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This book argues that the frontier, usually associated with the era of colonial conquest, has great, continuing and under explored relevance to the Caribbean region. Identifying the frontier as a moral, ideational and physical boundary between what is imagined as civilisation and wilderness, the book seeks to extend frontier analysis by focusing on the Eastern Caribbean multi-island state of St Vincent and the Grenadines. The continuing relevance of the concept of frontier, and allied notions of civilisation and wilderness, are illuminated through an analysis of the ways in which SVG is perceived and experienced by both outsiders to the society and its insiders. Using literary sources, biographies and autobiography, the book shows how St Vincent is imagined and made sense of as a modern frontier; a society in the balance between an imposed civilised order and an untameable wild that always encroaches, whether in the form of social dislocation, the urban presence of the ‘Wilderness people’ or illegal marijuana farming in the northern St Vincent hills. The frontier as examined here has historically been and remains very much a global production. Simultaneously, it is argued that contemporary processes of globalisation shape the development of tourism and finance sectors, as well as patterns of migration, they connect to shifting conceptions of the civilised and the wild, and have implications for the role of the state and politics in frontier societies.
National characteristics, Caribbean. --- National characteristics, Caribbean, in literature. --- Boundaries --- Popular culture --- Postcolonialism --- Social aspects. --- Philosophy. --- st vincent --- frontier --- caribbean --- wilderness --- globalisation --- civilisation
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This book argues that the frontier, usually associated with the era of colonial conquest, has great, continuing and under explored relevance to the Caribbean region. Identifying the frontier as a moral, ideational and physical boundary between what is imagined as civilisation and wilderness, the book seeks to extend frontier analysis by focusing on the Eastern Caribbean multi-island state of St Vincent and the Grenadines. The continuing relevance of the concept of frontier, and allied notions of civilisation and wilderness, are illuminated through an analysis of the ways in which SVG is perceived and experienced by both outsiders to the society and its insiders. Using literary sources, biographies and autobiography, the book shows how St Vincent is imagined and made sense of as a modern frontier; a society in the balance between an imposed civilised order and an untameable wild that always encroaches, whether in the form of social dislocation, the urban presence of the ‘Wilderness people’ or illegal marijuana farming in the northern St Vincent hills. The frontier as examined here has historically been and remains very much a global production. Simultaneously, it is argued that contemporary processes of globalisation shape the development of tourism and finance sectors, as well as patterns of migration, they connect to shifting conceptions of the civilised and the wild, and have implications for the role of the state and politics in frontier societies.
National characteristics, Caribbean. --- National characteristics, Caribbean, in literature. --- Boundaries --- Popular culture --- Postcolonialism --- Social aspects. --- Philosophy. --- st vincent --- frontier --- caribbean --- wilderness --- globalisation --- civilisation
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Museums --- Museum techniques --- National characteristics, Caribbean --- National characteristics, West Indian. --- West Indians. --- National characteristics, Antillean. --- Antilleans. --- History. --- Social aspects --- Museology --- Caribbean area --- National characteristics, Caribbean.
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This book argues that the frontier, usually associated with the era of colonial conquest, has great, continuing and under explored relevance to the Caribbean region. Identifying the frontier as a moral, ideational and physical boundary between what is imagined as civilisation and wilderness, the book seeks to extend frontier analysis by focusing on the Eastern Caribbean multi-island state of St Vincent and the Grenadines. The continuing relevance of the concept of frontier, and allied notions of civilisation and wilderness, are illuminated through an analysis of the ways in which SVG is perceived and experienced by both outsiders to the society and its insiders. Using literary sources, biographies and autobiography, the book shows how St Vincent is imagined and made sense of as a modern frontier; a society in the balance between an imposed civilised order and an untameable wild that always encroaches, whether in the form of social dislocation, the urban presence of the ‘Wilderness people’ or illegal marijuana farming in the northern St Vincent hills. The frontier as examined here has historically been and remains very much a global production. Simultaneously, it is argued that contemporary processes of globalisation shape the development of tourism and finance sectors, as well as patterns of migration, they connect to shifting conceptions of the civilised and the wild, and have implications for the role of the state and politics in frontier societies.
National characteristics, Caribbean. --- National characteristics, Caribbean, in literature. --- Boundaries --- Popular culture --- Postcolonialism --- st vincent --- frontier --- caribbean --- wilderness --- globalisation --- civilisation --- Social aspects. --- Philosophy.
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An important contribution to the ongoing scholarly examination and debate about race, identity, and citizenship in the Caribbean and Latin America
Social change --- National characteristics, Caribbean. --- National characteristics, Latin American. --- Caribbean Area --- Latin America --- Race relations.
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Denis Williams, painter, teacher, novelist, archaeologist, and cultural administrator, is one of the founding fathers of modern Guyana. His involvement in several of the country’s key cultural institutions and his pioneering work on Guyana’s founding peoples ensures him a special place in the country’s history books. Williams also contributed to the outpouring of literature that accompanied the awakening consciousness of Caribbean nations and their drive for independence. His literary work is seminal in depicting the character of the Caribbean person and landscape, and the nature of ancestral (African and Afro-Caribbean) identities. His studies of African art and culture encouraged the young nation of Guyana to turn away from Western epistemologies and to pay serious intellectual attention to other origins. His research into the archaeology and culture of the Amerindian population of Guyana and beyond laid the pathway for further scholarship. The essays assembled here bring together eminent scholars and commentators to offer authoritative analyses of the various aspects of Williams’s work – artistic, academic, and literary – and capture the rationale for, the interconnections between, and the evident trajectory of Williams’s life work as the epitome of the changing nature of the Caribbean condition. As well as wide-ranging biographical essays, and studies of Williams’s activities as a painter, the collection contains a comprehensive primary and secondary bibliography, a generous selection of colour plates, and individual essays devoted to the published novels ( Other Leopards ; The Third Temptation ) and other published and unpublished fiction, and to Williams’s archaeological masterpiece, Prehistoric Guiana . Contributors: Ulli Beier, Vibert Cambridge, David Dabydeen, Charles Gore, Stanley Greaves, Wilson Harris, Louis James, Andrew Jefferson–Miles, Nicholas Laughlin, Andrew Lindsay, John Picton, Leon Wainwright, Anne Walmsley, Charlotte Williams, Evelyn A. Williams, Jennifer Wishart.
National characteristics, Caribbean. --- Williams, Denis, --- Criticism and interpretation. --- 1900-1999 --- Guyana --- Guyana. --- Intellectual life. --- Civilization
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'Resisting Paradise' asserts the importance of both tourism and diaspora in shaping Caribbean cultural and sexual identity. It examines Caribbean cultural producers who contend with the region's overdependence on the tourist industry and address the many ways that tourism continues the legacy of colonialism.
Tourism --- Group identity --- Sex role --- Sex --- National characteristics, Caribbean, in literature. --- Discourse analysis, Literary --- Social aspects
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"This book argues that the aggressive, antagonistic elements common to mid-twentieth century Caribbean novels are designed to foster emotional responses that engender new forms of communal resistance against colonial power"--
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The volume closes with a study of twenty-first-century literature of the Caribbean diaspora, demonstrating that Caribbean writers still turn to representations of madness to depict their changing worlds.
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