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Autobiographical drama --- Monodramas --- One-person shows (Performing arts). --- History and criticism.

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Sociology of the family. Sociology of sexuality --- Theatrical science --- Sociology of culture --- Feminist theater --- One-person shows (Performing arts) --- Performance art. --- Women in the performing arts. --- One-person shows (Performing arts).

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Il ne s'agit, dans ce livre, que de regarder et de décrire philosophiquement, autant que faire se peut, un grand danseur de baile jondo, Israel Galvan. Il s'agit de reconnaître dans son art contemporain un art de " naissance de la tragédie ". Il s'agit d'écouter son rythme et de reconnaître dans ses mots - au moins trois d'entre eux : la jondura ou " profondeur ", le rematar ou l'art de " mettre fin " et le templar, intraduisible - de grands concepts esthétiques que notre esthétique ignore encore.

Recreation. Games. Sports. Corp. expression --- Aesthetics --- Flamenco --- Dance --- Danse --- Philosophy --- Philosophie --- Galvãn , Israel --- One-person shows (Performing arts) --- Philosophy. --- Galván , Israel --- Flamenco - Philosophy. --- Galván, Israel.

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What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance , Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change.She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

Acting --- anno 1900-1999 --- Monodrama --- One-person shows (Performing arts). --- Theater --- History and criticism. --- Psychological aspects. --- PERFORMING ARTS --- General --- One-person shows (Performing arts) --- Monodramas --- Drama --- Music, Dance, Drama & Film --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Actors --- One-man shows (Performing arts) --- One-woman shows (Performing arts) --- Solo acts (Performing arts) --- One-person plays --- Solo dramas --- Solo plays --- Monologues --- History and criticism --- Psychological aspects --- Monodramas. --- Performance. --- Competence --- Work

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Stephenson explores the autobiographical form by analysing seven works by Canadian playwrights written and performed between 1999 and 2009, including Judith Thompson's Perfect Pie, Daniel MacIvor's In On It, and Timothy Findley's Shadows.

Monodramas --- One-person shows (Performing arts) --- One-man shows (Performing arts) --- One-woman shows (Performing arts) --- Solo acts (Performing arts) --- Performing arts --- One-person plays --- Solo dramas --- Solo plays --- Drama --- Monologues --- History and criticism. --- Kanada --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Monodramas