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Die Untersuchung bietet einen Kommentar der beiden Texte, in denen Hölderlin sich das Konzept ,freier Kunstnachahmung' erarbeitet hat, auf dem sein Dichtungsverständnis wie sein poetisches Werk ab 1800 beruhen. Die theoretischen Fragmente "Das untergehende Vaterland ..." und "Wenn der Dichter einmal des Geistes mächtig ist ..." sind für Hölderlins Verständnis poetischer Arbeit entscheidend. In "Das untergehende Vaterland ..." werden der Anspruch wie die Bedeutung der Sprache der Dichtung geschichtsphilosophisch begründet und erläutert. An diese Grundlegung schließt die in "Wenn der Dichter ..." formulierte ,Verfahrungsweise des poëtischen Geistes' an. Was Dichtung begründet und zugleich fordert, erklärt Hölderlin als den Anspruch, ,eine Erinnerung zu haben'. Dies wird in der Untersuchung en detail nachvollzogen. Mit einem ausführlichen Nachwort versehen liegt ein Standardwerk der Forschung in Neuauflage vor.
Deutscher Idealismus --- Französische Revolution und Epochenschwelle 1800 --- Ästhetische Theorie --- Kunst und Erkenntnis --- Die Sprache der Kunst --- Hintergründe und Grundlagen moderner Dichtung --- German Idealism --- The French revolution and the 'Epochenschwelle' 1800 --- Aesthetics --- Art and knowledge --- Backgrounds and basics of (modern) poetry --- Geschichts --- -Sprach- und Kunstphilosophie --- Philosophy of history --- language and art
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"Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers"-- An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual. Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense—a genre in which a first-person speaker talks self-referentially—was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature. On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music. The result is a rich history of literary modernity and a bold new account of poetry’s transformations across centuries and national traditions.
Italian poetry --- Literary form. --- Lyric poetry. --- Poetry, Modern --- LITERARY CRITICISM / Modern / 19th Century . --- Poetry --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- History and criticism. --- Contemporary Literary Theory. --- Contemporary Poetry. --- History of Literary Genres. --- History of Modern Poetry. --- Modern Literary Theory. --- Nineteenth-century Poetry. --- Theory of Poetry. --- Theory of the Lyric. --- Twentieth-century Poetry. --- Twenty-first-century Poetry.
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"Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. The intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today." "In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written)."--Jacket.
Poesie --- Poetique --- Poetry --- Poetics --- Histoire et critique. --- History and criticism. --- Abbreviation. --- Aeneid. --- Aestheticism. --- Allegory. --- Alliteration. --- Allusion. --- Aphorism. --- Art for art's sake. --- Arthur Rimbaud. --- Artifice. --- Assonance. --- Blank verse. --- Caesura. --- Charles Baudelaire. --- Classicism. --- Comparative literature. --- Concrete poetry. --- Couplet. --- Courtly love. --- Despair (novel). --- Diction. --- Didacticism. --- Digression. --- Dramatic monologue. --- Eclogue. --- Epic Cycle. --- Epic poetry. --- Epigram. --- Epistle. --- Evocation. --- Existentialism. --- Farce. --- Free verse. --- G. (novel). --- Genre. --- Hexameter. --- Humour. --- Idyll. --- Imagery. --- Intelligentsia. --- Internal rhyme. --- Irony. --- Jews. --- Lament. --- Literature. --- Long poem. --- Lyric poetry. --- Lyricism. --- Metaphysical poets. --- Modernism. --- N. (novella). --- Narrative poetry. --- Narrative. --- Neo-romanticism. --- Neoclassicism. --- New Generation (Malayalam film movement). --- Novelist. --- Of Modern Poetry. --- Oral poetry. --- Panegyric. --- Parody. --- Pessimism. --- Petrarch. --- Picturesque. --- Poet. --- Poetic diction. --- Poetry. --- Political poetry. --- Prose poetry. --- Prose. --- Proverb. --- Pseudonym. --- Quatrain. --- Rainer Maria Rilke. --- Rhetoric. --- Rhyme scheme. --- Rhyme. --- Romantic poetry. --- Romanticism. --- S. (Dorst novel). --- Sanskrit. --- Satire. --- Sensibility. --- Sonnet sequence. --- Sonnet. --- Stanza. --- Strophe. --- Surrealism. --- Symbolism (arts). --- T. S. Eliot. --- The New Poetry. --- The Other Hand. --- The Song of Roland. --- The Various. --- Treatise. --- Troubadour. --- V. --- World War II. --- Writer. --- Writing.
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