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By exploring the use of film in mid-twentieth-century institutions including libraries, classrooms, and professional organizations, film scholars show how moving images became an ordinary feature of American life.
Nonfiction films --- Documentary films --- History and criticism. --- History and criticism.
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While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Cities and towns in motion pictures --- Nonfiction films --- History and criticism. --- Film --- Iconography --- Documentary films
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Nonfiction films --- Films autres que de fiction --- History and criticism --- Histoire et critique
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Spanish fiction --- Fiction --- Literature and history --- Nonfiction films --- Nonfiction television programs --- History and criticism --- Theory, etc
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'The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today's exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.' - Tony Steyger, Principal Lecturer, Southampton Solent University, UKThe Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documenta
Documentary films --- History and criticism. --- Documentaires --- Mass communications --- Histoire et critique --- Nonfiction films --- Nonstory films --- Motion pictures
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Con clara vocación interdisciplinar, analiza creaciones actuales pertenecientes a distintos ámbitos de la cultura española entre los que se incluye el cine, la televisión, la literatura o la publicidad, y aborda cuestiones como la construcción de la memoria, la verdad o la identidad y sus distintas formas de cristalización en la ficción y en la no ficción.
Spanish fiction --- Fiction --- Literature and history --- Nonfiction films --- Nonfiction television programs --- History and criticism. --- History and criticism --- Theory, etc.
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In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society
Documentary films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Political aspects --- Documentaires --- Aspect politique
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The evolution of the independent documentary cinema in India!
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An engaging read on independent documentary filmmaking in India
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