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Nazca culture --- Culture de Nazca --- Nazca (Peru) --- Nazca (Pérou) --- Antiquities --- Antiquités

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Indians of South America --- Indiens d'Amérique --- Pottery --- Céramique --- Nazca (Peru) --- Nazca (Pérou) --- Antiquities --- Antiquités

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Indian pottery --- Céramique indienne d'Amérique --- History --- Histoire --- Nazca Lines Site (Peru) --- Nazca (Peru) --- Nazca (Pérou : Site archéologique) --- Nazca (Pérou) --- Antiquities --- Antiquités

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Geology, Stratigraphic --- Geology --- Stratigraphie --- Géologie --- Nazca Lines Site (Peru) --- Nazca (Peru) --- Nazca (Pérou : Site archéologique) --- Nazca (Pérou) --- Antiquities. --- Antiquités

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Ever since its scientific discovery, the great Nasca site of Cahuachi on the south coast of the Central Andes has captured the attention of archaeologists, art historians, and the general public. Until Helaine Silverman's fieldwork, however, ancient Nasca culture was seen as an archaeological construct devoid of societal context. Silverman's long-term, multistage research as published in this volume reconstructs Nasca society and contextualizes the traces of this brilliant civilization (ca. 200 B.C.-A.D. 600).Silverman shows that Cahuachi was much larger and more complex than port

Nazca culture. --- Nasca culture --- Indians of South America --- Antiquities --- Nazca (Peru) --- Cahuachi Site (Peru) --- Peru --- Nasca (Peru) --- Antiquities. --- Culture de Nazca --- Nazca (Pérou) --- Cahuachi (Pérou : Site archéologique) --- Antiquités