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Speaking Out of Turn is the first monograph dedicated to the forty-year oeuvre of feminist conceptual artist Lorraine O’Grady. Examining O’Grady’s use of language, both written and spoken, Stephanie Sparling Williams charts the artist’s strategic use of direct address—the dialectic posture her art takes in relationship to its viewers—to trouble the field of vision and claim a voice in the late 1970s to 1990s, when her voice was seen as “out of turn” in the art world. Speaking Out of Turn situates O’Grady’s significant contributions within the history of American conceptualism and performance art, while also attending to the work's heightened visibility in the contemporary moment, revealing both the marginalization of O’Grady in the past and an urgent need to revisit her art in the present.
Conceptual art --- Performance art --- O'Grady, Lorraine --- Criticism and interpretation.
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Art --- photography [process] --- feminism --- community art --- video art --- performance art --- female --- African diaspora --- O'Grady, Lorraine
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Piper, Adrian --- Wolf-Rehfeldt, Ruth --- Brodine, Karen --- McCalman, Janet --- Cha, Theresa Hak Kyung --- O'Grady, Lorraine --- Pearce, Naomi
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"Artist, Audience, Accomplice complicates traditional notions of artists' authorship by introducing the role of the accomplice. Accomplices, particularly in the art of the 1970s and 1980s, are the unseen figures essential to creation-the studio assistants, documentarians, romantic partners, and institutional staff-who act as practice audiences, witnesses, and semi-creators. Sydney Stutterheim centers her argument in four case studies devoted to Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady. These studies draw on archival research, original interviews, and secondary literature to demonstrate how each artist deliberately used accomplices to engage contemporary issues in their work. The use of accomplices distributes ethical responsibility among figures other than the individual artist, raising questions related to the ethics of participation and the responsibility of the artist-questions which are particularly visible in legislation and court cases of the period regarding "accomplice liability," the legal definition of the abettor, and lawsuits involving artists. Arguing that the author's authority is not sovereign, total, and exclusive, but instead fluid and relational, Stutterheim employs issues of labor and ethics to reimagine artistic agency, aesthetic property, and authorship"--
Arts and morals --- Arts and society --- Authorship --- Audiences in art --- Burden, Chris, --- Wilke, Hannah. --- Kippenberger, Martin, --- O'Grady, Lorraine.
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Dispersed Events brings together for the first time Nick Mauss’ essays from the last fifteen years. Shimmering with the urgency of a new generation of queer thinkers, Mauss’ writing refracts contemporary art through histories of decorative art, film, theater, and dance. An artist renowned for critically and poetically reconfiguring inherited genealogies and hierarchies of visual culture and art history, Mauss engages writing as a space for relentlessly activating counter-histories, repositioning the voice of the artist and the readers along the way. Whether he considers the practice of artist Lorraine O’Grady, the radical fashion of Susan Cianciolo, the anarcho-vaudevillian theater of Reza Abdoh, or the potential for textiles to disclose a different way of thinking, Mauss insists on the intense power of forms and feelings in their actual rather than enforced prehistories. Reevaluating experiments in fashion, dance, and the decorative arts on the same plane as painting, sculpture and cinema, he locates art as taking shape in the middle of conversations—“between art history and any afternoon.”
