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Though the German Nation State was only founded in 1871, the German nation had been imagined long before it ever took political shape. Covering the period from the Seven Years’ War to the foundation of the German nation, Nationalism before the Nation State: Literary Constructions of Inclusion, Exclusion, and Self-Definition (1756–1871) explores how the nation was imagined by different groups, at different times, and in connection with other ideologies. Between them the eight chapters in this volume explore the connections between religion, nationalism and patriotism, and individual chapters show how marginalised voices such as women and Jews contributed to discourses on national identity. Finally, the chapters also consider the role of memory in constructing ideas of nationhood. Contributors are: Johannes Birgfeld, Anita Bunyan, Dirk Göttsche, Caroline Mannweiler, Alex Marshall, Dagmar Paulus, Ellen Pilsworth, and Ernest Schonfield.
German literature --- National characteristics, German, in literature. --- History and criticism. --- Germany --- Intellectual life --- Politics and government
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Imperial Fictions explores ways in which writers from late antiquity to the present have imagined communities before and beyond the nation-state. It takes as its point of departure challenges to the discrete nation-state posed by globalization, migration, and European integration today, but then circles back to the beginnings of European history after the fall of the Roman Empire. Unlike nationalist literary historians of the nineteenth century, who sought the tribal roots of an allegedly homogeneous people, this study finds a distant mirror of analogous processes today in the fluid mixtures and movements of peoples. Imperial Fictions argues that it is time to stop thinking about today's multicultural present as a deviation from a culturally monolithic past. We should rather consider the various permutations of "German" identities that have been negotiated within local and imperial contexts from the early Middle Ages to the present.
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German literature --- Fiction --- anno 1800-1899 --- Historical fiction, German --- National characteristics, German --- National characteristics, German, in literature. --- History and criticism. --- History
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German literature --- German literature. --- Intellectual life. --- Literature and history --- Literature and history. --- National characteristics, German, in literature. --- History and criticism --- History --- Since 1900. --- Germany --- Germany. --- Intellectual life
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Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events.
Colonies in literature. --- World War, 1914-1918 --- German literature --- National characteristics, German, in literature. --- Literature and the war. --- History and criticism. --- Women authors --- Germany --- Colonies.
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A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period.
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Die Studie untersucht aktuelle literarische und kulturelle Figurationen Deutschlands in der Literatur, im Film sowie der öffentlichen Debatte und fragt nach den Mechanismen der Herstellung von Deutschlandbildern, u.a. anhand von Texten von Ingo Schulze, Jenny Erpenbeck, Wolfgang Büscher, Roger Willemsen und Daniel Kehlmann sowie Filmen von Sönke Wortmann und Wolfgang Becker, dem Phänomen der Ostalgie und der Berliner Stadtschloss-Planung. Mit dem Konzept des Imaginären nimmt die Studie die Prozesshaftigkeit der analysierten Deutschlandbilder in den Blick: Das Imaginäre kann als dynamische Struktur der Identifizierung hergeleitet werden. Diese Dynamik wird motiviert durch das Begehren nach Identität, das ihr als unmögliches Versprechen inhärent ist. Das Image, ein Begriff, der bisher selten im Fokus kulturwissenschaftlicher Fragestellungen stand, setzt das unerfüllbare Identitätsbegehren kurzfristig in Bilder um. Als temporäre Bildfunktion ermöglicht es das Image, die ökonomische Funktion von Selbstbildern einzubeziehen, denn das Image, das naturalisierend und aufgrund seiner reflexiven Struktur gemeinschaftsbildend arbeitet, ,verkauft' vermeintliche Identitäten. Die Analysen rücken die spezifischen Verfahren der literarischen und filmischen Beispiele, einer Standortinitiative und einer Mediendebatte in den Fokus und untersuchen ihre Beteiligung an der Dynamik der Identifizierung.
National characteristics, German, in literature --- National characteristics, German, in motion pictures --- Germany --- In literature --- In mass media --- National characteristics, German, in literature. --- National characteristics, German, in motion pictures. --- In literature. --- In mass media. --- Germany -- In literature. --- Germany -- In mass media. --- Languages & Literatures --- Germanic Literature --- Motion pictures --- Germany - In literature --- Germany - In mass media --- The imagined. --- image. --- nation. --- psychoanalysis.
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