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This book is a history of J. M. Richards' career as editor of The Architectural Review and as an architectural critic and writer from 1933-73. The book explores Richards' ideas about anonymity, modernism and public participation in architecture.
Architecture, Modern --- Architectural criticism --- History --- Richards, J. M. --- Architectural review (London, England) --- Architectural Criticism. --- Brutalism. --- Hubert De Cronin Hastings. --- J.M. Richards. --- Modern Architecture. --- Nikolaus Pevsner. --- Peggy Angus. --- Reyner Banham. --- The Architectural Review. --- Vernacular architecture.
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Nikolaus Pevsner was one of the most important and influential art historians of the twentieth century. He opened up new areas of enquiry in the history of art, revolutionising architectural studies in England and playing a key role in establishing the discipline of design history. Through his lectures and broadcasts, as well as the remarkable volumes in The Buildings of England series which made him a household name, he did much to encourage greater interest in, and understanding of, art and architecture among a wide public. This wide-ranging collection of essays, based on papers delivered at the conference held at Birkbeck in celebration of the centenary of Pevsner's birth, offers the first sustained critical assessment of Pevsner's achievements. With contributions by leading international scholars, the volume brings together a wealth of new material on Pevsner and his intellectual background, both in Germany in the late 1920s and 1930s and in England, particularly in the 1940s and 1950s.
Architectural historians --- Art historians --- Art criticism --- Architectural criticism --- Historiens de l'architecture --- Historiens de l'art --- Critique d'art --- Critique architecturale --- History --- Pevsner, Nikolaus, --- Pevsner, Nikolaus --- Criticism and interpretation --- Critique et interprétation --- art historians --- Historiens d'art --- 7.072.3 --- Sir Nikolaus Pevsner 1902-1983 (° Leipzig, Duitsland ; emigreerde in 1933 naar Groot-Brittannië) --- Architectuurtheorie ; 20ste eeuw ; Nikolaus Pevsner --- Architectuur ; theorie, filosofie, esthetica --- 7.072.3 Kunstkritiek --- 72.033 --- 72.035 --- 72.036 --- 72.01 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.035 Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- 72.033 Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Kunstkritiek --- Art --- Visual perception. --- Historiography. --- Congresses --- Congrès --- Congresses. --- Critique et interprétation.
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Didactics of the arts --- art education --- kunstonderwijs --- History of education and educational sciences --- Art --- -Art schools --- by Nikolaus Pevsner --- oudheid --- middeleeuwen --- renaissance --- barok --- rococo --- kunstscholen --- negentiende eeuw --- twintigste eeuw --- 373.67 --- Schools --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching --- Art schools. --- Study and teaching. --- CDL --- Art schools --- Art education --- Education, Art --- Analysis, interpretation, appreciation --- Education
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Nikolaus Pevsner met en évidence les deux tendances quasi contradictoire de l'histoire du design et de l'architecture du XXème: l'Art Nouveau - sinueux et onirique, et le Style international- rigoriste et fonctionnel.
