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Nazi concentration camps in art --- Exhibitions. --- Auschwitz (Concentration camp) --- Exhibitions.
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Iconography --- Drawing --- Non-fiction --- History of Germany and Austria --- anno 1930-1939 --- anno 1940-1949 --- Nazi concentration camps in art. --- Nazi concentration camp inmates as artists.
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Genocide in art --- Holocaust, Jewish (1939-1945), in art --- Nazi concentration camps in art --- Art, Modern --- Art, Modern --- Themes, motives --- Themes, motives
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Jewish art --- Holocaust, Jewish (1939-1945), in art --- World War, 1939-1945 --- Nazi concentration camps in art --- Nazi concentration camps --- Catalogs. --- Catalogs --- Concentration camps. --- Catalogs. --- Pictorial works --- Catalogs. --- Bet loḥame ha-geṭaʼot (Loḥame ha-Geṭaʼot, Israel) --- Art collections --- Catalogs.
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The further World War II retreats itself into the history books, the more abstract it becomes for us. There are only a few eyewitnesses who can vividly describe their terrible experiences. Nowadays, people have often got used to horror and bad news. The facts, whether they are terrible news or horrific sums of money that are "thrown around", we can often only understand in an abstract way, but not assign them emotionally. That is exactly my concern in this book - that people begin to perceive issues in a less abstract way. This means for World War II that pain and suffering should remain comprehensible even in their dimension of destruction and dehumanization. For this reason, the word is confronted here with artistic expression, so that dialogues arise that allow access in another wise than purely rational.
Art allemand --- Art, German --- Camps de concentration nazis dans l'art. --- Femmes artistes --- Holocaust memorials. --- Holocaust, Jewish (1939-1945) in art. --- Holocaust, Jewish (1939-1945), in art. --- Holocauste, 1939-1945, dans l'art. --- Landscape painting, German --- Landscape painting, German. --- Monuments de l'Holocauste. --- Nazi concentration camps in art. --- Painting, German --- Painting, German. --- Peinture allemande --- Peinture de paysages allemande --- Women artists --- Women artists. --- Stybor, Lisa M.,
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Les contributions analysent le regard porté par des photographes, des peintres et des cinéastes sur des événements inscrits dans l'histoire. Une seconde partie s'intéresse à la réflexion d'artistes contemporains sur l'exil et la déportation. ©Electre 2015 Cet ouvrage reprend 11 communications faites par des historiens de l'art et des artistes lors du 3e séminaire Déplacements forcés et exils en Europe au XXe siècle organisé en 2012 à Perpignan autour du thème Images et représentations. Un premier volet est consacré à l'analyse des regards portés par des artistes, photographes, peintres, cinéastes, lors d'événements aujourd'hui inscrits dans l'histoire et à la transformation que leur fait subir le passage du temps. La Retirada et la Shoa sont au coeur de cette partie. Le deuxième volet est composé de réflexion d'artistes contemporains sur le phénomène de l'exil, qu'il concerne le Camp de Rivesaltes à travers la photo et le cinéma, l'exil catalan au feu du documentaire, la Shoah dans l'oeil de Godard ou le conflit bosniaque réfracté par la télé et reconstruit par la main du peintre. Une autre façon de pénétrer les tragédies du long XXe siècle à travers une riche iconographie et un DVD, La guerre est proche de Claire Angelini.
Migration. Refugees --- wars --- emigration --- refugees --- Art --- depictions [visual works] --- anno 1900-1999 --- Europe --- Exiles in art --- Deportation --- Concentration camps in art --- Refugees in art --- Refugees in motion pictures --- War and motion pictures --- Art, Modern --- Exil dans l'art --- Déportation --- Camps de concentration dans l'art --- Réfugiés dans l'art --- Réfugiés au cinéma --- Guerre et cinéma --- Themes, motives --- Thèmes, motifs --- Spain --- Espagne --- History --- Civil War, 1936-1939 --- Art and the war --- Histoire --- Art et guerre --- Déportation --- Réfugiés dans l'art --- Réfugiés au cinéma --- Guerre et cinéma --- Thèmes, motifs --- Art and the war. --- Internment camps in art --- Nazi concentration camps in art
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The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings. Stojka's particular use of language, phonetically adapted from her knowledge of German, is here transcribed and translated into English, while giving access to both sides of her works.
Romani Genocide, 1939-1945 --- World War, 1939-1945 --- kunst --- racisme --- schilderkunst --- tekenkunst --- holocaust --- concentratiekampen --- 741.071 STOJKA --- 75.071 STOJKA --- 7.071 STOJKA --- literatuur --- Stojka Ceija --- genocide --- Roma --- nazisme --- kunst en politiek --- Nazi concentration camps in art --- Concentration camps in art --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Baro Porrajmos, 1939-1945 --- Genocide of the Romanies, 1939-1945 --- Nazi persecution of Romanies, 1939-1945 --- Pharrajimos, 1939-1945 --- Porajmos, 1939-1945 --- Porrajmos, 1939-1945 --- Romani Holocaust, 1939-1945 --- Romany Holocaust, 1939-1945 --- Romany Genocide, 1939-1945 --- Romanies --- Samudaripen, 1939-1945 --- Genocide --- Nazi persecution --- Gipsies --- Gypsies --- Crimes against --- Atrocities --- Stojka, Ceija --- Exhibitions --- Nazi Holocaust, 1939-1945 (Romani Genocide)
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