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Jens Andermann, lector de mapas y viajero cultural, nos propone en este libro una pregunta radical: ¿es posible, desde el interior de una tradición crítica tan fuerte como la argentina leer su literatura desde un exterior de sentido? Todos los que emprendieron algún viaje a la tierra del otro saben del riesgo de la operación. La lectura de MAPAS DE PODER es una respuesta fascinante: entraremos y saldremos de la literatura argentina viendo la fuerza de sus mitos fundacionales a través de una sutil, inteligente y constante mirada crítica. MAPAS DE PODER es, ante todo, una nueva lectura de un siglo completo de literatura argentina (1830-1930), desde Sarmiento hasta Borges, pasando por Echeverría, Mármol, J. Hernández, Payró, Lugones, Arlt, Quiroga, Martínez Estrada (más los raros: el Perito Moreno, Estrada, Paul Zech). Pero es también el desmontaje de los clásicos nacionales (y de la tradición crítica que los constituyó) hecho a partir de instantáneas: escenas, posiciones, miradas, gestos, recorridos. Pero el libro es también "una arqueología del espacio argentino", una lectura atenta de la nación visible en la escritura y de los caminos que recorre la letra para hacerse oír: Buenos Aires, la Patagonia, la selva. El mapa que tenemos ante nuestros ojos es el de un país hecho de caminos y de fronteras; el de una cultura hecha de conflictos, apropiaciones y usos políticos del discurso
Argentine literature --- National characteristics, Argentine, in literature --- History and criticism --- National characteristics, Argentine, in literature. --- History and criticism. --- Argentine literature - 19th century - History and criticism --- Argentine literature - 20th century - History and criticism
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Beyond Civilization and Barbarism examines the role of cultural production in the struggle for power in Argentina during the first half of the nineteenth century. Identifying the pueblo, or people, as the common preoccupation of those vying to legitimize competing political projects, it argues that this decisive period of Latin American history was marked by a fundamentally modern debate to define the constitutive parts of the nation.
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In Ariana Huberman's manuscript titled Gauchos and Foreigners: Glossing Culture and Identity in the Argentine Countryside, she discusses the relationship between the gaucho figure and the 'foreigner' in Argentine rural literature from the turn of the nineteenth-century to the 1920's in order to explore the complexities of mutual cultural transformation in a literary genre and a region that thrives in binaries.
Argentine literature --- Gauchos in literature. --- National characteristics, Argentine, in literature. --- Gauchos --- Cattle herders --- Horsemen and horsewomen --- Cowboys --- History and criticism. --- History. --- Hudson, W. H. --- Lynch, Benito, --- Gerchunoff, Alberto, --- Gershunoṿ, Alberṭo, --- גערשונאוו, אלבערטא --- גרשונו׳, אלברטו, --- Gerchunofe, Alberto, --- Lynch, Benito Eduardo, --- Harford, Henry, --- Hodson, Ṿ. H., --- Hudson, Guillermo Enrique, --- Hudson, William Henry, --- הודסון, וו. ה., --- Criticism and interpretation.
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"'Caught between the Lines' examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries"--
Boundaries in literature. --- Boundaries in art. --- Captivity in literature. --- Captivity in art. --- Arts and society --- Literature and society --- National characteristics, Argentine, in literature. --- Arts, Argentine. --- Argentine literature --- Argentine arts --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History and criticism. --- Social aspects
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