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82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Motion pictures --- New wave films --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- History --- History and criticism

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Motion pictures --- Nouvelle Vague --- Cinéma --- History --- Histoire --- 791.43 --- CDL --- New wave films --- Cinema --- 20th Century --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures)

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La Nouvelle vague est issue d'une génération de jeunes cinéphiles, venus pour la plupart de la critique, qui revendique un nouveau statut pour le cinéma : celui d'un art à part entière. Entre 1959 et 1964, Jean-Luc Godard, François Truffaut, Eric Rohmer, Claude Chabrol, Alain Resnais... en révolutionnent les règles, avec des films comme A bout de souffle, Les Quatre cents coups, Le Beaux Serge, Hiroshima, mon amour... Rupture dans le scénario, rupture dans le dialogue, dans le son, dans l'éclairage, dans la direction des acteurs, rupture totale avec la tradition de la "qualité française", avec le tournage en studio, avec la pudeur et le bon goût : il y a le cinéma avant la Nouvelle Vague et le cinéma après la Nouvelle Vague. Et cette fracture est aussi importante qu'en d'autres temps celle de l'impressionnisme ou de la musique autonale. La caméra, avec l'appui constant des Cahiers du cinéma, Ils vont tout bouleverser. En dix-huit chapitres, en dix-huit coups de phares sur les principales innovations amenées par la Nouvelle Vague, sur ses sources et son influence dans le monde, Jean Douchet a réalisé l'ouvrage de plaisir et de référence qui manquait sur ce moment essentiel du cinéma.

Motion pictures --- Cinéma --- History --- Histoire --- New wave films --- Cinéma, histoire --- France --- Cinéma --- 791.43 --- CDL --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- History and criticism --- Cinema --- Motion pictures - France - History --- New wave films - France - History

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New wave films --- History and criticism. --- film --- fimgeschiedenis --- nouvelle vague --- sixties --- twintigste eeuw --- Frankrijk --- Italië --- 791.43 --- History and criticism --- Nouvelle Vague (Cinéma) --- Nouvelle Vague (Cinéma) --- Film --- anno 1960-1969 --- Histoire et critique --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures

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This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.

New wave films --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures --- Motion pictures. --- Adaptation Studies. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism