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Factual Fictions: Narrative Truth and the Contemporary American Documentary Novel focuses on contemporary American documentary narratives, specifically the documentary novel, as it re-emerged in the 1960s and later developed into various other forms. The book explores the connections between the documentary novel and the concurrent rise of the New Journalism (a.ka. "literary journalism") in the United States, situating the two genres in the cultural context of the tumultuous 1960s and an emer...
Nonfiction novel --- American fiction --- Literature and society --- Realism in literature. --- American prose literature --- Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Fiction --- Reportage literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism. --- History
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The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it 'makes' reality. Frus examines narratives by Stephen Crane and Ernest Hemingway, showing that conventional understanding of the categories of fiction and non-fiction frequently determines the differences we perceive in texts. When journalists writing about historical events adopt the Hemingway-esque, understated narrative style that is commonly associated with both 'objectivity' and 'literature', it leads to an audience unable to face the historical and social conditions in which it must function. She interprets New Journalistic narratives, such as that of Truman Capote, as ways to counter the reification of modern consciousness to which both objective journalism and aestheticised fiction contribute.
Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- American prose literature --- Journalism --- Nonfiction novel --- Politics and literature --- Reportage literature, American --- History and criticism. --- History --- Narration (Rhetoric). --- 20th century --- History and criticism --- United States --- Reportage literature [American ] --- Arts and Humanities --- Literature --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Fiction --- Reportage literature
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While the Victorian novel famously describes, catalogs, and inundates the reader with things, the protocols for reading it have long enjoined readers not to interpret most of what crowds its pages. The Ideas in Things explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood here reconnects the things readers unwittingly ignore to the stories they tell. Building her case around objects from three well-known Victorian novels-the mahogany furniture in Charlotte Brontë's Jane Eyre, the calico curtains in Elizabeth Gaskell's Mary Barton, and "Negro head" tobacco in Charles Dickens's Great Expectations-Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels' symbolic systems. A valuable contribution to the new field of object studies in the humanities, The Ideas in Things pushes readers' thinking about things beyond established concepts of commodity and fetish.
English fiction --- Material culture in literature. --- Material culture --- Culture --- Folklore --- Technology --- History and criticism. --- History --- thing theory, victorian, literature, great expectations, charles dickens, tobacco, negro head, mary barton, elizabeth gaskell, calico curtains, jane eyre, charlotte bronte, furniture, mahogany, sadism, power, violence, control, hierarchy, colonialism, slavery, plantation, deforestation, cozy, domesticity, cotton markets, capitalism, middlemarch, george eliot, genocide, fetishism, realism, novel, nonfiction, material culture, objects.
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Barbara Foley here focuses on the relatively neglected genre of documentary fiction: novels that are continually near the borderline between factual and fictive discourse. She links the development of the genre over three centuries to the evolution of capitalism, but her analyses of literary texts depart significantly from those of most current Marxist critics. Foley maintains that Marxist theory has yet to produce a satisfactory theory of mimesis or of the development of genres, and she addresses such key issues as the problem of reference and the nature of generic distinctions. Among the authors whom Foley treats are Defoe, Scott, George Eliot, Joyce, Isherwood, Dos Passos, William Wells Brown, Ishmael Reed, and Ernest Gaines.
Fiction --- Comparative literature --- anno 1800-1999 --- 82-31 --- American fiction --- -Historical fiction, American --- -Marxist criticism --- Reportage literature, American --- -Nonfiction novel --- -Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Reportage literature --- American reportage literature --- American prose literature --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- American historical fiction --- American literature --- Roman --- History and criticism --- Historical fiction, American --- Marxist criticism. --- Nonfiction novel --- History and criticism. --- -Roman --- 82-31 Roman --- -Criticism, Marxist --- Documentary story --- Marxist criticism --- Literary theory
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Although we usually think of the intellectual legacy of twentieth-century Vienna as synonymous with Sigmund Freud and his psychoanalytic theories, other prominent writers from Vienna were also radically reconceiving sexuality and gender. In this probing new study, David Luft recovers the work of three such writers: Otto Weininger, Robert Musil, and Heimito von Doderer. His account emphasizes the distinctive intellectual world of liberal Vienna, especially the impact of Schopenhauer and Nietzsche in this highly scientific intellectual world. According to Luft, Otto Weininger viewed human beings as bisexual and applied this theme to issues of creativity and morality. Robert Musil developed a creative ethics that was closely related to his open, flexible view of sexuality and gender. And Heimito von Doderer portrayed his own sexual obsessions as a way of understanding the power of total ideologies, including his own attraction to National Socialism. For Luft, the significance of these three writers lies in their understandings of eros and inwardness and in the roles that both play in ethical experience and the formation of meaningful relations to the world-a process that continues to engage artists, writers, and thinkers today. Eros and Inwardness in Vienna will profoundly reshape our understanding of Vienna's intellectual history. It will be important for anyone interested in Austrian or German history, literature, or philosophy.
