Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

""As new geographies of mobility and hybridity make the concept of national identity highly problematic, new questions emerge that challenge and destabilize our conventional ways of thinking. Where do migrants 'belong'? Are they members of a distant nation, or natives of the places in which they live? What kind of changes does the sense of 'Turkishness' undergo, and what does it mean to various Turkish communities living in various parts of the world? Most important of all, can emergent migran...

Motion pictures --- Nationalism in motion pictures. --- Nationalism --- Motion pictures and transnationalism --- Transnationalism and motion pictures --- Transnationalism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity,

Masculinity in motion pictures. --- Nationalism in motion pictures. --- Motion pictures --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Motion pictures --- Motion pictures --- Nationalism in motion pictures --- Nationalism --- Political aspects --- Social aspects --- Spain --- Social conditions.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th Century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 40s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.

Motion pictures --- Nationalism in motion pictures. --- Identity (Psychology) in motion pictures. --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical ev

Motion pictures --- Nationalism in motion pictures --- Cinéma --- Nationalisme au cinéma --- Philosophy. --- Aesthetics. --- Philosophie --- Esthétique --- Deleuze, Gilles, --- Criticism and interpretation --- Criticism and interpretation.