeuvre de Tchékhov. Comment être à la fois fidèle à la forme artistique de l'opéra de Pékin et vouloir être le moteur du renouvellement de ses formes ? Wu Hsing-Kuo donne ici ses réponses


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Jing ju xuan bian
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ISBN: 7104002693 Year: 1991 Publisher: Beijing : Zhongguo xi ju chu ban she : Xin hua shu dian Beijing fa xing suo fa xing,

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Xi qu yin yue lun ji
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ISBN: 9789863141679 9863141674 Year: 2014 Publisher: Taibei : Wen shi zhe chu ban she,

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Die Musik der Peking-Oper
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Year: 1972 Publisher: Leipzig : Deutscher Verlag f. Musik,

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Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present
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ISBN: 9789004463394 9789004461925 9004463399 9004461922 Year: 2021 Publisher: Leiden, Netherlands ; Boston, Massachusetts : Brill,

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What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju 's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online.


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國劇故事 : 第一集
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ISBN: 9578515073 9789578515079 Year: 1991 Publisher: 臺北 文建會

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Costumes de l'opéra de Pékin.
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ISBN: 7801136284 Year: 1999 Publisher: S.l. Presse intercontinentale

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