Listing 1 - 10 of 24 | << page >> |
Sort by
|
Choose an application
Choose an application
Edited by Melik Ohanian and Jean-Christophe Royoux. Contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro, Robert Whitman. "Often in a cosmogram there's an aim that goes beyond mere description or depiction: it's often a redescription, in the conditional or future tense: not the world as it is but the world as it could be. There can be a utopian intention, the goal of projecting new possibilities into a world which seemed fixed. Or to use a recent example, Philip K. Dick's novels map points where the standard ontology slips, where there are cracks in reality, out of which a new, more complete world can emerge." John Tresch, Humanities Institute, University of Chicago Cosmograms is conceived as an extension of Melik Ohanian's film Seven Minutes Before (2004), a cinematic allegory of both the exhaustion of a certain narrative form and the new privilege accorded to space over time. Collecting twenty-three texts by authors from diverse fields of investigation and research, Cosmograms attempts to map the multiple coordinates of this new spatial paradigm. In his conversation with the editors, the philosopher Peter Sloterdijk claims that "we are now living an epoch in which a more or less satisfied and luxurious conscience is learning the art of arranging its space. Modern man is a sort of 'curator' ... which is to say, an exhibition planner of the space that he himself inhabits. Every man has become a museum curator. We could say that installation art is the common meta-profession that everyone is obliged to practice. The innocence of the traditional habitat is lost for good." "Cosmograms is an extension of Seven Minutes Before, a film for seven screens directed by Malik Ohanian for the French Pavilion at the 26th São Paulo Biennial, 2004"--T.p. verso.
Cinéma --- Ohanian, Melik
Choose an application
Masson, Andre --- Loewy, Raymond --- Ohanian, Melik --- Basserode
Choose an application
Balula, Davide --- Beloufa, Neil --- Ohanian, Melik --- Sedira, Zineb
Choose an application
motion pictures [visual works] --- Photography --- Film --- photography [process] --- installations [visual works] --- Art --- Ohanian, Melik --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 OHANIAN --- -791.471 OHANIAN --- 791.45 --- Frankrijk --- Armenië --- Ohanian Melik --- video-installaties --- videokunst --- video --- film --- Video art --- -791.45 --- 791.471 OHANIAN --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Ohanian, Mélik --- Time-based art
Choose an application
Buckingham, Matthew --- Chodzko, Adam --- Cullinan, Sharlotte & Jeanine Richards artlab --- Dean, Tacita --- de Boer, Manon --- Gordon, Douglas --- Hugonnier, Marine --- Newman, Hayley --- Ohanian, Melik --- Sandison, Charles --- Sawyer, Mathew
Choose an application
Akerman, Chantal ; Anastas, Ayreen ; Augustijnen, Sven ; Baes, Pascal ; Bardin, Olivier ; Beaubois, Franck ; De Bemels, Antonin ; Benning, James ; Bergman, Marta ; Van Berkelaer, Gert ; Bernadette Corporation ; Bernier, Pascal ; Bianconi, Loredana ; Blondeel, Maria ; De Boe, Rik ; Brakhage, Stan ; Bucher, Francois ; Buchet, Jean-Marie ; Buckingham, Matthew ; Bucquoy, Jan ; Case, Charley ; Cash, Robert ; Catrysse, Wim ; Cattelain, Claude ; De Clercq, Anouk ; Convert, Jean-Philippe ; Coppin, Christian ; Cornelis, Jef ; Crabeels, Cel ; De Cupere, Peter ; D'Haeseleer, Kurt ; d'Ursel, Laurent ; Dekegel, Olivier ; Dekyndt, Edith ; Delauney, Nathalie ; Deller, Jeremy ; Denicolai, Simona ; Desamory, Lucile ; Dierckx, Isabelle ; Downsbrough, Peter ; Duyckaerts, Eric ; Eckhardt, Julia ; Engels, Ludo ; Fichefet, Frédéric ; Figgis, Mike ; Fontaine, Thierry ; François, Michel ; Gauthier, Hubert ; Gigounon, Bernard ; Grimonprez, Johan ; Hayes, Sharon ; Hynninen, Mikko ; Jacquemin, Frédéric ; De Kegel, Jan ; Van Kerckhoven, Anne-Mie ; Van Lancker, Laurent ; Lehman, Boris ; Lennep, Jacques ; Lheureux, Christelle ; Liping Weng & Meys, Olivier ; Lorand, Michel ; Maréchal, Nicolas ; Martin, Marie-France & Patricia ; Martin, Simon ; Mas, Aurore Del ; Meessen, Vincent ; Menick, John ; Messieurs Delmotte ; De Mey, Thierry ; Mouton, Joseph ; Novak, Stepan ; Ohanian, Melik ; Op de Beeck, Hans ; Pacquée, Ria ; Van Paesschen, Bram ; Pasolini, Pier Paolo ; Penders, Anne ; Philipsz, Susan ; Provoost, Ivo ; Ra'ad, Walid ; Rafael ; Restrepo, José Alejandro ; van Riel, Els ; Robin, Gwendoline ; Robinson, Mark ; Rowe, Keith ; Sanborn, Keith ; Smith, John ; Stallaert, Luk ; Suzuki, Ai ; Theys, Koen ; Tuerlinckx, Joëlle ; Vanagt, Sarah ; Vandeweerd, Pierre-Yves ; Vanrunxt, Marc ; etc.