Architecture, Modern --- Design --- Design and construction --- Architecture --- Conception et construction --- ArchitectuCre, Modern --- Histoire du design --- Histoire de l'architecture --- Arts décoratifs --- Design-histoire --- History --- 20e siècle --- Panorama mondial --- Architectuur ; design ; 19de en 20ste eeuw --- Architectuurtheorie ; 20ste eeuw ; Nikolaus Pevsner --- Art Nouveau --- Arts and Crafts --- Architectuur ; 20ste eeuw ; Internationale stijl --- 72.01 --- 749.01 --- 724.5 --- Architectuur ; theorie, filosofie, esthetica --- Meubelkunst en design ; theorie, filosofie, esthetica --- Arts Architecture 19th century --- Architecture, Modern - 20th century - History - Sources --- ArchitectuCre, Modern - 19th century - History
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Dit boek geschreven door de bekende Engelse kunsthistoricus Dr. Nicolaus Pevsner geeft een boeiend overzicht van de geschiedenis der Europese bouwkunst. Van de Grieks-Romeinse bouwkunst voert de auteur zijn lezer door de eeuwen heen naar de Gothische stijl, van de Renaissance en het Manierisme naar de Barok en van de Barok en de Romantiek naar de moderne bouwkunst van Berlage, Gropius, Le Corbusier e.a. De eerste Nederlandse bewerking van dit boek werd door dr. E. H. Kossmann in 1949 verzorgd. Hiervan verscheen in 1965 de derde druk. Inmiddels heeft dr. Pevsner zowel de oorspronkelijke Engelse, als de Duitse editie van dit boek zo uitgebreid en bewerkt dat van een nieuw, dubbel zo omvangrijk boek gesproken mag worden, daarom verschijnt deze nieuwe vertaling in twee delen. Dit tweede deel onder de titel 'van Bernini tot Le Corbusier' het eerste onder de titel 'Middeleeuwen en Renaissance'. Bij deze nieuwe bewerking is zowel van de laatste Engelse editie (Penguin Books Ltd.) als van de Duitse (Prestel Verlag, München.) gebruik gemaakt, zodat deze Nederlandse uitgave omvangrijker is dan de Engelse of Duitse afzonderlijk. De tekst is geïllustreerd met talloze plattegronden, doorsneden, interieur- en exterieurfoto's. Hierdoor is dit boek te gebruiken als studieboek, reisgids en het is tevens een dierbaar en ontroerend verslag van de liefde voor het bouwwerk en de mens die het schiep. De auteur slaagt erin duidelijk te zijn zonder oppervlakkig te worden en algemeen verstaanbaar, zonder aan de eisen van zijn wetenschap te kort te doen. Bovendien geeft hij van de ontwikkeling der bouwkunst een verfrissend nieuw beeld.
Architecture --- History --- classicisme --- architectuur --- modernisme --- Modernist --- Baroque --- barok --- classicism --- architecture [discipline] --- anno 1700-1799 --- anno 1800-1999 --- anno 1600-1699 --- Europe --- 72.03 --- Europa --- Nikolaus Pevsner --- architectuurgeschiedenis --- duitsland --- Frankrijk --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- romantiek --- neostijlen --- art nouveau --- romaanse kunst --- gotiek --- renaissance --- manierisme --- Italie --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- #gsdbA --- bouwstijlen --- architectuurstijlen - algemene werken --- Architectuur --- Geschiedenis --- Kunstgeschiedenis --- Architectuurgeschiedenis ; Europa --- 72(091) --- Architectuur ; geschiedenis --- Archief --- Digitalisering --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Godsdienst --- Cultuur
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It all began atop a drugstore in Princeton, New Jersey, in November 1905. From its modest beginnings, Princeton University Press was to become one of the world's most important scholarly publishers, embracing a wealth of disciplines that have enriched our cultural, academic, and scientific landscape.Both as a tribute to our authors and to celebrate our centenary, Princeton University Press here presents A Century in Books. This beautifully designed volume highlights 100 of the nearly 8,000 books we have published. Necessarily winnowed from a much larger list, these books best typify what has been most lasting, most defining, and most distinctive about our publishing history--from Einstein's The Meaning of Relativity (1922) to the numerous mathematical and other works that marked the Press's watershed decade of the 1940s, including von Neumann and Morgenstern's Theory of Games and Economic Behavior; from milestones of literary criticism by Erich Auerbach and Northop Frye to George Kennan's Pulitzer Prize-winning book on Soviet-American relations; from Milton Friedman and Anna Jacobson Schwartz's A Monetary History of the United States, 1867-1960 to more recent landmarks such as L. Luca Cavalli-Sforza, Paolo Menozzi, and Alberto Piazza's The History and Geography of Human Genes and Robert Shiller's Irrational Exuberance.In addition to succinct descriptions of the 100 titles and a short introduction on the history of the Press, the book features five essays by prominent scholars and writers: Michael Wood discusses the impact on Princeton University Press of intellectuals who fled Nazi Germany and authored many influential books. Anthony Grafton recounts our rich publishing tradition in history, politics, and culture. Sylvia Nasar traces our evolution into a leading voice in economics publishing. Daniel Kevles reflects on Einstein, a figure of special importance to Princeton. And Lord Robert May writes on our long-standing tradition of publishing in mathematics and science.A Century in Books is more than a celebration of 100 years of publishing at Princeton University Press--it is a treasure trove of 100 years of books that have added to the richness of twentieth-century intellectual life.
