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Photographers --- Photographes --- Exhibitions. --- Expositions --- Depardon, Raymond --- 77 DEPARDON, RAYMOND --- 77.044 --- 77 <44> --- 77.044 Nieuwsfotografie. Reportage --- Nieuwsfotografie. Reportage --- 77 <44> Fotografie--Frankrijk --- Fotografie--Frankrijk --- 77 DEPARDON, RAYMOND Fotografie--DEPARDON, RAYMOND --- Fotografie--DEPARDON, RAYMOND --- Exhibitions

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fotografie --- persfotografie --- België --- Photojournalism --- gelegenheidspublicatie --- fotoboek --- Belgique België --- Presse Pers --- Photographie Fotografie --- René Adams, Walter Vanstraelen, Frank Schlömer [et al.] --- reportagefotografie --- reportage --- documentaire fotografie --- documentaire --- twintigste eeuw --- 77.044 --- 070 --- 77.03 --- General Journalism --- Documentaire fotografie --- Nieuwsfotografie. Reportage --- 77.044 Nieuwsfotografie. Reportage --- 77.03 Documentaire fotografie --- sociale fotografie --- pers, journalistiek. --- geschiedenis. --- 20ste eeuw. --- België.

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"More than 480 images illustrate the relationship between photography and war, showing the experience of armed conflict through the eyes of photographers across two centuries and six continents"--

Photographie de guerre. --- Guerre. --- War photography. --- War. --- War --- War photography --- 77.044 --- eenentwintigste eeuw --- fotografie --- fotojournalistiek --- media --- negentiende eeuw --- oorlog --- oorlogsfotografie --- reportagefotografie --- twintigste eeuw --- 77.03 --- Combat photography --- Photography, Combat --- Photography, War --- Documentary photography --- Photojournalism --- Armed conflict (War) --- Conflict, Armed (War) --- Fighting --- Hostilities --- Wars --- International relations --- Military art and science --- Peace --- 77.044 Nieuwsfotografie. Reportage --- Nieuwsfotografie. Reportage --- 77.03 Documentaire fotografie --- Documentaire fotografie --- Exhibitions

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The older paradigm for photojournalists was to simply record events, with the hopeand frequently the expectationthat people and their governments would be moved to respond to the injustices pictured, as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media to impact society. Also encompassing online efforts, uses of video, and a diverse range of books and exhibitions, this volume aims for as wide-ranging and far-reaching a discussion as possible, asking the critical question: how can images promote new thinking and make a difference in the world? &#13;&#13;Bending the Frame: Photojournalism, Documentary, and the Citizen is supported by a grant from the Open Society Foundations.&#13;&#13;

journalistic photography --- fotojournalistiek --- Photography --- 77.044 --- 77.01 --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- media --- internet --- sociale media --- digitale cultuur --- Nieuwsfotografie. Reportage --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77.044 Nieuwsfotografie. Reportage --- Photojournalism --- Social aspects --- Journalism --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Illustrated periodicals --- Photography - Social aspects --- massacommunicatie --- photojournalism [discipline] --- pictorial journalism [discipline]

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On sait les images du photojournalisme prises entre leur fonction (journalistique) et leur valeur esthétique (photographique) : entre le magazine et le musée, « derniers tableaux » reprenant à leur compte les questions de la peinture d’histoire. Ce livre offre des exemples - oeuvres, expositions - qui illustrent, et en même temps excèdent cette opposition, et demandent l’élargissement du champ de cette recherche. C’est la vision d’un photojournalisme et d’un art contemporains l’un de l’autre, partageant les mêmes ambitions de «rendre compte du réel», de témoignage, de « fonction critique », les mêmes doutes sur leur capacité à le faire, et l’usage (la récupération, l’atténuation) dont ils peuvent faire l’objet.

Photojournalism --- Art and photography --- Photographie de presse --- Art et photographie --- Congresses --- Congrès --- 77.044 --- kunst --- fotografie --- reportagefotografie --- kunst en fotografie --- journalistiek --- The Atlas Group --- Joreige Khalil --- Hadjithomas Joana --- Serralongue Bruno --- Fischer Hartwig --- Nieuwsfotografie. Reportage --- 77.044 Nieuwsfotografie. Reportage --- Congrès --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Photography and art --- Photography --- Actes de congrès