Editors Anke Buxman, Frie Depraetere ; Contributors Herman Asselberghs, Inke Arns, Serge Daney [et al.] --- kunst --- film --- video --- videokunst --- experimentele film --- installaties --- documentaire --- documentaire film --- filmtheorie --- Lheureux Christelle --- Bardin Olivier --- Fontaine Thierry --- Ohanian Mélik --- Tuerlinckx Joëlle --- Benning James --- Philipsz Susan --- computerkunst --- nieuwe media --- Hynninen Mikko --- Rowe Keith --- 791.4
Choose an application
La critique d'art s'apparente plus que jamais à cette antique science qu'est la balistique. Dans un monde plus mouvant que jamais, elle calcule la trajectoire d'étranges objets catapultés dans la Cité, les œuvres d'art. Elle explore leur parcours sinueux, cartographie les paysages qu'elles traversent. Elle est un discours trajectorial en son principe : à l'étude du mouvement décrit par l'oeuvre s'ajoute la description d'un itinéraire modèle, c'est-à-dire ce calque subjectif et conceptuel qui se surimpose, le temps d'un texte, aux formes de la production artistique : la théorie. Ce livre constitue le premier volume du recueil de textes de Nicolas Bourriaud, autour de la problématique du temps dans l'art, et de la manière dont le thème ou le motif du temps et de la durée traverse l'œuvre de nombreux artistes, en relation avec la société, les publics et l'histoire.
Art --- art [fine art] --- time --- art criticism --- philosophy of art --- Gupta, Subodh --- Parreno, Philippe --- Tayou, Pascale Marthine --- Avery, Charles --- Coffin, Peter --- Ohanian, Mélik --- Rawanchaikul, Navin --- Sparks, Meredith --- West, Franz --- Ritchie, Matthew --- Huyghe, Pierre --- Dimitrijević, Braco --- Lavier, Bertrand --- Théorie de l'art --- Critique d'art --- Rapport existentiel à l'art --- Temps --- art [discipline]
Choose an application
Art styles --- Iconography --- Art --- Film --- earthworks [sculpture] --- art [discipline] --- wars --- fascism --- video art --- motion pictures [visual works] --- glacial landforms --- deserts --- landscapes [representations] --- Almond, Darren --- Brakhage, Stan --- Dauder, Patricia --- Smithson, Robert --- Korot, Beryl --- Ohanian, Mélik --- Welsby, Chris --- Dean, Tacita --- Benning, James --- anno 1900-1999 --- anno 2000-2099
Choose an application
Art --- art [discipline] --- motion --- Amorales, Carlos --- Boursier-Mougenot, Céleste --- Coffin, Peter --- Dahlberg, Jonas --- Gersht, Ori --- Hosking, Barnaby --- Khan, Idris --- Lutter, Vera --- Marcel, Didier --- Neuenschwander, Rivane --- Ohanian, Mélik --- Vassileva, Mariana --- Ishigami, Junya --- Elmgreen & Dragset --- Peter Fischli & David Weiss --- Hatoum, Mona --- Viola, Bill --- Eliasson, Olafur --- Borremans, Michaël --- Veilhan, Xavier --- Alÿs, Francis --- Kessler, Jon --- Mik, Aernout --- Lewis, Mark
Listing 1 - 10 of 24 | << page >> |
Sort by
|