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John Neal and Nineteenth-Century American Literature and Culture is a critical reassessment of American novelist, editor, critic, and activist John Neal, arguing for his importance to the ongoing reassessment of the American Renaissance and the broader cultural history of the Nineteenth Century. Contributors (including scholars from the United States, Germany, England, Italy, and Israel) present Neal as an innovative literary stylist, penetrating cultural critic, pioneering regionalist, and vital par

Literature and society --- National characteristics, American, in literature. --- Critics --- History --- Neal, John, --- Somebody, M. D. C., --- O'Cataract, Jehu, --- Author of Logan, --- Logan, Author of, --- Criticism and interpretation.

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'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.

Art --- anno 1990-1999 --- anno 2000-2009 --- 77.01 --- 77.03 --- Fotografie--Semiotiek van de fotografie. Theorie --- Documentaire fotografie --- Social movements in art --- Radicalism in art --- Social movements --- Art, Modern --- History. --- Themes, motives --- political art --- social movements --- 77.03 Documentaire fotografie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- community art --- art [fine art] --- Jahangir, Farid --- Hobbs, Stephen --- Melitopoulos, Angela --- Allora and Calzadilla --- Kusolwong, Surasi --- Fayyazi, Bita --- Šušteršič, Apolonija --- Simpson, Buster --- von Osten, Marion --- Almárcegui, Lara --- Wikström, Elin --- Bik Van der Pol --- Ruga, Athi-Patra --- Ai Weiwei --- NSK --- Ilich, Fran --- Lace, Bronwyn --- Oldenborgh, van, Wendelien --- Reyes, Pedro --- Moys, Anthea --- Creischer, Alice --- Schaub, Didier --- Chin, Mel --- Kochta-Kalleinen, Oliver --- Shimabuku, Michihiro --- Oda Projesi --- Kenawy, Amal --- Muniz, Vik --- Hassanzadeh, Khosrow --- Reynolds, Laurie Jo --- Chan, Paul --- Hasheminejad, Ata --- Douala-Bell, Marilyn --- Watkins, Peter --- Fallen Fruit --- Condorelli, Céline --- Ukeles, Mierle Laderman --- Aranda, Julieta --- Neustetter, Marcus --- Nassiri, Sassan --- Rosado Seijo, Chemi --- Alÿs, Francis --- Kalleinen, Tellervo --- Bruguera, Tania --- Collins, Phil --- Vidokle, Anton --- Lacy, Suzanne --- Gil, Alonso --- Cirugeda, Santiago --- Schneider, Florian --- Dion, Mark --- Guzman, Frederico --- Deller, Jeremy --- Šedá Katerina --- Schlingensief, Christoph --- Cuevas, Minerva --- O'Neal, John --- Vazquez Martin, Eduardo --- Haeg, Fritz --- Siekmann, Andreas --- Wade, Gavin --- Barclay, Claire --- Morgan Puett, J. --- Movellán, Begoña --- Gates, Theaster --- Glover, Paul --- the land Foundation --- Greene, Josh --- Torolab --- San Francsico Cacophony Society --- Pulska Grupa --- Slanguage --- Ultra-Red --- Frente 3 de Fevereiro --- Cornerstone Theater Company --- Mammalian Diving Reflex --- Temporary Services --- Sarai and Ankur --- Voina Group --- Wochenklausur --- Barefoot Artists --- Superflex [Copenhagen] --- Basurama --- Ala Plástica --- Colectivo Cambalache --- Chto Delat Group --- Platforma 9.81 --- Long March Project --- Alternate Roots --- Bijari --- Pase Usted --- HAHA --- Public Movement --- Bread and Puppet Theater --- Decolonizing Architecture Art Residency [Beit Sahour] --- Women on Waves --- Free Class Frankfurt --- Mujeres Creando --- Finishing School --- Los Angeles Poverty Department --- Osten, von, Marion --- Kunst --- kunst --- gemeenschapskunst --- sociale bewegingen --- politieke kunst --- Oda Projesi [Istanbul] --- SUPERFLEX [Kopenhagen] --- SUPERFLEX [Copenhagen] --- Almarcegui, Lara --- art [discipline] --- Šedá, Katerina