Art, Modern --- Artists' writings, American --- Criticism and interpretation --- Mauss, Nick. --- Mauss, Nick --- Cinéma-art --- Théâtre-art --- Sculpture --- Arts décoratifs --- Ecrit d'artiste --- Danse --- O’Grady, Lorraine
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avant-garde --- identity --- sexuality --- body art [visual works, performance] --- Photography --- Art --- performance art --- feminism --- women [female humans] --- Dujourie, Lili --- Almeida, Helena --- Bertlmann, Renate --- Edelson, Mary Beth --- Benglis, Lynda --- Bernstein, Judith --- Christanell, Linda --- Barger, Anneke --- Hershman, Lynn --- Ferrer, Esther --- Export, Valie --- Campagnano, Marcella --- Antin, Eleanor --- Eisenegger, Renate --- Chicago, Judy --- Burga, Teresa --- anno 1970-1979 --- private collections --- O'Grady, Lorraine --- Iveković, Sanja --- Slinger, Penny --- Pezold, Friederike --- Mack, Karin --- Soltau, Annegret --- Sherman, Cindy --- Schouten, Lydia --- Yalter, Nil --- Partum, Ewa --- Pane, Gina --- Parente, Letícia --- Justesen, Kirsten --- Wilke, Hannah --- Hunter, Alexis --- Ladik, Katalin --- Pilz, Margot --- Rocca, La, Ketty --- Rosenbach, Ulrike --- Lacy, Suzanne --- Mendieta, Ana --- Myers, Rita --- Woodman, Francesca --- Lang, Brigitte --- Labowitz, Leslie --- Schneemann, Carolee --- Rosler, Martha --- Orlan --- Lake, Suzy --- Jürgenssen, Birgit --- Santoro, Suzanne --- Sammlung Verbund --- Sammlung Verbund. --- private collections [object groupings] --- lichaam (van de mens) --- social criticism
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Art --- performance art --- Marioni, Tom --- Kushner, Robert --- Heyward, Julia --- Wilson, Martha --- Lacy, Suzanne --- Fox, Terry --- Knowles, Alison --- Wilke, Hannah --- Oliveros, Pauline --- Kipper Kids --- Ashley, Robert --- Bob & Bob --- Bogosian, Eric --- Buchanan, Nancy --- Burnham, Linda --- Chong, Ping --- Colo, Papo --- Corner, Philip --- Cotton, Paul --- Damon, Betsy --- Darling, Lowell --- Finley, Karen --- Forti, Simone --- Fried, Howard --- Gaulke, Cheri --- Grey, Alex --- Henderson, Mel --- Henes, Donna --- Horowitz, Michael --- Jones, Kim --- Labowitz, Leslie --- Ulay --- Abramovic, Marina --- Maclennan, Alastair --- MacLow, Jackson --- Magnuson, Ann --- Miller, Tim --- Mogul, Susan --- Moore, Frank --- O'Grady, Lorraine --- O'Hara, Morgan --- Oleszko, Pat --- Ringgold, Faith --- Sharp, Willoughby --- Sherk, Bonnie --- Sherman, Stuart --- Smith, Barbara --- Sprinkle, Annie --- Stiles, Kristine --- Tamblyn, Christine --- Tardos, Anne --- Templeton, Fiona --- Ukeles, Mierle Laderman --- Vera, Veronica --- Allyn, Jerri --- Aylon, Helene --- Barber, Nancy --- Coates, George --- Cottingham, Laura --- Durland, Steven --- Festa, Angelika --- Green, Vanalyne --- Hay, Deborah --- Klick, Laurel --- Kolpan, Steven --- Kroesen, Jill --- Lehmann, Minnette --- Lunch, Lydia --- Mac, Linda --- Maleczech, Ruth --- McMahon, Paul --- Nemec, Vernita --- Pomeroy, Jim --- Routh, Brian --- Schuler, Robert --- Skipitares, Theodora --- Summers, Elaine --- Zaloom, Paul --- Zweig, Ellen --- Cage, John --- Schneemann, Carolee --- McCarthy, Paul --- Jonas, Joan --- Acconci, Vito --- Rosler, Martha --- Montano, Linda --- Burden, Chris --- Hendricks, Geoffrey --- Hershman, Lynn --- Higgins, Dick --- Levine, Les --- Mendieta, Ana --- Smith, Michael --- Wegman, William --- Rothenberg, Jerome --- Stelarc --- Miralda, Antoni --- Piper, Adrian --- Nitsch, Hermann --- Monk, Meredith --- Rosenthal, Rachel --- Kaprow, Allan --- Schechner, Richard --- anno 1900-1999
