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Neoliberalism and literature.

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This book analyses the impact of economic informality on the novel form across the modern world-system, looking specifically at works by Antonio de Almeida, Machado de Assis, Dany Laferrière, Ngũgĩ wa Thiong’o, Nadine Gordimer, and Masande Ntshanga. It sees the representation of informal economies as a structural homology of world-literature. In chapters on the figure of the agregado in the nineteenth-century Brazilian novel; sex work in Haitian fiction; the politics of the informal economy in the post-apartheid South African novel; and Ngugi’s representation African occult economies, Josh Jewell explores the relationship between the rise of improvised economic activity—and its consolidation under neoliberalism in postcolonial nations—and literary form. He shows how informal economies can be grasped as locations of strategy and improvisation whose subjects must shift constantly between officialdom and underground networks; between the realms of the licit and illicit. This produces highly heterogenous narratives oscillating between different tones and registers (unserious and tragic), social spaces (working-class and elite), and conceptions of reality. By comparing the various situated aesthetics of informality, this book instrumentalises the Warwick Research Collective’s compelling but nebulous idea of a world-literature that “variously registers” a “singular modernity”. Josh Jewell is a resident scholar in the Humanities Institute at University College Dublin, Ireland. His research analyses the relationship between labour and literary form in world-literature. His current postdoctoral research project focuses on representations of labour which falls outside of direct market mediation--such as domestic labour and peasant agriculture--in South Africa, Brazil, the Caribbean, and the European periphery.

Neoliberalism and literature. --- Literature. --- Comparative literature. --- Fiction. --- World Literature. --- Comparative Literature. --- Fiction Literature.

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"Speculative Fictions views the Chilean neoliberal transition as reflected in cultural production from the post dictatorship era of the 1970's to the present. To Alessandro Fornazzari, the move to market capitalism effectively blurred the lines between economics and aesthetics, perhaps nowhere more evidently than in Chile. Through exemplary works of film, literature, the visual arts, testimonials, and cultural theory, Fornazzari reveals the influence of economics over nearly every aspect of culture and society. Citing Karl Marx, Michel Foucault, Walter Benjamin, Willy Thayer, Milton Friedman, and others, Fornazzari forms the theoretical basis for his neoliberal transitional discourse as a logical progression of capitalism"--

Neoliberalism --- Culture --- Chilean literature --- National characteristics, Chilean. --- Economic aspects --- History and criticism. --- Chile --- Civilization --- Intellectual life --- Chilean national characteristics --- Cultural sociology --- Sociology of culture --- Neo-liberalism --- Social aspects --- Liberalism --- Popular culture --- National characteristics, Chilean --- History and criticism --- E-books --- Neoliberalism and literature --- Literature and neoliberalism --- Literature