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Libretto's en inleidende artikelen over de opera's van de Oostenrijkse (1874-1951) en de Amerikaanse componist (1926-1987).
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For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical—saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society.More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is “post-intentional”: neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle—a space of “righteous hope”—and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope.To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.
Racism --- United States --- Race relations. --- Compelling. --- Perry. --- US. --- asserts. --- based. --- beyond. --- biological. --- concepts. --- dichotomy. --- discrimination. --- distinct. --- drawing. --- inequality. --- insufficient. --- intentional. --- neither. --- order. --- perpetuated. --- phase. --- post-intentional. --- race. --- racial. --- racism. --- that. --- think. --- this. --- upon.
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Arkansas, 1943. The Deep South during the heart of Jim Crow-era segregation. A Japanese-American person boards a bus, and immediately is faced with a dilemma. Not white. Not black. Where to sit?By elucidating the experience of interstitial ethnic groups such as Mexican, Asian, and Native Americans—groups that are held to be neither black nor white—Leslie Bow explores how the color line accommodated—or refused to accommodate—“other” ethnicities within a binary racial system. Analyzing pre- and post-1954 American literature, film, autobiography, government documents, ethnography, photographs, and popular culture, Bow investigates the ways in which racially “in-between” people and communities were brought to heel within the South’s prevailing cultural logic, while locating the interstitial as a site of cultural anxiety and negotiation.Spanning the pre- to the post- segregation eras, Partly Colored traces the compelling history of “third race” individuals in the U.S. South, and in the process forces us to contend with the multiracial panorama that constitutes American culture and history.
Segregation --- Asian Americans --- Desegregation --- Race discrimination --- Minorities --- Asians --- Ethnology --- Race identity --- Southern States --- Race relations. --- 1943. --- Americans. --- Arkansas. --- Asian. --- Crow-era. --- Deep. --- Japanese-American. --- Leslie. --- Mexican. --- Native. --- South. --- Where. --- accommodate. --- accommodated. --- binary. --- black. --- boards. --- bus. --- color. --- dilemma. --- during. --- elucidating. --- ethnic. --- ethnicities. --- experience. --- explores. --- faced. --- groups. --- heart. --- held. --- immediately. --- interstitial. --- line. --- neither. --- other. --- person. --- racial. --- refused. --- segregation. --- sit. --- such. --- system. --- that. --- white. --- with. --- within.
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Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction—at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law. Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies.
Law in literature. --- Slavery in literature. --- Law and literature --- Slavery --- Antislavery movements --- Slaves --- American literature --- Slave narratives --- Blacks --- Slavery and slaves in literature --- Slaves in literature --- Literature and law --- Literature --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Enslaved persons --- Persons --- Autobiography --- Slaves' writings --- Negroes --- Ethnology --- History --- Law and legislation --- Legal status, laws, etc. --- African American authors --- History and criticism. --- Travel --- African. --- American. --- Free. --- Fugitive. --- Neither. --- Situated. --- confluence. --- criticism. --- feminism. --- freedom. --- genre. --- history. --- legal. --- literary. --- new. --- presents. --- studies. --- suit. --- Black persons --- Black people --- Enslaved persons' writings --- Enslaved persons in literature
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