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Antonioni, Michelangelo --- Bergman, Ingmar --- Bresson, Robert --- Clair, René --- Fellini, Federico --- Hitchcock, Alfred --- Olmi, Ermanno --- Reed, Carol --- Renoir, Jean --- Sica, Vittorio de --- Truffaut, François
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Film --- Italy --- film --- filmgeschiedenis --- twintigste eeuw --- filmregisseurs --- Italië --- Antonioni, Michelangelo --- Bellocchio, Marco --- Bertolucci, Bernardo --- Comencini, Luigi --- Fellini, Federico --- Olmi, Ermanno --- Risi, Dino --- Rosi, Francesco --- Scola, Ettore --- Taviani, Paolo --- Taviani, Vittorio --- 791.43 --- KFL --- Cinema italien
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Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film. .
Teaching --- filmgeschiedenis --- film --- onderwijs --- opvoeding --- filmeducatie --- Allen, Woody --- Pasolini, Pier Paolo --- Coppola, Francis Ford --- Kurosawa, Akira --- Renoir, Jean --- Sica, de, Vittorio --- Clément, René --- Kaurismäki, Aki --- Kiarostami, Abbas --- Loach, Ken --- Tsai, Ming-Liang --- Welles, Orson --- Rohmer, Éric --- Olmi, Ermanno --- Menzel, Jiří --- Goretta, Claude --- Sen, Mrinal --- Moretti, Nanni --- Ouedraogo, Idrissa --- Novaro, María --- Kaige, Chen --- Gutiérrez Alea, Tomás --- Gitai, Amos --- Schroeder, Barbet --- Waddington, Andrucha --- Barmak, Siddiq --- Hong, Sang-Soo --- Kravchuk, Andrei --- Poromboui, Corneliu --- Haneke, Michael --- Wilder, Billy --- Dardenne, Jean-Pierre --- Dardenne, Luc --- Fassbinder, Rainer Werner --- Fellini, Federico
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This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of Carl Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neorealist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work - and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After the first two chapters dealing with Fellini's precinematic career, the book covers all the films to date in analytical chapters arrangedby topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.
Film --- Fellini, Federico --- Fellini, Federico, --- Criticism and interpretation --- Critique et interprétation --- Critique et interprétation --- Filmkunst. --- Motion picture producers and directors. --- Motion picture producers and directors --- Fellini, Federico. --- Critique et interpretation. --- Criticism and interpretation. --- Italy. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Adorni, Dina. --- Alleanza Cinematografica Italiana. --- Amarcord. --- Apuleius. --- Astaire, Fred. --- Attalo. --- Beluzzi, Maria Antonella. --- Bovo, Brunella. --- Browne, Cicely. --- Calvino, Italo. --- Cardinale, Claudia. --- Cavazzoni, Ermanno. --- Cifariello, Antonio. --- Cocteau, Jean. --- Corelli, Arcangelo. --- Dante. --- Delouche, Dominique. --- Eisenstein, Sergei. --- Ekberg, Anita. --- Fanfulla. --- Feldman, Marty. --- Fellini, Riccardo. --- Flaiano, Ennio. --- Fracassi, Clémente. --- Gambini, Donatella. --- Germi, Pietro. --- Giacchero, Norma. --- Gonzales, Peter. --- Gualino, Riccardo. --- Guerra, Tonino. --- Happy Country. --- Hitler, Adolf. --- Homer. --- Jones, Freddie. --- Kafka, Franz. --- Kezich, Tullio. --- Koscina, Silva. --- Leopardi, Giacomo. --- Lorre, Peter. --- Lux Film Studio. --- Mansfield, Jane. --- Masina, Giulietta. --- McManus, George. --- Milo, Sandra. --- Moro, Aldo. --- Mussolini, Benito. --- Nichi, Annibale. --- Olmi, Ermanno. --- Ombra, Gennaro. --- Paparazzo. --- avanspettacolo. --- film noir. --- Felini, Federiḳo --- Fellas, --- Fellini, F. --- Fellini, Frederico --- Italian Republic --- Italʹi͡anskai͡a Rėspublika --- Italii͡ --- Italii͡a Respublikasi --- Īṭāliy --- Regno d'Italia --- Repubblica italiana --- Italy --- Motion pictures
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