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Nochlin, Linda

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Nochlin, Linda --- Schad, Christian

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Why have there been no great women artists?

Questions about diversity - of race, gender and class - go hand in hand with reflections on decoloniality, both are essential for thinking about and making change. This knowledge in mind, Linda Nochlin's seminal query elicits another question: what would happen if we stopped thinking in modernist terms and resist categorical divisions that violently simplify and thus drastically reduce our possibilities to create, act, and forge bonds?

To attempt to answer Nochlin's question is to interrogate the normality of modernism. Many of us experience that we do not have the appropriate tools or language to formulate an answer. Looking for a new language that is no longer rooted in modernism may offer a solution - no longer seeking to be modern, but to be beyond modern.

The contributors to this fanzine dared to think outside the existing frameworks of reality. Reality is after all not one but many. In collecting answers to Nochlin's question, KIOSK did not strive for completeness or to make distictions. rather, the editors hope that this publication will create community and help establish a much-needed cultural transformation.

Social change --- Art --- feminism --- magazines [periodicals] --- decolonization --- Nochlin, Linda

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Women - as warriors, workers, mothers, sensual women,even absent women - haunt 19th- and 20th-century Western painting: their representation is one of its most common subjects. Representing Women brings together Linda Nochlin's most important writings on the subject, as she considers work by Miller, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among many others. In her riveting, partly autobiographical, extended introduction, Nochlin documents her own pioneering approach to art history; throughout the seven essays in this book, she argues for the honest virtues of an art history that rejects methodological assumptions, and for art historians who investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.

Sociology of the family. Sociology of sexuality --- Painting --- easel paintings [paintings by form] --- women [female humans] --- Cassatt, Mary --- anno 1800-1999 --- Women in art --- Painting, Modern --- Groupe Mémoires (Group of artists) --- Nochlin, Linda --- 20.02 philosophy and theory of the art sciences. --- Art and Design. --- Painting, Modern. --- Women in art. --- 1800-1999. --- kunst --- 75.041 --- 7.041 --- 7.035/036 --- 7.03 --- portretfotografie --- portretschilderkunst --- twintigste eeuw --- negentiende eeuw --- kunsttheorie --- portret --- gender studies --- feminisme --- fotografie --- beeldhouwkunst --- schilderkunst --- vrouwen --- iconologie

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"Women artists: The Linda Nochlin Reader brings together thirty essential essays from throughout Nochlin's career, including two written specially for this book, making this the definitive anthology of her writing about women in art. Her major thematic texts, such as "Women Artists After the French Revolution" and "Starting from Scratch: The Beginnings of Feminist Art History," appear alongside the landmark 1971 essay and its rejoinder "'Why Have There Been No Great Women Artists?' Thirty Years After." Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle, as well as concise biographies of all the artists discussed in the book and a complete bibliography of Nochlin's publications."--Rabat de la jaquette.

sexuality --- women [female humans] --- feminism --- art history --- Art --- Kozloff, Joyce --- Kass, Deborah --- Brown, Cecily --- Gilje, Kathleen --- Graves, Nancy --- Lucas, Sarah --- Taylor-Wood, Sam --- Sleigh, Sylvia --- Cassatt, Mary --- Schapiro, Miriam --- Yanagi, Miwa --- Bourgeois, Louise --- Morisot, Berthe Marie Pauline --- Saville, Jenny --- Frank, Natalie --- Frank, Mary --- Mitchell, Joan --- Lou, Liza --- Stettheimer, Florine --- Neel, Alice --- Smith, Kiki --- Calle, Sophie --- Altfest, Ellen --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- vrouwelijke kunstenaars --- kunstkritiek --- feminisme --- Nochlin, Linda --- Zuka --- Morisot, Berthe --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- 7.01 --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw ; 1970-2007 --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Women artists. --- Nochlin, Linda, --- Nochlin, Linda. --- Women art historians --- Women artists --- Feminism in art --- Attitudes. --- History. --- Attitudes --- Social conditions. --- vrouwelijke kunstenaars. --- kunstkritiek. --- feminisme. --- Schapiro, Miriam. --- Zuka. --- Stettheimer, Florine. --- Graves, Nancy. --- Morisot, Berthe. --- Kozloff, Joyce. --- Cassatt, Mary. --- Sleigh, Sylvia. --- Kass, Deborah. --- Saville, Jenny. --- Frank, Mary. --- Gilje, Kathleen. --- Mitchell, Joan. --- Taylor-Wood, Sam. --- Neel, Alice. --- Smith, Kiki. --- Lucas, Sarah. --- Brown, Cecily. --- Lou, Liza. --- Yanagi, Miwa. --- Bourgeois, Louise. --- Calle, Sophie. --- Altfest, Ellen. --- Frank, Natalie. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- lichaam (van de mens) --- vrouwelijke kunstenaar --- Feminism --- Artists --- Art history --- Art criticism --- Reference work --- Visual arts --- Biographical details --- Book --- Femmes artistes.