Austrian literature --- Politics and literature --- National socialism --- History and criticism. --- Freud, Sigmund, --- Influence. --- Vienna (Austria) --- Intellectual life. --- Social life and customs. --- vienna, sexuality, gender, 20th century, freud, heimito von doderer, robert musil, otto weininger, nietzsche, schopenhauer, bisexuality, creativity, morality, ethics, flexibility, obsession, kink, desire, passion, control, self-control, ideology, nazi, fascism, submission, totalitarianism, eros, individual, agency, isolation, history, literature, philosophy, irrationalism, scientific materialism, character, national socialism, novel, nonfiction, apperception, soul, modernity, liberalism.
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Reportage literature, American --- American prose literature --- Journalism --- Rhetoric --- Canon (Literature) --- Nonfiction novel. --- Literary form. --- English language --- Nonfiction novel --- Literary form --- American Literature --- English --- Languages & Literatures --- American literature --- American reportage literature --- Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Fiction --- Reportage literature --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- History and criticism. --- History and criticism --- Theory, etc. --- History --- Rhetoric. --- Theory, etc --- Germanic languages --- History.
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Authors, American --- College teachers --- Editors --- Creative writing (Higher education) --- Prose literature --- Nonfiction novel --- English --- Languages & Literatures --- American Literature --- Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Fiction --- Reportage literature --- Literature --- Persons --- Academicians --- Academics (Persons) --- College instructors --- College lecturers --- College professors --- College science teachers --- Lectors (Higher education) --- Lecturers, College --- Lecturers, University --- Professors --- Universities and colleges --- University academics --- University instructors --- University lecturers --- University professors --- University teachers --- Teachers --- American authors --- Creative writing --- Technique. --- Technique --- Faculty --- Study and teaching (Higher) --- Gutkind, Lee. --- Creative nonfiction (Urbana, Ill.) --- Gutkin, Lee
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Documentaire roman --- Journalism --- Journalisme --- Journalistiek --- New journalism --- Nieuwe journalisme --- Nonfiction novel --- Nouveau journalisme --- Roman documentaire --- American fiction --- Reportage literature, American --- Roman américain --- Littérature de reportage américaine --- History and criticism --- Histoire et critique --- 070.421 --- -Journalism --- -Reportage literature, American --- -Nonfiction novel --- -#SBIB:309H301 --- #SBIB:309H302 --- Documentary story --- Journalistic novel --- Novel, Nonfiction --- Fiction --- Reportage literature --- American reportage literature --- American prose literature --- Writing (Authorship) --- Literature --- Publicity --- American literature --- Redaktie en rubrieken --- De communicator in de verschillende media (pers, omroep, film, boekenindustrie, ...) --- De communicator: opleiding, statuut, deontologie, zelfbeeld, sociale positie,... --- History and criticism. --- 070.421 Redaktie en rubrieken --- Roman américain --- Littérature de reportage américaine --- #SBIB:309H301 --- De communicator: opleiding, statuut, deontologie, zelfbeeld, sociale positie,.. --- Wolfe, Tom --- Mailer, Norman --- 20th century --- De communicator: opleiding, statuut, deontologie, zelfbeeld, sociale positie,. --- De communicator: opleiding, statuut, deontologie, zelfbeeld, sociale positie,
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Fiction --- American literature --- anno 1900-1999 --- Capote, Truman, 1924-1984. In Cold Blood --- Documentaire roman --- Hersey, John Richard, 1914 . Hiroshima --- Lewis, Oscar, 1914-1970. La Vida --- Nonfiction novel --- Roman documentaire --- Reportage literature, American --- American prose literature --- Littérature de reportage américaine --- Prose américaine --- History and criticism --- Histoire et critique --- World War, 1939-1945 --- Journalism --- Influence --- Technique --- History --- -Fiction --- -Journalism --- -Reportage literature, American --- -World War, 1939-1945 --- -Nonfiction novel --- -Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Reportage literature --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- American reportage literature --- Writing (Authorship) --- Literature --- Publicity --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- -History and criticism --- Philosophy --- History and criticism. --- Technique. --- Influence. --- Littérature de reportage américaine --- Prose américaine --- Documentary story --- Fiction writing --- Writing, Fiction --- Authorship --- 20th century --- Mailer, Norman --- Pynchon, Thomas --- Wolfe, Tom --- Warhol, Andy --- World War, 1939-1945 - United States - Influence --- Nonfiction novel - History and criticism --- Reportage literature, American - History and criticism --- American prose literature - 20th century - History and criticism --- Fiction - Technique --- Journalism - United States - History - 20th century
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