University presses --- History. --- Princeton University Press --- Ancient history. --- Anthony Grafton. --- Archival research. --- Astronomer. --- Author. --- Book design. --- Book series. --- Burckhardt. --- Capitalism. --- Career. --- Celestial mechanics. --- Clive Granger. --- Computation. --- David Hilbert. --- Econometrics. --- Economist. --- Edith Hamilton. --- Editing. --- Edition (book). --- Editorial. --- Edward Said. --- Empiricism. --- English literature. --- Episode. --- Eranos. --- Ernst Kantorowicz. --- Erudition. --- Erwin Panofsky. --- Essay. --- Facsimile. --- From Caligari to Hitler. --- Gresham Sykes. --- Hans Baron. --- Hardcover. --- Henri Pirenne. --- Hermann Weyl. --- Historicism. --- Humanities. --- Illustration. --- Institution. --- Intellectual history. --- Interwar period. --- J. Franklin Jameson. --- James Merrill. --- John Harsanyi. --- John Maynard Keynes. --- Joseph Strayer. --- Lecture. --- Literature. --- Mainframe computer. --- Mathematician. --- Mathematics. --- Max Planck. --- Modern architecture. --- Modern history. --- Modernity. --- Monarchies in Europe. --- Monograph. --- Narrative. --- Nikolaus Pevsner. --- Novelist. --- Number theory. --- Of Education. --- Old Testament. --- Oskar Morgenstern. --- Paul Samuelson. --- Philology. --- Philosopher. --- Philosophy. --- Physicist. --- Poetry. --- Political science. --- Politics. --- Princeton University Press. --- Princeton University. --- Printing. --- Publication. --- Publishing. --- Renaissance art. --- Renaissance. --- Richard Krautheimer. --- Robert Gilpin. --- Samuel Eilenberg. --- Scientist. --- Stephen Spender. --- Steven Shapin. --- Sylvia Nasar. --- T. S. Eliot. --- Textbook. --- The New York Review of Books. --- The New York Times. --- Theory. --- Time series. --- Time value of money. --- Title page. --- Tradition. --- Vladimir Nabokov. --- Wilhelm Dilthey. --- World War II. --- Writing. --- Auerbach, Erich, 1892-1957 --- Baron, Hans, --- Conkwright, P. J. --- Dilthey, Wilhelm, --- Einstein, Albert, --- Eilenberg, Samuel --- Eliot, T. S. --- Frye, Northrop --- Friedman, Milton, --- Grafton, Anthony --- Granger, C. W. J. --- Gilpin, Robert --- Hilbert, David, --- Hamilton, Edith, --- Harsanyi, John C. --- Jameson, J. Franklin --- Kevles, Daniel J., --- Kennan, George F. --- Kantorowicz, Ernst H. --- Krautheimer, Richard, --- May, Robert M. --- Morgenstern, Oskar, --- Merrill, James, --- Nasar, Sylvia --- Nabokov, Vladimir, --- Panofsky, Erwin, --- Pirenne, Henri, --- Planck, Max, --- Pevsner, Nikolaus, --- Schwartz, Anna J. --- Said, Edward W. --- Sykes, Gresham M. --- Strayer, Joseph R. --- Samuelson, Paul A. --- Spender, Stephen, --- Shapin, Steven --- Von Neumann, John, --- Wood, Michael, --- Wright, Frank Lloyd, --- Weyl, Hermann,
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