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What is globalization? What role is there for the theatre in a globalizing world?This original and provocative book explores the contribution that theatre has made to our slowly evolving consciousness of our world as a whole. Drawing on sources from Aeschylus to The Lion King, Chekhov to Complicite, tragedy to advertising, the book argues for theatre's importance as a site of resistance to the ruthless spread of the global market. Foreword by Mark Ravenhill.
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"Throughout the history of the nation-state, theatre has contributed to the construction and reappraisal of the nation and national identities. This book argues that ideas of the nation are constantly in flux and explores the way theatre engages with such changes according to different geographical, political, economic, social and cultural climates"--
National characteristics in the theater. --- Theater and state. --- Theater --- Theater and society. --- Drama --- National characteristics in literature. --- Nationalism in literature. --- Political aspects. --- History and criticism.
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"This book explores the ways that pre-existing national works or national theatre sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning"--
National characteristics in the theater. --- Nationalbewusstsein. --- Nationalism in literature. --- PERFORMING ARTS --- POLITICAL SCIENCE --- Theater and state. --- Theater. --- Theater --- General. --- History & Criticism.
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Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.
Drama --- National characteristics in the theater. --- Theater and society --- History and criticism. --- Performing arts. --- Theater. --- Actors. --- Performing Arts. --- Theatre Industry. --- Contemporary Theatre. --- National/Regional Theatre and Performance. --- Performers and Practitioners. --- Theatre and Performance Studies. --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Show business --- Arts --- Performance art
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English literature --- Drama --- anno 1600-1699 --- anno 1500-1599 --- English drama --- Language and culture --- Languages in contact --- National characteristics in literature --- Language and languages in literature --- Theater --- National characteristics in the theater --- History and criticism --- History --- English drama - Early modern and Elizabethan, 1500-1600 - History and criticism --- English drama - 17th century - History and criticism --- Language and culture - England - History --- Languages in contact - England - History --- Theater - England - History - 16th century --- Theater - England - History - 17th century
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