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This is a volume about the life and power of ritual objects in their religious ritual settings. In this Special Issue, we see a wide range of contributions on material culture and ritual practices across religions. By focusing on the dynamic interrelations between objects, ritual, and belief, it explores how religion happens through symbolic materiality. The ritual objects presented in this volume include: masks worn in the Dogon dance; antique ecclesiastical silver objects carried around in festive processions and shown in shrines in the southern Andes; funerary photographs and films functioning as mnemonic objects for grieving children; a dented rock surface perceived to be the god's footprint in the archaic place of pilgrimage, Gaya (India); a recovered manual of rituals (from Xiapu county) for Mani, the founder of Manichaeism, juxtaposed to a Manichaean painting from southern China; sacred stories and related sacred stones in the Alor-Pantar archipelago, Indonesia; lotus symbolism, indicating immortalizing plants in the mythic traditions of Egypt, the Levant, and Mesopotamia; lavishly illustrated variations of portrayals of Ravana, a Sinhalese god-king-demon; figurines made of cow dung sculptured by rural women in Rajasthan (India); and mythical artifacts called 'Apples of Eden' in a well-known interactive game series.
Religious articles. --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion
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This research examines 44 images of Minoan tree cult as depicted in sphragistic jewellery, portable objects and wall paintings from Late Bronze Age Crete, mainland Greece and the Cyclades. The study also compares the Aegean images with evidence for sacred trees in the Middle and Late Bronze Age Levant, Egypt and Cyprus. The purpose of this investigation is the production of new interpretations of Minoan images of tree cult. Each of the chapters of the book looks at both archaeological and iconographic evidence for tree cult. The Aegean material is, in addition, examined more deeply through the lenses of modified Lacanian psychoanalytic modelling, "new" animism, ethnographic analogy, and a Neo-Marxist hermeneutics of suspicion. It is determined that Minoan images of tree cult depict elite figures performing their intimate association with the numinous landscape through the communicative method of envisioned and enacted epiphanic ritual. The tree in such images is a physiomorphic representation of a goddess type known in the wider eastern Mediterranean associated with effective rulership and with the additional qualities of fertility, nurturance, protection, regeneration, order and stability. The representation of this deity by elite human females in ritual performance functioned to enhance their selfrepresentation as divinities and thus legitimise and concretise the position of elites within the hegemonic structure of Neopalatial Crete. These ideological visual messages were circulated to a wider audience through the reproduction and dispersal characteristic of the sphragistic process, resulting in Minoan elites literally stamping their authority on to the Cretan landscape and hence society.
Tree worship --- Religion, Prehistoric --- Religious articles --- Minoans --- Civilization, Minoan --- Civilization, Aegean --- Cretans --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Prehistoric religion --- Nature worship --- Trees --- Religious aspects --- Mediterranean Region --- Antiquities.
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Christianity --- Religious articles --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- United States --- Religious life and customs. --- Sociology of religion --- Ethnology. Cultural anthropology --- United States of America
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Until now insular and continental material, mostly metal-work, found in pagan Viking Age graves in Norway, has been interpreted as looted material from churches and monasteries on the British Isles and the Continent. The raiding Vikings brought these objects back to their homeland where they were often broken up and used as jewellery or got alternative functions.0'Looting or Missioning' looks at the use and functions of these sacred objects in their original Christian contexts. Based on such an analysis the author proposes an alternative interpretation of these objects: they were brought by Christian missionaries from different parts of the British Isles and the Continent to Norway. The objects were either personal (crosses, croziers, portable reliquaries etc.), objects used for baptism (hanging bowls), equipment to officiate a mass (mountings from books or reading equipment, altars or crosses) or to give the communion (pitchers, glass vessels, chalices, paten). We know from contemporary sources (Ansgar in Birka, Sweden in the ninth century) that missionaries brought this sort of equipment on their mission journeys. We also hear that missionaries were robbed, killed or chased off. Mikkelson interprets the sacred objects found in Viking Age pagan graves as objects that originate from the many unsuccessful mission attempts in Norway throughout the Viking Age.
Religious articles --- Missions --- Christian missions --- Christianity --- Missions, Foreign --- Religion --- Theology, Practical --- Proselytizing --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Vikings --- Conversion --- Northmen --- Religious conversion --- Psychology, Religious --- Religion. --- History.