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Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power Of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth. We learn about the first feminist art education programs with artists Judy Chicago and Miriam Schapiro helping to lay the foundation ; about the now legendary Womanhouse project, and about such banner exhibitions as Women Artists 1550-1950, organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated ; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration ; exploration of such formerly taboo aesthetic areas as Pattern and Decoration : and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s. Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself. The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of Feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens and Hannah Wilke - and the Abrug, Bella ; Acconci, Vito ; Adams, Alice ; Adams, Pat ; Adler, Laura ; Aguado, Deborah ; Aguilera, Marian ; Aiken, Joyce ; Alicia, Juana ; Allen, Catherine ; Allen, Eleanor ; Alloway, Lawrence ; Allyn, Jerri ; Amateau, Michele ; Anderson, Laurie ; Anderson, Marilyn ; Andrade, Edna ; Andre, Carl ; Angelica, Marion ; Angelo, Nancy ; Anthony, Susan B. ; Antin, Eleanor ; Antoni, Janine ; Apfelbaum, Polly ; Appelhof, Ruth ; Apple, Jacki ; Applebroog, Ida ; Arai, Tomie ; Arp, Hans (Jean) ; Atkinson, Ti-Grace ; Atlantis, Dori ; Atmore, Pat ; Attie, Dotty ; Aunt, Jemima ; Aycock, Alice ; Aylen, Helene ; Azara, Nancy ; Baca, Judith F. ; Bachenheimer, Beth ; Baer, Barbara ; Baer, Kevin ; Baker, Elizabeth C. ; Baldessari, John ; Ball, Lynn ; Barnes, Djuna ; Barnett, Alan W. ; Barron, Stephanie ; Bart, Harriet ; Barthes, Roland ; Bartlett, Jennifer ; Barton, Eleanor Dodge ; Bas-Cohain, Rachel ; Bassuk, Jane ; Baudrillard, Jean ; Baziotes, William ; de Beauvoir, Hélène ; de Beauvoir, Simone ; Beber, Alice ; Becker, Terry ; Beckert, Patsy ; Beerman, Miriam ; Bellamy, Carol ; Belvo, Hazel ; Benglis, Lynda ; Benjamin, Walter ; Benning, Sadie ; Berger, John ; Bergman, Beth ; Berman, Barbara ; Bernstein, Dorothy Weiss ; Bernstein, Judith ; Bickley, Cynthia ; Billops, Camille ; Birnbaum, Dara ; Bishop, Isabel ; Blank, Carol ; Bleckner, Ross ; Bloom, Suzanne ; Blum, Andrea ; Blum, June ; Blum, Shirley Neilsen ; Blumenthal, Lyn ; Bohnen, Blythe ; Boltz, Maude ; Bonheur, Rosa ; Bontecou, Lee ; Boone, Mary ; Borden, Lizzie ; Borstein, Elena ; Boud, Sue ; Bouguereau, William Adolphe ; Bourdon, David ; Bourgeois, Louise ; Boyd, Tracy ; Brach, Paul ; Braderman, Joan ; Breeskin, Adelyn ; Breitmore, Roberta ; Brenner, Beth ; De Bretteville, Sheila Levrant ; Brodsky, Judith R. ; etc.
Iconography --- History --- feminism --- Art styles --- Pattern painting --- Art --- performance art --- art history --- art [fine art] --- Kozloff, Joyce --- Fishman, Louise --- Greenstein, Ilise --- MacConnel, Kim --- Lacy, Suzanne --- Jones, Cleve --- Kruger, Barbara --- Holzer, Jenny --- Montano, Linda --- Baca, Judith Francisca --- Cassatt, Mary --- Schapiro, Miriam --- Edelson, Mary Beth --- Zakanitch, Robert S. --- Rosenthal, Rachel --- Levrant de Bretteville, Sheila --- Silas, Susan --- Ingberman, Jeanette --- Jaudon, Valerie --- Johnson, Buffie --- Rahmani, Aviva --- Las Mujeres Muralistas --- Kaufman, Jane --- Hodgetts, Vicki --- Antin, Eleanor --- Weltsch, Robin --- Schneemann, Carolee --- Smith, Kiki --- Flack, Audrey --- Wilson, Martha --- Oppenheim, Meret --- Chicago, Judy --- Huberland, Kathy --- Wayne, June --- Stevens, May --- Applebroog, Ida --- Marchessault, Josette --- Benglis, Lynda --- Hartigan, Grace --- Kushner, Robert --- Sleigh, Sylvia --- Sisters of Survival --- Bernstein, Judith --- Simpson, Lorna --- Kahlo, Frida --- Gerber, Ava --- Fischl, Eric --- Antoni, Janine --- Semmel, Joan --- Hayden, Sophia G. --- Saar, Betye --- Granet, Ilona --- Schiff, Robbin --- López, Yolanda M. --- Wolverton, Terry --- Mailman, Cynthia --- Gilmore, Jane Ellen --- Orgel, Sandy --- Sherk, Bonnie --- Cooling, Janet --- Salle, David --- Bontecou, Lee --- Murray, Elisabeth --- Douglas, Bob --- Prussian, Claire --- Benning, Sadie --- Smith, Mimi --- Ukeles, Mierle Laderman --- Frankenthaler, Helen --- Hernández, Ester --- Wilding, Faith --- Leonard, Zoe --- Brody, Sherry --- Frazier, Susan --- Mesa-Bains, Amalia --- Bourgeois, Louise --- O'Keeffe, Georgia --- Yamamoto, Lynn --- Piper, Adrian --- Youdelmann, Nancy --- Mitchell, Joan --- Wollenman, Shawnee --- Yarfitz Denise --- Bachenheimer, Beth --- Mendieta, Ana --- Spero, Nancy --- Kelly, Mary --- O'Grady, Lorraine --- Rosler, Martha --- Torr, Diane --- Ringgold, Faith --- Lin, Maya --- Posey, Willi --- Schor, Mira --- Rainer, Yvonne --- Azara, Nancy --- Krasner, Lee --- Arai, Tomie --- Sigler, Holly --- Clemente, Francesco --- Levine, Sherrie --- Carlson, Cynthia J. --- Williams, Sue --- Chang, Kathleen --- Colo, Papo --- Donegan, Cheryl --- Henes, Donna --- Wilke, Hannah --- Grey, Camille --- Rush, Chris --- Hesse, Eva --- Anderson, Laurie --- Damon, Betsy --- Hershman, Lynn --- Hammond, Harmony --- Norvell, Patsy --- Gauldin, Anne --- Pindell, Howardena --- Blum, June --- Neel, Alice --- Labowitz, Leslie --- LeCoq, Karen --- Sherman, Cindy --- Koons, Jeff --- anno 1900-1999 --- United States --- jaren 70 --- Sociology of the family. Sociology of sexuality --- anno 1970-1979 --- America --- Murray, Elizabeth --- Graphic arts --- Museology --- Amerika --- Museologie --- Sociologie van het gezin. Sociologie van de seksualiteit --- Kunst --- Grafische kunsten --- Verenigde Staten van Amerika --- Feminism and art --- Art, American --- Performance art --- Social aspects --- Art and society --- United States of America --- art [discipline] --- kunst en politiek --- vrouwelijke kunstenaar --- Feminist art --- Artists --- Museums --- Drawing --- Theory --- Images of women --- Book
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A survey of performance art from the 1960s to the present, this text examines its emergence in the work of Yves Klein, Piero Manzoni and "Happenings", the work of Hermann Nitsch and Joseph Beuys, and the opera spectacles of Robert Wilson. Laurie Anderson and Pina Bausch are also covered
Performance art. --- Performance art --- History. --- performance art --- performances (kunst) --- Theatrical science --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- music [discipline] --- religions [belief systems, cultures] --- feminism --- video art --- Butoh --- drama [literature] --- dances [performance events] --- art history --- eroticism --- Childs, Lucinda --- Smith, Jack --- Fagan, Garth --- McQueen, Steve --- Tiravanija, Rirkrit --- Laub, Michel --- Kounellis, Jannis --- Jones, Bill T. --- Whitman, Robert --- Sierens, Arne --- Latham, John --- Eno, Brian --- Schneemann, Carolee --- Fusco, Coco --- Guerilla Art Action Group --- Stitt, André --- Sherman, Cindy --- Lauwers, Jan --- Maclennan, Alastair --- Alien Comic --- Wampler, Claude --- Castellucci, Romeo --- Elwes, Catherine --- Jonas, Joan --- Riley, Terry --- Rosenthal, Rachel --- Sprinkle, Annie --- Cale, John --- Gilbert and George --- Knizak, Milan --- Ludovicus --- Beecroft, Vanessa --- Julien, Isaac --- Mabou Mines --- McLean, Bruce --- Moorman, Charlotte --- Bausch, Pina --- Wilson, Robert --- English, Rose --- Montano, Linda --- Kusama, Yayoi --- Teshigawara, Saburo --- Nauman, Bruce --- Antin, Eleanor --- Lebel, Jean-Jacques --- Orr, Jill --- Zazeela, Marian --- Orlan --- Mortensen, Kevin --- Lemon, Ralph --- Wilson, Martha --- Foreman, Richard --- Heyward, Julia --- Kaprow, Allan --- Chicago, Judy --- Goebbels, Heiner --- Glass, Philip --- Catling, Brian --- Stuart, Meg --- Muehl, Otto --- Tanaka, Min --- Kipper Kids --- Saint-Phalle, de, Niki --- Rolfe, Nigel --- Branca, Glenn --- Adams, John --- Koek, Paul --- Kubota, Shigeko --- Korot, Beryl --- Gray, Spalding --- Labowitz, Leslie --- McCauley, Robbie --- Oleszko, Pat --- Rainer, Arnulf --- Fabre, Jan --- O'Connor, Tere --- Beuys, Joseph --- Halprin, Anna --- Antoni, Janine --- Klein, Yves --- Carlos, Laurie --- Jesurun, John --- Lepage, Robert --- Brown, Trisha --- Petronio, Stephen --- Potter, Sally --- Rosenbach, Ulrike --- Gaulke, Cheri --- Streb, Elizabeth --- Colette --- Grooms, Red --- Keersmaeker, de, Anne Teresa --- Horn, Rebecca --- Brisley, Stuart --- Forsythe, William --- Ruller, Tomás --- Platel, Alain --- Manzoni, Piero --- Cage, John --- Reedy, Carlyle --- Ulay --- Rainer, Yvonne --- Maciunas, Georg --- Burden, Chris --- Galas, Diamanda --- Kelly, John --- Schechner, Richard --- Barney, Matthew --- Guo-Qiang, Cai --- Rauschenberg, Robert --- Malpede, John --- Forti, Simone --- Chang, Patty --- Taylor-Wood, Sam --- Pucher, Stefan --- Cunningham, Merce --- Hamilton, Ann --- Apple, Jacki --- Jones, Kim --- Nakas, Kestutis --- Bean, Ann --- Fraser-Munro, Ronald --- Wilding, Faith --- McCarthy, Paul --- Eichelberger, Ethyl --- Stevens, Gary --- Finley, Karen --- Piper, Adrian --- Dine, Jim --- Dance Noise --- Ontani, Luigi --- Bruguera, Tania --- La Fura Dels Baus --- Rockburne, Dorothea --- Lacy, Suzanne --- Garhel, Pedro --- Mendieta, Ana --- Ono, Yoko --- Gómez-Peña, Guillermo --- Young, La Monte --- Oppenheim, Dennis --- Export, Valie --- Armitage, Karole --- Signer, Roman --- Abramovic, Marina --- Magnuson, Ann --- Rousseve, David --- Kelly, Mary --- O'Grady, Lorraine --- Dean, Laura --- Tropicana, Carmelita --- Ashley, Robert --- Nitsch, Hermann --- Knowles, Alison --- Arcade, Penny --- Bag, Alex --- Metzger, Gustav --- Miller, Tim --- Oliveros, Pauline --- Vostell, Wolf --- Baker, Bobby --- Warhol, Andy --- Wojnarowicz, David --- Rinke, Klaus --- Kelley, Mike --- Miller, Paul D. --- Oldenburg, Claes --- Longo, Robert --- Abdoh, Rezah --- Fenley, Molissa --- Hatoum, Mona --- Greenaway, Peter --- Monk, Meredith --- Pane, Gina --- Marclay, Christian --- Paik, Nam June --- Wilke, Hannah --- Comfort, Jane --- Anderson, Laurie --- Arias, Joey --- Galindo, Rosa --- Mori, Mariko --- Hoch, Danny --- Brus, Günther --- Marthaler, Christoph --- Hughes, Holly --- Reich, Steve --- Bogosian, Eric --- Oursler, Tony --- Acconci, Vito --- Stelarc --- Zane, Arnie --- Raban, Tamar --- Graham, Dan --- Orta, Lucy --- Vautier, Ben --- Station House Opera --- Athey, Ron --- Neuer Tanz --- Grand Union --- Act Up --- Ting Theatre of Mistakes --- Gutai Group --- Guerrilla Girls --- DV8 Physical Theatre --- Gob Squad --- COUM Transmissions --- Hi Red Center --- Forced Entertainment Opera --- Black Market International --- Falso Movimento --- The Velvet Underground --- The Wooster Group --- Urban Bushwomen --- Naslagwerken ; kunst ; 1960-1998 ; performances --- Kunstgeschiedenis ; 1950 - 2000 --- music [performing arts] --- Cai Guo Qiang --- Hi Red Center [Tokyo] --- 7.038 --- History --- photography [process] --- Film --- Iconography --- Art --- art [fine art] --- Photography --- Music --- anno 1900-1999 --- Arts, Modern --- Themes, motives --- Ruller, Tomáš --- Guerrilla Girls [New York, N.Y.] --- Bean, Anne --- Mabou Mines [New York, N.Y.] --- Performance art - History. --- Performance art - Themes, motives --- Arts, Modern - 20th century - Themes, motives --- art [discipline] --- music [performing arts genre] --- drama [discipline] --- culturele diversiteit (kunst) --- Knížák, Milan --- Keersmaeker, De, Anne Teresa
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