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Things – and even more so clothes and fabrics – possess a further way of being, a sort of cavity in which traces and footprints remain of those who use them, have used them or created them, have desired or chosen them. In addition, in their space, we find our ability to give word to their presence and ours. Clothes possess the particular ability of taking us into the world scene with our body, of getting us out of a condition of disappearance, subtraction or naked intimacy. This text recovers the poetic sense of our bonds with an original feeling that lies in the experience of the body, its symbolic values, the strength and voice of our bonds with the garments and the fabrics of the world. Clothes, from everyday objects, become world again when we learn to glimpse in them the chance of recognizing ourselves, of awakening their history and ours, of retracing and interweaving those subtle threads that allow us to speak the language of belongings. The voices in this plural text are placed within a large and durable research facility that is part of a philosophical approach to the experience aesthetics and the poetic-metaphorical aspect of existence. This book is aimed at those who have already tried or want to try to subtract things from their apparent silence, going through new educational sentences, aimed at the history of ourselves as well as the history of others, going through an everyday life pedagogy that can’t wait to have a voice, in order to create horizons of meaning that dress up and dress us up with intimacy when we realize that we know how to give - and live - new space to what is next, so close that it becomes - sometimes - invisible.
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Things – and even more so clothes and fabrics – possess a further way of being, a sort of cavity in which traces and footprints remain of those who use them, have used them or created them, have desired or chosen them. In addition, in their space, we find our ability to give word to their presence and ours. Clothes possess the particular ability of taking us into the world scene with our body, of getting us out of a condition of disappearance, subtraction or naked intimacy. This text recovers the poetic sense of our bonds with an original feeling that lies in the experience of the body, its symbolic values, the strength and voice of our bonds with the garments and the fabrics of the world. Clothes, from everyday objects, become world again when we learn to glimpse in them the chance of recognizing ourselves, of awakening their history and ours, of retracing and interweaving those subtle threads that allow us to speak the language of belongings. The voices in this plural text are placed within a large and durable research facility that is part of a philosophical approach to the experience aesthetics and the poetic-metaphorical aspect of existence. This book is aimed at those who have already tried or want to try to subtract things from their apparent silence, going through new educational sentences, aimed at the history of ourselves as well as the history of others, going through an everyday life pedagogy that can’t wait to have a voice, in order to create horizons of meaning that dress up and dress us up with intimacy when we realize that we know how to give - and live - new space to what is next, so close that it becomes - sometimes - invisible.
Non-graphic art forms --- Textile artworks --- threads, sentimental wardrobe/clothing, clothes, fabrics, biophotonarrative methodology, everyday life pedagogy, philosophical approach to the experience aesthetics, poetic-metaphorical aspect of existence --- threads, sentimental wardrobe/clothing, clothes, fabrics, biophotonarrative methodology, everyday life pedagogy, philosophical approach to the experience aesthetics, poetic-metaphorical aspect of existence
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This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly's Heroes, The Sweeney, Reilly - Ace of Spies and Edge of Darkness. With a career spanning six decades, Troy Kennedy Martin has seen the rise and fall of the television dramatist, making his debut in the era of studio-based television drama in the late 1950s prior to the transition to filmed drama (for which he argued in a famous manifesto), as the television play was gradually replaced by popular series and serials, for which Kennedy Martin did
Screenwriters --- Television writers --- Screenwriters, Television --- Television screenwriters --- Authors --- Television broadcasting --- Screen writers --- Motion picture authorship --- Employees --- Martin, Troy Kennedy, --- Kennedy-Martin, Troy, --- Marsh, Troy, --- Martin, Francis Troy Kennedy, --- Criticism and interpretation. --- #SBIB:309H1521 --- #SBIB:309H1323 --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- The arts. --- Film, TV and radio. --- ART / Film & Video. --- The Arts --- Fine arts: art forms --- Non-graphic art forms --- Electronic, holographic & video art.
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The first full-length treatment of the child in Spanish cinema
film --- filmgeschiedenis --- Spanje --- twintigste eeuw --- eenentwintigste eeuw --- kinderen --- Marisol --- adolescentie --- 791.43 --- Children in motion pictures. --- Symbolism in motion pictures. --- Motion pictures --- Film, TV and radio. --- Film theory and criticism. --- ART / Film & Video. --- The Arts --- History. --- Fine arts: art forms --- Non-graphic art forms --- Electronic, holographic & video art. --- Childhood in motion pictures --- Spain. --- Espagne --- Espainiako Erresuma --- España --- Espanha --- Espanja --- Espanya --- Estado Español --- Hispania --- Hiszpania --- Isupania --- Kingdom of Spain --- Regne d'Espanya --- Reiaume d'Espanha --- Reino de España --- Reino d'Espanya --- Reinu d'España --- Sefarad --- Sepharad --- Shpanie --- Shpanye --- Spanien --- Spanish State --- Supein
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