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Richard Jefferies (1848-1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which, when brought together in book form, brought him recognition (though not wealth) and which continued to be read and admired after his early death. This volume, first published in 1884, contains a collection of essays and articles previously published during his career. Written in Jefferies' highly descriptive style, these essays describe rural life and nature in England, illustrating folk traditions and important natural events in rural communities. The mysticism and wonder of the natural world which exemplifies Jefferies' works is fully illustrated in these essays.
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From "The Afterlife of Trees" /Neither sheep nor cows crisscross our lives as much./Trees dangle apples and nuts for the hungry, throw/shade down for lovers, mark sites for the lost,/and first and last are/utterly themselves,/fuller and finer than any letter or number,/any 7 or T. Their fragmentary afterlife goes on/in a guitar's body and a hockey stick, in the beaked faces/up a totem pole and the stake through a vampire's heart,/in a fragrant cheese-board, a Welsh love-spoon,/a sweat-stained axe handle, a giant green dragonfly suspended from the ceiling with twine,/in the spellbinding shapechanging/behind a glass woodstove-door.
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Salvaging beauty from grief's wreckage in the towns and wilds of post-cod Newfoundland.
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In White Summer, Joelle Biele investigates the problems of personal and cultural memory. Rich with images of flight and displacement, Biele's poems show a love for words, their music and physicality. In lyric addresses, historical meditations, and autobiographical narratives, she takes readers on a journey that includes stops at a dinner party in ancient Rome, a market square in Germany, an Italian feast in the Bronx, and the main concourse of Manhattan's Grand Central Station. She shows a sharp eye for the telling detail whether she is studying the migrations of birds or s
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In Animal Purpose, Michelle Y. Burke explores the lives of men and women as they stand poised between the desire to love and the compulsion to harm. In one poem, a woman teaches a farmhand the proper way to slaughter a truckload of chickens.
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"Joe Rosenblatt's latest collection of poems, The Bird in the Stillness, presents a forest in chiaroscuro—a delicate ecosystem held in tenuous balance by cycles of life and death, light and darkness, companionship and solitude. It provides a rich buffet of physical, spiritual and artistic nourishment for any pilgrim who cares to walk the woodland path ... and acknowledge that his warranty on breathing might be nearing its expiry."--Publisher's description.
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In finely wrought, image-driven poems, The Empty Boat explores the spiritual and aesthetic dimensions of the human relationship to the natural world, asking how nature speaks to us and what wisdom and solace it may offer the tragic aspects of our lives.
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In her first full-length collection, Sarah Westcott immerses the human self in the natural world, giving voice to a remarkable range of flora and fauna so often silenced or unheard. Here, the voiceless speaks, laments and sings - from the fresh voice of a spring wood to a colony of bats or a grove of ancient sequioa trees. Unafraid of using scientific language and teamed with a clear eye, Westcott's poems are drawn directly from the natural world, questioning ideas of the porosity of boundaries between the human and non-human and teeming with detail. A series of lyrical charms inspired by Anglo-Saxon texts draw on the specificity of the botanical and its spoken heritage, suggesting a relevance that resonates today. Westcott's poems are alive to the beautiful in the commonplace and offer up a precise honouring of the wild, while retaining a deeply-felt sense of connection with a planet in peril.
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