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This profusely illustrated volume illuminates the primacy of icons in disseminating the worship of the Medicine Master Buddha (J: Yakushi Nyorai) in Japan. Suzuki’s meticulous study explicates how the devotional cult of Yakushi, one of the earliest Buddhist cults imported to Japan from the continent, interacted and blended with local beliefs, religious dispositions, and ritual practices over the centuries, developing its own distinctive imprint on Japanese soil. Worship of the Medicine Master Buddha became most influential during the Heian period (794–1185), when Yakushi’s popularity spread to different levels of society and locales outside the capital. The large number of Heian-period Yakushi statues found all across Japan demonstrates that Yakushi worship was an integral component of Heian religious practice. Medicine Master Buddha focuses on the ninth-century Tendai master Saichō (767–822) and his personal reverence for a standing Yakushi icon. The author proposes that, after Saichō’s death, the Tendai school played a critical role in popularizing the cult of this particular icon as a way of memorializing its founding master and strengthening its position as a major school of Japanese Buddhism. This publication offers a fresh perspective on sculptural representations of the Medicine Master Buddha (including the famous Jingoji Yakushi), and in so doing, reconsiders Yakushi worship as foundational to Heian religious and artistic culture.
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Bhaiṣajyaguru (Buddhist deity) --- S13A/0330 --- S37/0600 --- China: Religion--Chinese Buddhism: Sacred Books (incl. Chinese translations from Tibetan, Mongolian, Sanskrit and other languages) --- Buddhism outside China, Tibet, Mongolia and Japan--Buddhist philosophy, thought and psychology --- Bhaiṣajyaguru (Buddhist deity). --- #SML: Joseph Spae --- Healing Buddha (Buddhist deity) --- Sman-bla (Buddhist deity) --- Yakushi Nyorai (Buddhist deity) --- Yao-shih-fo (Buddhist deity) --- Buddhist gods
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Bhaiṣajyaguru (Buddhist deity) --- Buddhist sculpture --- Sculpture, Japanese --- J1800.30 --- J1830 --- J1895 --- Healing Buddha (Buddhist deity) --- Sman-bla (Buddhist deity) --- Yakushi Nyorai (Buddhist deity) --- Yao-shih-fo (Buddhist deity) --- Buddhist gods --- Cult --- Japan: Religion -- Buddhism -- history -- Heian period (794-1185) --- Japan: Religion -- Buddhism -- deities --- Japan: Religion -- Buddhism -- art
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According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Buddhism and art --- Buddhism in literature. --- Japanese literature --- Art and Buddhism --- Art --- Buddhist art --- History and criticism. --- Acala. --- Amaterasu. --- Anne Bradstreet. --- Arahitogami. --- Benkei. --- Benzaiten. --- Biography. --- Bodhi. --- Bodhidharma. --- Bodhisattva. --- Buddha-nature. --- Buddhahood. --- Buddhism and Christianity. --- Buddhism in Japan. --- Buddhism. --- Buddhist philosophy. --- Buddhist poetry. --- Calligraphy. --- Chion-in. --- D. T. Suzuki. --- Deity. --- Demonology. --- Devadatta. --- Dogen. --- Earl Miner. --- Edo period. --- Esoteric Buddhism. --- Fujiwara. --- Gagaku. --- Gautama Buddha. --- Genji Monogatari Emaki. --- Genshin. --- Gongen. --- Guanyin. --- Hachiman. --- Hagiography. --- Hayashi Razan. --- Honji suijaku. --- How It Happened. --- Illustration. --- Impermanence. --- Ippen. --- Iris Murdoch. --- Itako. --- Ivan Morris. --- Japanese aesthetics. --- Japanese art. --- Japanese painting. --- Japanese poetry. --- Kaibara Ekken. --- Kegon. --- Ki no Tsurayuki. --- Kobayashi Issa. --- Kojiro. --- Kokugaku. --- Kshitigarbha. --- Kukai. --- Liminality. --- Literature. --- Lotus Sutra. --- Mahasthamaprapta. --- Mahayana. --- Masao Abe. --- Matsuo Basho. --- Metempsychosis. --- Mircea Eliade. --- Murasaki Shikibu. --- Narrative. --- Nichiren. --- Nyorai. --- Onryo. --- Oracle. --- Parinirvana. --- Parody. --- Perfection of Wisdom. --- Poetry. --- Preta. --- Religion. --- Rennyo. --- Renunciation. --- Royall Tyler (academic). --- Setsuwa. --- Shinbutsu bunri. --- Shingon Buddhism. --- Shinran. --- Shinto. --- Shoshin. --- State Shinto. --- Tachikawa-ryu. --- Taima Mandala. --- Tendai. --- Tengu. --- Tenjin (kami). --- The Tale of the Heike. --- Traditional story. --- Upaya. --- Vipassana. --- Yamabushi. --- Zen master. --- Zoku.
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