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Nègre, Charles

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Arts plastiques --- Photographie --- NEGRE Charles

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fotografie --- Nègre, Charles --- Photography, Artistic --- 77.071 NEGRE --- CDL --- Nègre, Charles, --- Exhibitions --- Nègre, Charles --- Portrait photography --- Photography --- Exhibitions. --- History --- Nègre, Charles.

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Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre. In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'

77.03 --- 77.041.7 --- fotografie --- fotografietheorie --- straatfotografie --- Frankrijk --- Parijs --- fotografie en schilderkunst --- negentiende eeuw --- twintigste eeuw --- Collard Hippolyte-Auguste --- Kertész André --- Doisneau Robert --- Wols --- Lartigue Jacques-Henri --- Renoir Auguste --- Manet Edouard --- Bovis Marcel --- Caillebotte Gustave --- Bucquet Maurice --- Izis --- Pissarro Camille --- Atget Eugène --- Krull Germaine --- Seeberger Frères --- Brassaï --- Colomb Denise --- Nègre Charles --- 77.01 --- 77.046 --- 77.041.7 Fotografie van het dagelijks leven. Narratieve fotografie --- Fotografie van het dagelijks leven. Narratieve fotografie --- 77.03 Documentaire fotografie --- Documentaire fotografie --- Photography --- Street photography --- History. --- Atget, Eugène, --- Cartier-Bresson, Henri, --- Cityscape photography --- Outdoor photography --- Bresson, Henri Cartier-, --- Atget, Jean-Eugène,

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Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. Through cropping, focus, angle of view, distance and lighting as well as the ex post facto techniques of dark room manipulation, collage, montage and assemblage, photographers not only interpret the artworks they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1939 to Today presents a critical examination of the intersections between photography and sculpture. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the 19th century to the present, The Original Copy explores how one medium has become implicated in the understanding of the other. Photographs reproduced in this richly illustrated volume range in subject from inanimate objects to performing bodies, and include major works by mediums most influential artists, from early modernism to the present.


Iconography --- Art --- Sculpture --- Photography --- outdoor sculpture --- art [discipline] --- photography [process] --- public art --- monuments --- studios [work spaces] --- sculpting --- fotografie --- Brancusi, Constantin --- Wurm, Erwin --- Broodthaers, Marcel --- Stieglitz, Alfred --- Druet, Eugène --- Álvarez Bravo, Manuel --- Oppenheim, Dennis --- Cocteau, Jean --- Ernst, Max --- Oldenburg, Claes --- Bellmer, Hans --- Antin, Eleanor --- Wilke, Hannah --- Duchamp, Marcel --- Umbo --- Bach, Friedrich Teja --- Béothy, Etienne --- Morris, Robert --- Christo --- Smithson, Robert --- Polke, Sigmar --- Fulton, Hamish --- Beuys, Joseph --- Moukhine, Igor --- Steichen, Edward --- Roché, Henri-Pierre --- Tabard, Maurice --- Long, Richard --- Boltanski, Christian --- Tillim, Guy --- Goldblatt, David --- Whitman, Robert --- Winogrand, Garry --- Zhang Dali --- Rhode, Robin --- Rosso, Medardo --- Cartier-Bresson, Henri --- Weston, Edward --- Atget, Eugène --- Abbott, Berenice --- Klein, Yves --- Sherman, Cindy --- Dalí, Salvador --- Rodin, Auguste --- Export, Valie --- Brassaï --- Kiefer, Anselm --- Ray, Charles --- Meunier, Constantin --- Smith, David --- Mapplethorpe, Robert --- Graham, Dan --- Kusama, Yayoi --- Anselmo, Giovanni --- Artschwager, Richard --- Dine, Jim --- Fischli, Peter --- Gilbert and George --- Hirst, Damien --- Kruger, Barbara --- Lawler, Louise --- Nauman, Bruce --- Oppenheim, Meret --- Weiss, David --- Gober, Robert --- Brown, Trisha --- Orozco, Gabriel --- Cock, de, Jan --- Baargeld, Johannes Theodor --- Baldessari, John --- Blossfeldt, Karl --- Brus, Günther --- Höch, Hannah --- Mendieta, Ana --- Negre, Charles --- Taeuber-Arp, Sophie Henriette Gertrud --- Talbot, William Henri Fox --- Whiteread, Rachel --- Wool, Christopher --- Friedlander, Lee --- Ai Weiwei --- Ader, Bas Jan --- Man Ray --- Zadkine, Ossip --- Giacometti, Alberto --- Kertész, André --- Matta-Clark, Gordon --- Cock, De, Jan