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Motion pictures --- Ōshima, Nagisa, --- Japan --- Cinema films
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"In this work, Joan Mellen analyses 'In the Realm of the Senses', the controversial film which caused a sensation at the 1976 Cannes Film Festival."--Bloomsbury publishing.
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Motion picture producers and directors --- Biography --- Ichikawa, Kon --- Imamura, Shōhei --- Kinoshita, Keisuke --- Kobayashi, Masaki --- Kurosawa, Akira --- Mizoguchi, Kenji --- Naruse, Mikio --- Ōshima, Nagisa --- Ozu, Yasujirō --- Shinoda, Masahiro
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Presents the author's private recollections and vision of Japan. This work contains portraits of ordinary and extraordinary Japanese people that include such notable Japanese as acclaimed filmakers Akira Kurowasa and Yasujiro Ozu, famed novelist, Yukio Mishima and celebrated actor, Toshiro Mifune.
Abe, Sada --- Bandō, Tamasaburō --- Hara, Setsuko --- Hayakawa, Sesshū --- Hijikata, Tatsumi --- Ichikawa, Kon --- Katsu, Shintarō --- Kawabata, Yasunari --- Kurosawa, Akira --- Kuroyanagi, Tetsuko --- Matsuda, Eiko --- Michiko --- Mifune, Toshirō --- Mishima, Yukio --- Nakamura, Utaemon --- Ōshima, Nagisa --- Ozu, Yasujirō --- Ryū, Chishū --- Suzuki, Daisetz Teitarō --- Takemitsu, Tōru --- Tanaka, Noboru --- Terayama, Shūji --- Yamada, Isuzu --- Yokoo, Tadanori
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Abe, Sada --- Bandō, Tamasaburō --- Hara, Setsuko --- Hayakawa, Sesshū --- Hijikata, Tatsumi --- Ichikawa, Kon --- Katsu, Shintarō --- Kawabata, Yasunari --- Kurosawa, Akira --- Kuroyanagi, Tetsuko --- Matsuda, Eiko --- Michiko --- Mifune, Toshirō --- Mishima, Yukio --- Nakamura, Utaemon --- Ōshima, Nagisa --- Ozu, Yasujirō --- Ryū, Chishū --- Suzuki, Daisetz Teitarō --- Takemitsu, Tōru --- Tanaka, Noboru --- Terayama, Shūji --- Yamada, Isuzu --- Yokoo, Tadanori
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Motion pictures --- Cinéma --- History --- Histoire --- Oshima, Nagisa, --- Ai no korida (Motion picture) --- Empire des sens (Film) --- Joan Mellen --- film --- filmgeschiedenis --- twintigste eeuw --- Japan --- Oshima Nagisa --- 791.471 OSHIMA --- Ōshima, Nagisa, --- Ai no korīda (Motion picture) --- Ai no korīda (Motion picture). --- Cinéma --- Ai no korīda (Motion picture) --- Ōshima, Nagisa, --- Nagisa, Ōshima, --- 大島渚, --- In the realm of the senses (Motion picture) --- Ai no corrida (Motion picture) --- Bullfight of love (Motion picture) --- Empire des sens (Motion picture) --- Empire of the senses (Motion picture) --- Realm of the senses (Motion picture)
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This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film.
NON-CLASSIFIABLE. --- Ōshima, Nagisa, --- Nagisa, Ōshima, --- 大島渚, --- Criticism and interpretation. --- Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- 20th century japanese art history. --- 20th century japanese film. --- anti american sentiments. --- brechtian theatricality. --- cultural iconoclasm. --- cultural studies. --- cultural tensions. --- filmic style. --- identity. --- in the realm of the senses. --- japanese student movement. --- oshima nagisa. --- political engagement. --- politics. --- postmodernism. --- postmodernity. --- postwar japanese art. --- postwar japanese cinema. --- psychoanalysis. --- reflexive textuality. --- representations of women. --- sexuality and power. --- socially daring. --- the empire of passion. --- Ōshima, Nagisa,
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J6839 --- J6800.80 --- J2284.80 --- Motion picture producers and directors --- -film --- filmgeschiedenis --- Japan --- twintigste eeuw --- filmregisseurs --- Mizoguchi Kenji --- Ozu Yasujiro --- Naruse Mikio --- Kurosawa Akira --- Kinoshita Keisuke --- Ichikawa Kon --- Kobayashi Masaki --- Imamura Shohei --- Oshima Nagisa --- 791.43 --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Japan: Media arts and entertainment -- cinema --- Japan: Performing and media arts -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Biography --- film --- Film (Japanse). Geschiedenis. --- Cinéma japonais. Histoire. --- Cinéastes japonais. --- Filmregisseurs (Japanse). --- J6806 --- J6839.60 --- J6840.60 --- Japan: Performing and media arts -- reference works --- Japan: Media arts and entertainment -- cinema -- Reference works --- Japan: Media arts and entertainment -- television -- Reference works --- Mizoguchi, Kenji --- Ozu, Yasujirō --- Naruse, Mikio --- Kurosawa, Akira --- Kinoshita, Keisuke --- Ichikawa, Kon --- Kobayashi, Masaki --- Imamura, Shōhei --- Ōshima, Nagisa --- Shinoda, Masahiro
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