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"The fourteen essays create an interdisciplinary conversation about the nature and function of sacred and devotional objects across the globe during the medieval and Early Modern period. The discussion treats Buddhist, Morisco, Morrano, Christian, and South American Indian relics considered from the perspectives of experts in Buddhism, art history, literary analysis, history, philosophy, Spanish Studies, and Celtic Studies. The anthology reveals the surprising commonalty of the significance of sacred objects across the globe while at the same time delineating their varied functions. Among the shared issues considered in the collection are the nature of access to the object (who is allowed to see the object, how, and when), the way relics delineate sacred space, community formation via sacred objects (who is included and who is excluded in the sacred community), and appropriation and reappropriation of sacred and devotional objects (who controls what object, where, and when.)"--
Christian spirituality --- anno 500-1499 --- anno 1500-1599 --- Religious articles. --- Religion --- Objets religieux --- History. --- Histoire --- -248.159 --- 248 "04/14" --- 231.739 --- Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Devoties:--algemeen --- Spiritualiteit. Ascese. Mystiek. Vroomheid--Middeleeuwen --- Relikwieën --- 231.739 Relikwieën --- 248.159 Devoties:--algemeen --- Religious articles --- 248.159 --- Religious history --- History
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Articles (religious) --- Godsdienstige kunstvoorwerpen --- Godsdienstige voorwerpen --- Objects (religious) --- Objets d'art religieux --- Objets religieux --- Religious art objects --- Religious articles --- Religious goods --- Religious objects --- Sacred objects --- C3 --- religieuze kunst --- kerkbouw --- kerkelijk meubilair --- kunstpatrimonium --- kerkelijke goederen --- Kunst en cultuur --- Church decoration and ornament --- Belgium --- Hasselt (Belgium) --- Catalogs
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Articles (religious) --- Godsdienstige kunstvoorwerpen --- Godsdienstige voorwerpen --- Objects (religious) --- Objets d'art religieux --- Objets religieux --- Religious art objects --- Religious articles --- Religious goods --- Religious objects --- Sacred objects --- C3 --- religieuze kunst --- kerkbouw --- kerkelijk meubilair --- kunstpatrimonium --- kerkelijke goederen --- Kunst en cultuur --- Church decoration and ornament --- Belgium --- Hasselt (Belgium) --- Catalogs
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The essays in the volume Consecration Rituals in South Asia address the ritual procedures that accompany the installation of temple images in Shaiva, Vaishnava, Buddhist and Jain contexts, in various traditions and historical periods. Through the performance of complex rites designated with the term pranapratishtha (establishment of, or infusion with, life), man-made sculptures are ritually transformed into (receptacles of) deities. The collection is thematically and methodically broad, with a large number of detailed textual studies, but also with ethnographic contributions that discuss contemporary instances of consecration rituals. Among the overarching themes are issues related to historical continuity and change, as well as transformational moments in such rituals. Contributors are: Marie-Luce Barazer-Billoret, Marzenna Czerniak-Drożdżowicz, Ronald M. Davidson, Shingo Einoo, Marko Geslani, Dominic Goodall, Ellen Gough, István Keul, Elisabeth Raddock, S.A.S Sarma, Anna A. Ślączka, Annette Wilke.
Ritual --- Religious articles --- Rituel --- Objets d'art religieux --- South Asia --- Asie méridionale --- Religion --- Rituals --- 291.3 --- 291.3 Godsdienstwetenschap: cultus; liturgie --- Godsdienstwetenschap: cultus; liturgie --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- South Asia. --- Asie méridionale
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Men (Deity) --- Gods, Phrygian --- Men (Divinité phrygienne) --- Dieux phrygiens --- 299 --- Religion Others religions --- Monuments --- Inscriptions --- Epigraphs (Inscriptions) --- Epigraphy --- Inscription --- Paleography --- Epigraphists --- Historical monuments --- Architecture --- Sculpture --- Historic sites --- Memorials --- Public sculpture --- Statues --- Religious articles. --- Coins --- Gems --- Gems (in religion, folk-lore, etc.) --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Religious aspects.
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This edited volume is the first work to engage with religious materiality comparatively across the early modern world. It demonstrates how artefacts can provide their own bodies of material evidence about the nature of early modern religious practice and belief - and the nature of religious change - that can test, or even run counter to conventional, text-based narratives. Across twelve chapters this volume offers an unprecedented survey of early modern religious materiality in all its diversity. It brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of areas of expertise, including history, art history, museum curatorship and social anthropology. At the same time, the volume emphasizes cultural encounter and exchange. In keeping with broader trends in the history of religion, the studies range from the use of objects prescribed by religious authorities to interactions with religious matter in the context of everyday lay beliefs
Christian special devotions --- Christian church history --- anno 1200-1799 --- Religious articles. --- Art religieux --- Objets religieux --- Matérialité --- Aspect religieux --- Aspect religieux. --- Religious art --- Religious articles --- Histoire. --- History. --- Material culture --- Anthropology of religion. --- Religious aspects. --- History of doctrines. --- History --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Sacred art --- Art --- Religion, Material Culture, Early Modern, Global History, Images. --- Matérialité
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