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Motion pictures --- National socialism and motion pictures. --- National socialism in motion pictures. --- Political aspects.

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Motion picture actors and actresses --- National socialism in motion pictures --- 7.071 UKLANSKI --- affiches --- film --- fotografie --- kunst --- nazifilms --- nazisme --- portret --- portretfotografie --- twintigste eeuw --- wereldoorlog --- Film --- Motion pictures

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Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance.

National socialism in motion pictures. --- Nazis in motion pictures. --- Motion pictures --- Nazis in motion pictures --- Nazis au cinéma --- Nazisme dans le cinéma

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Partant du principe que le cinéma reflète les interrogations de la société dans laquelle il est créé, les contributeurs étudient les oeuvres cinématographiques et télévisuelles allemandes des années 1990 et 2000, leurs caractéristiques esthétiques, les différentes formes de représentation et de transmission du regard sur les victimes, les coupables, la dictature, etc.

National socialism in motion pictures --- Motion pictures --- Nazisme dans le cinéma --- Cinéma --- History --- Histoire --- National-socialisme --- Cinéma allemand --- Thèmes, motifs --- Au cinéma --- Histoire et critique --- Nazisme dans le cinéma --- Cinéma --- Au cinéma. --- Thèmes, motifs. --- Histoire et critique.

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How has the German image of the Nazi past changed since the reunification of East and West Germany? And what role have cinema and television played in this process? This intriguing study argues that since 1990, the two media haveturned toward inner German experiences of the Third Reich. From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, German film has focused on portraying the Nazi past from within. Stimulating and accessible, combining close readings with broad contextualization, this monograph shows how profoundly cinema and television have transformed collective remembrance of the Third Reich. The first publication on the topic to embrace the two decades since 1990, it provides a comprehensive account of cinema and television productions, presenting case studies of national film events such as Stalingrad (1993) and Downfall (2004), andassessing the influence of international blockbusters from Schindler's List (1993) to The Reader (2008). Targeted at a wide readership, the book will be a central reference point for university teachers offering courses on German film or cultural memory, will give guidance to both undergraduate and postgraduate students, and will make a lasting impact on research in the field of German screen cultures. Axel Bangert holds a doctorate from the Faculty of Modern and Medieval Languages, University of Cambridge. Previously a Junior Research Fellow at Homerton College, Cambridge, he is an Adjunct Professor at New York University Berlin where he teaches German Cinema Studies.

National socialism and motion pictures. --- National socialism in motion pictures. --- Nazis in motion pictures. --- Motion pictures --- History --- German film. --- Nazi past. --- Schindler's List. --- The Reader. --- Third Reich. --- cinema. --- collective remembrance. --- cultural memory. --- defeat. --- inner German experiences. --- reunification. --- television. --- war.