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Jacob van Oost de Oude : Brugsch schilder der 17de eeuw.

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Caravageske invloeden in het oeuvre van Jacob van Oost de Oude, schilder te Brugge.

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Jacob van Oost de Oudere en het zeventiende-eeuwse Brugge.
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Year: 1984 Publisher: Brugge : Westvlaamse Gidsenkring,

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Jacob van Oost de Oudere : Een monografische studie over de zeventiende-eeuwse Brugse kunstschilder.

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Exposition de Bruges, 1846 : Notice des ouvrages de Peinture, Sculpture, Architecture, Gravure, Ciselure, Lithographie et Dessin, exposés au Salon ouvert par l'Académie Royale de Peinture, Sculpture et Architecture pour l'encouragement des Beaux-Arts, (06.07 - 02.08.1846) ; deuzième partie: Notice des tableaux des deux Van oost précédée de la biographie de ces deux peintres (avec 3 suppléments).
Year: 1840 Publisher: Bruges Bruges : Académie Royale de Peinture, Sculpture et Architecture de Bruges Imprimerie de C. De Moor,

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Michael Sweerts (1618-1664) : shaping the artist and the academy in Rome and Brussels
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ISBN: 9782503555300 2503555306 Year: 2015 Volume: 21 Publisher: Turnhout: Brepols,

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This book examines the career of the Brussels artist Michael Sweerts through an examination of the artistic, intellectual and cultural contexts that shaped his work and academy in the Netherlands and Italy in the seventeenth century.0The Flemish artist Michael Sweerts has long been considered one of the most fascinating and enigmatic painters of the seventeenth century. His peripatetic career, which stretched from his native Brussels to Rome, and later Amsterdam and the Far East, included work for the papal family and the foundation of a drawing academy in the Southern Netherlands. Despite this rich and varied career, Sweerts has yet to be fully examined within the artistic, intellectual and cultural contexts of Brussels and Rome in the seventeenth century. This book aims to retrace the artistic traditions that shaped Sweerts development and evolution as a painter, etcher and teacher, firmly situating him at the crossroads of artistic exchange between the Netherlands and Italy. The author demonstrates how Sweerts responded to contemporary notions of artistic practice and pedagogy in his work, and how he played a critical role in the formation of a Netherlandish academic tradition.

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